Robert Dallas Grayit takes a special kind of idiot to love the fender jaguar but boy do I
this is an 84 MIJ which I got in 88 when I was 15. it’s the possession that’s been with me longest in my life. been knocked around, modified, played the heck out of all over the uk, europe, australia, on a load of records. a talisman
never wanted a real vintage guitar; I want an instrument that’s an equal, not something I have to revere. over time I’ve grown together with this thing. I could never sell it
it continues to break and fuck up and go weird in inscrutable and unique ways. I continue to patch it up and tweak it until it functions something like a guitar. we’re like the odd couple at this point
here are some of its finer moments, anyway https://gargleblastrecords.bandcamp.com/track/the-leanover
The Leanover, by Life Without Buildings
from the album Live at the Annandale Hotel
First Frost, by Whin
from the album Dawn Firth
Lake Medina, by Robert Dallas Gray
from the album The Rain Room
The Vallum, by Robert Dallas Gray
from the album The Vallum
Nigel@rdg_music feel very much the same and tbh never really been fussed about what brand name is on a guitar. "How does it play? How does it sound? How does it feel in my hands?" ... nothing else matters does it? Nice if I like the 'look' but not important really.
My Strat is an early 80s Squier MiJ and it's lovely, bit of a Trigger's broom as far as the hardware goes after 40 years 😁
My others are a diverse and motley crew - two basses, fretted and fretless, two electro acoustics steel and nylon.
My Strat is an early 80s Squier MiJ and it's lovely, bit of a Trigger's broom as far as the hardware goes after 40 years 😁
My others are a diverse and motley crew - two basses, fretted and fretless, two electro acoustics steel and nylon.