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Piko makes Nerds sing. Nerds seem happy. Piko likes that.

The Chaos Communication Choir @cccoir is back đŸš€đŸŽ¶đŸ‘Ÿ
First rehearsal at #39c3 day 2

https://events.ccc.de/congress/2025/hub/event/detail/asd
After a three-year break, this time we’ve got a new piece about a special bus called Adenauer, plus the classic Heaven can’t wait, which started it all back in 2017.
You can find sheet music and practice tracks here:
https://www.ccchoir.de

For more info on the choir’s history and what we’ve been up to, check this out:
https://fairybotorchestra.bandcamp.com

@piko @CCChor

An Tag 3 um 21:00 Uhr am SpÀti sind alle eingeladen, mitzusingen - beim Punk Karaoke Special mit der Band Der Untergang*! 2/2
Hi #39c3,
Der Chaos Communication Choir ist zurĂŒck!
Nach drei Jahren Pause haben wir diesmal ein neues StĂŒck ĂŒber einen speziellen Bus namens Adenauer und den Klassiker Heaven can‘t wait, mit dem alles 2017 begann, dabei.
Noten und Musik zum Üben findet ihr hier:
https://www.ccchoir.de/
Mehr Infos zur Geschichte des Chors und was wir alles so gemacht haben, hier: https://fairybotorchestra.bandcamp.com
1/2
CCChoir – The Choir of the Chaos Computer Club

Hab mein Reisebericht Slidedeck, mal mit OBS "Recorded" und dann den Ohrwurm vom @CCChor drĂŒbergelegt. Ok, vom Timing noch nicht so super professionell *hust*. Aber Spaß hats gemacht. Isch werd noch Youtubba. Mache dann keine Podcasts sondern Slidecasts.... 🐹  đŸš

Hier so dann die Tags zum trööt: #nowhere #rC3.rev2 #rc3world

https://youtu.be/4tv_H_AaIYM

CodeFreezR walkthrough rc3world on rc3

YouTube
Made a #tic80 chiptune cover of this year's #ccchoir song "Off To Nowhereland"! đŸ‘Ÿ #rc3
There will be a #CCChoir on #rc3! @LaTease and I are already are preparing something marvelous — and we want to use the software Jamulus to be able to sing together like a real choir... Please rt and spread the word!
Auf der #rc3 gibt es auch wieder einen #CCChoir! @LaTease und ich sind schon am Aushecken – und wir wollen die Software Jamulus ausprobieren, um _wirklich_ zusammen singen zu können. Es gibt die Hoffnung auf ein echtes Chorerlebnis... Please RT and spread the word!
Dieses #divoc schaffe ich es leider nicht, einen #CCChoir zu organisieren. Eigentlich wollte ich Euch eine Toki-Pona-Version des Wellerman beibringen, aber es ist einfach zu viel los; hier ist gerade Semesterbeginn und Pandemie gleichzeitig...
Zur verteilten Hacker-Jahresendveranstaltung kriegen wir auch noch einen #CCChoir hin. Bis dahin haben wir: https://talks.mrmcd.net/ptt/talk/JCTBWT/
Euler/Mynther/Sprenger- Ghosts in the Machine DiVOC – Push To Talk

Der Komponist Thies Mynther (auch Komponist der Musik zum Communityfilm All Creatures Welcome) , der Theatermacher Veit Sprenger (Showcase Beat le Mot) und der bildende KĂŒnstler Tobias Euler (GrĂŒnder des legendĂ€ren Jonny KnĂŒppel in Berlin) haben zu Ehren des großen Musikers Moondog eine interventionistische Musikmaschine entwickelt. Die Moon Machine ist eine mobile Musikinsel, eine Bricolage mit pneumatischen Instrumenten und mechatronischen Klangautomaten, Sonnenschirm, Signalhörnern und akustischen KollisionswarngerĂ€ten. Damit erkunden die drei KĂŒnstler die Welt Moondogs. Seine Werke und Instrumente wie die Trimba oder die Dragon’s Teeth werden dafĂŒr um eigene Melodien, Gedichte und musikalische Experimente ergĂ€nzt. Basierend auf AuszĂŒgen aus Ausstellungen und Performances gestalten Sie fĂŒr das DiVOC: Push To Talk einen exklusiven Stream of consciousness. The composer Thies Mynther (also known from bands such as Phantom Ghost and collaborator of Chicks on Speed), the theater maker Veit Sprenger (Showcase Beat le Mot) and the visual artist Tobias Euler (founder of the legendary Jonny KnĂŒppel in Berlin) have developed an interventionist music machine, inititially built in honor of the outstanding musician Moondog.The Moon Machine is a mobile music island, a bricolage with pneumatic instruments and mechatronic sound machines, sun umbrella, signal horns and acoustic collision warning devices. Based on Moondog’s works and his instrument inventions such as the Trimba or the Dragon's Teeth, the artists complement the composer’s canon with their own melodies, poems and musical experiments. Built in 2019, the three artists continue to explore its performative possibilities in different contexts, after exhibitions and shows in MĂŒnster and Hamburg they will create an exclusive stream of consciousness for DiVOC: Push To Talk. Tobias Euler (born 1977) studied the liberal arts at the Bauhaus University in Weimar. His scope of activities includes graphic design, illustration, photography, interactive installations, mechatronics and music. In addition to various exhibitions Tobias Euler collaborated in theatre productions and developed scenography concepts, interactive sound objects and large-scale kinetic installations. Thies Mynther (born 1968) is a composer, lyricist, producer and performer and as such has contributed to over a hundred album releases. In the early 2000s he extended the focus of his activities to sound design and score composition. Since 2012 he has dedicated himself to conceive playful hybrids of digital media and performative means to produce contemporary, art-related forms of musical theatre. Veit Sprenger (born 1967) is a theatre maker, author and producer. He is founding member of the theatre group Showcase Beat Le Mot, with whom he has produced theatre pieces, performances, art actions and music videos since 1998.To date he has produced more than forty theatre pieces, which were staged in sixteen different countries.