David DeBoor Canfield celebrates The Voyage of Edgar Allan Poe in Fanfare’s May-June 2026 issue. “I’ve always liked the music of Dominick Argento, but this gripping #opera may be his masterpiece… Gil Rose and [ #BMOP ] rise to the considerable musical and technical demands of the score in their usual splendid fashion. Every lover of contemporary opera should hasten to obtain this masterful American opera” / https://fanfarearchive.com/articles/atop/49_5/4950720.az_ARGENTO_Voyage_Edgar_Allan.html

Earlier this month, composer Bernard Rands passed away in Chicago, Illinois. #BMOP was fortunate to program and perform his compositions multiple times in concert, and record the Canti trio of works: Canti dell’Eclisse for bass and orchestra; Canti Lunatici for soprano and orchestra; and the Pulitzer Prize-winning Canti del Sole for tenor and orchestra.

The Canti recordings on #BMOPsound are available to stream and download from your preferred digital platform.

A peek at what #BMOP’s been up to.

#orchestra #sesh

Chen Yi’s compositional style seamlessly interweaves traditional Chinese and western classical music practices. She writes, “I had a dream: to put some of my concertos for solo string instruments onto a CD for my audience to enjoy collectively. The moment came when Gil Rose…invited me to work together with #BMOP on an album of my orchestral works.” / https://bmopsound.bandcamp.com/album/chen-yi-concertos-for-string-instruments

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#WomensHistoryMonth

BMOPer, tomorrow, March 13, #BMOP joins @Odysseyopera for its presentation of Gian Carlo Menotti’s The Last Savage.

The program booklet is available online / https://bmop.org/wp-content/uploads/2026/03/LastSavage_Program_v6.pdf

Get last minute tickets at 20% off with code OO20off / https://www.bostontheatrescene.com/shows-and-events/the-last-savage/

#BMOPmusic #newmusic

Composer Lisa Bielawa writes of #BMOPsound release Lisa Bielawa: In medias res, “These two discs tell the story of a three-year journey… My hope, from the beginning of my tenure as Composer in Residence with #BMOP, was that with Gil Rose, the orchestra’s musicians, and the supporters of new music in #Boston, I could stimulate community through musical experiences.” / https://bmopsound.bandcamp.com/album/lisa-bielawa-in-medias-res

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#WomensHistoryMonth

This #WomensHistoryMonth, #BMOPsound showcases music of contemporary women composers. Boston-based Kati Agócs is hailed “a composer of imposing artistic gifts” by Gramophone.

Kati Agócs: The Debrecen Passion presents five works completed 2008-2015. The titular piece, commissioned by the Jebediah Foundation for #BMOP & Lorelei Ensemble, premiered Jan 24, 2015, under conductor Gil Rose / https://bmopsound.bandcamp.com/album/kati-ag-cs-the-debrecen-passion

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Classical Voice North America applauds Mono e Mono (e Mono), observing, “…an intense evening of three American works with @bmop, its leader Gil Rose, and a trio of compelling vocalists… For decades, #BMOP has been the firm champion of contemporary American music… impressive was the collaboration: singer, conductor, orchestra, all focused on the plunging narrative.” / https://classicalvoiceamerica.org/2026/02/25/3-monodramas-explore-multifaceted-characters-against-orchestral-light/
At Boston Musical Intelligencer Adina Belwin praises #BMOP’s presentation of Mono e Mono (e Mono), writing “three compact works, proved once again that opera need not sprawl to strike deep… Throughout, @bmop played with razor-sharp clarity… The orchestra served as psychological commentator as much as accompaniment, binding the evening’s disparate worlds into a cohesive meditation on ambition and its costs.” / https://www.classical-scene.com/2026/02/24/triptych-wows/

Tonight! #BMOP presents Mono e Mono (e Mono), a trio of contemporary orchestral monodramas, at Jordan Hall.

William Bolcom / Medusa
Ronald Perera / The White Whale
Carlisle Floyd / Flower and Hawk

Program booklet, libretti, & ticketing / https://bmop.org/performances/mono-e-mono-e-mono/
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This concert, presented in partnership with @Odysseyopera, is made possible with generous support from the Catherine & Paul Buttenwieser Foundation, the Ronald C. Perera Family, and an anonymous donor.