At Boston Musical Intelligencer Adina Belwin praises #BMOP’s presentation of Mono e Mono (e Mono), writing “three compact works, proved once again that opera need not sprawl to strike deep… Throughout, @bmop played with razor-sharp clarity… The orchestra served as psychological commentator as much as accompaniment, binding the evening’s disparate worlds into a cohesive meditation on ambition and its costs.” / https://www.classical-scene.com/2026/02/24/triptych-wows/



