Depending on who you ask, Tron: Legacy.

(I personally love the movie and rewatch it every couple years but it didn’t do well, IIRC.)

I murdered a lot of reapas in Mass Effect 3 Multiplayer to some of those songs.

Movies

• Sucker Punch
• Transformer 2 and beyond. The movies were shit but the score was top notch
• Blue Hawaii

Tv Shows

• The Book Of Bobba Fett
• Star Trek Enterprise

I want to mention like three different games, but for each one someone would rightfully come after me for saying the game itself is mediocre. So I’ll just say I personally love these games, but I see with pretty clear eyes that aspects of them haven’t stood the test of time.

Mirror’s Edge, The Neverhood, and Yuri’s Revenge all have amazing soundtracks.

And after that disclaimer if you still try to pick a fight about how they’re not mediocre games, I’m going to also pretend I’m fighting the person who called them mediocre and then crawl out of our cartoon fight cloud.

Not exactly the soundtrack, it was fine, but nothing special and overall forgettable

But I want to give a small shout-out to Morbius for having really good sound mixing. I definitely expected it to be a “whispers and explosions” kind of movie where you couldn’t hear the conversations, and action scenes blew your eardrums out, and the background music was all over the place

But no, everything was at a reasonable volume, I could hear everything crystal clear.

There was just nothing worth hearing unfortunately.

I liked Stealth’s soundtrack when it came out. Radio had gotten quite corporate-stale at the time, and the tracks had a upbeat rock personality I did not know I wanted to explore. I’m no audiophile, and it is not something I actually pursued. It was just something I noticed at the time. I rarely take notice of stuff like that.

In terms of movie music in general, anything from John Williams is amazing to me. I think it is because John has a knack for communicating logical empathy and emotions in music that tells a parallel story within the scenes of the movie. He is not creating a simple background soundscape or echoing the emotions the visual storytelling. Instead, he is sneaking in behind you from the shadows and taking on a staring role in your experience without ever announcing himself or allowing you to see how he expands the performing stage. After that initial experience of the film, when you hear any small part of John’s score, that entity he conjured comes to life again, reminding you of his unspoken staring role in ways no one else I know of is capable. Some others certainly create beautiful backgrounds and soundscapes, but I have never experienced anyone else that conjures a presence in the same way as John Williams.