OK so you know, the music I’ve been making the last couple of years is definitely #drone based, and in at least that sense I consider it in part a form of #ambient (or even #darkAmbient if you must), as well as in that it’s meant to have certain meditative and immersive qualities

at the same time, I want to emphasize that while it’s experimental, electronic, and minimalistic, I also intend it to be heavy, ritualistic stuff. I track and mix at maximum volume, and my records are meant to be heard that way. I am inspired by artists like #gybe, #sunn_O))), #Neurosis, #MONO, @sigurRos, #Godflesh (Incl #Jesu) and fuckin #Swans. I work with digital software as my primary musical instrument, because it’s what I know best and have ready access to. As part of my workflow/process, some of the sounds are bounced down to analog cassette tape on a 1990s vintage four-track machine, and then back into the laptop/DAW. One way I sometimes try to put it, is I’d like my music to be judged as if it were, say, the electronic ambient #doom solo project of a former black metal drummer – except I skipped the part where I was a drummer in a black metal band. (I did play bass and keyboards in a couple of punk bands long ago.) You’re supposed to feel the bass in your sternum, you dig?

As much as I’d love a chance to get to work in a pro studio, or maybe just to have more hardware equipment at home and I do consider my music a meaningful and serious artistic endeavor, I’m not a pro musician but a suburban computer toucher of a certain age, with a mortgage and kids to get through college, so that’s not in the cards. And I *like* seeing how much of a throbbing racket I can stir up with a DAW and a couple of basic MIDI controllers, which I think turns out to be a lot. Today’s technology makes incredible things possible working entirely in the box. it becomes a trust the process/work within the limitations/constraints thing; something something about surrendering ego to the sound.

Anyway, the point is, I don’t expect the things I make to be everyone’s cup of #noise, and this one is a couple of years old already now (ugh) – but at the risk of sounding braggy I’m pretty proud of it, and I would like for my #fedimusic friends to hear it. And once again, I strongly encourage everyone to PLAY IT LOUD!! 🤘🖤🤘

https://dub.yager-madden.com/blood-paradise.html

thomas yager-madden - blood paradise

an original recording by thomas yager-madden

jeez I was just tryna let the people know that I have music online and maybe they’ll think it’s cool. I didn’t really mean to write like a whole artistic statement!

#sorryNotSorry #maybeALittleHigh

@tym This was enjoyable! Thank you. I'm passing it to my husband, a big fan of drone and minimalism.
@spiegelmama thanks! I’d be interested to know what he thinks of it

@tym I enjoyed it very much! I love the not-quite repetitions that structure the sound piece.

Thank you for creating it!

welp, I can’t claim this post is like Doing Numbers, but 4 boosts is kind of a lot for me, so I wanted to add here that I also posted a much newer track a few days ago and I don’t think it’s just recency bias that’s making it a bigger personal favorite

https://tilde.zone/@tym/116768655102825203

#drone #ambient #darkAmbient #doom #noise #fedimusic

thomas yager-madden (@[email protected])

Hey hey I made some new #music!! Doom-y, drone-y, noisy, dark, immersive Synths and samplers and fuzz and saturated af. Produced under the influence of having seen Sunn O))) recently and it shows, but I don't have a huge tube amp backline and a big live room; just me with a laptop and a 4-track cassette recorder in my bedroom Please czech it out, and I hope you will enjoy it! https://dub.yager-madden.com/netcong.html #darkAmbient #ambient #noise #drone #doom #doomDrone #indie

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