I have collected data from 60 participants over the last two days, and the preliminary data analysis looks really good. Overall, participants are performing as hypothesized or better. I suspected that the study I am basing this study on underestimated the ability of people without musical training to do this task (or a similar one), and it appears that I was right! They’re doing even better than I expected.

#VoiceDenumerability

This experiment is looking at how many instruments people can count when they are playing together—for example, if listening to a recording of a string quartet, how well can people tell if it is 1, 2, 3, or 4 instruments playing at any given moment, and how readily can they identify when the number changes (one or more start or stop). My musical examples go up to 5 instruments (or musical “voices”). The hypothesis is that trained musicians would be able to identify 1-3 quite well, and then that accuracy and ability to identify changes would go down fairly rapidly with textures of more than 3 voices, and that people without musical training would perform less well than those with musical training.

#VoiceDenumerability

Very preliminary data analysis seems to be showing that people, regardless of musical training, are able to count up to 3 pretty well, and accuracy drops considerably for 4 and even more for 5, and it drops a bit less for people with musical training than those without.

#VoiceDenumerability

@musiciankate are the instruments identical? Like 5 soprano violins with more or less the same sound?
@Klara Great question, I left that part out but it is a key part of my study. The instruments are not identical because the range of the musical excerpts is too wide, but I tried to make the timbres similar enough to seem the same. I used fugues by Bach and Musescore MIDI instrument sounds for five different instrument timbres, and in this experiment all of the instruments in a given trial were the same general instrument timbre. My follow up study will have the same musical examples but mix up the timbres, so that no two instruments in a given trial have the same instrument timbre.
@Klara There is a lot of evidence that timbre differences make it easier to separate musical “streams” or “objects,” and I am curious to see *how much* easier it makes this task.
@musiciankate I sing all kinds of choir music, right now I'm trying to study Monteverdi's Maria Vespres, which has 8 voices and more in places. The differences in human voices helps.
I also found that having the sheet music for the first time, while listening to a well known peace (and being able to read) makes a big difference in what my ears discern.