I have less of a point or argument here than a musing. But I wrote about my fascination with fairy-tale time, its unpinnability, and how I keep wondering what relation that might have to the pseudo-contemporary non-time we find in many realistic stories.

What do you think?

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Magical Time

What the slippery non-time of fairy tales can say about contemporary realism

imprompt2
So back to this time discussion--right now I'm working on a story and I really want to use names from my generation even though they don't make a lot of sense for the age of these characters in this time period. I want it to feel slightly off and anachronistic. But it risks the reader aging the characters wrong--or just losing trust in the writer. It's a fun problem.

@allisonwyss

I've got names that work for the time period but can be shortened, as their friends and family do, to something that sounds more modern.

@crcollins

I love using names that don't fit. Not for every character. Usually just my favorites. And I like when the not-fitting is subtle. It's this little perk up moment I think. Just a little "hey pay attention here, reader."

@crcollins

But it IS really interesting how names do so much work to pin a time and world. Don't they?

@allisonwyss I went the other direction for a short story and chose to leave the characters unnamed so it can be nearly anywhere.
I and a few readers like the effect and ambiguity but others were put off by it. It's been interesting as a writing exercise to figure out how to write clearly without names (there are only two characters) and also how to ground it a bit more without losing the openness created by the lack of names and specificity.

@crcollins

@emmaaum @crcollins

I definitely used unnamed characters sometimes in my shorter work. There's this interesting relationship between reader and character that it can create. Sometimes, it makes a space of intimacy, to be known only by a pronoun. And sometimes it feels like the pronoun just turns into a name. But it's more difficult to sustain over a longer work or when you have more than a couple characters.

@emmaaum @crcollins

One thing it can signal is a sort of archetypal sense. A character is named by their role rather than their name.

@emmaaum @crcollins

But sometimes NOT naming can be a way to actually place the characters, rather than to be vague about place. It can signal genre, for example, when used in conjunction with other forms.

@emmaaum @crcollins

I worry sometimes that stories that don't use names can fall into a trap of gender essentialism. It's so easy to make the decision to have one of each pronoun to differentiate characters, then with nothing else as handle, regressive stereotypes can accidentally fall into place or just be assumed. I mean it certainly doesn't happen every time--just something to watch out for.

@allisonwyss
@emmaaum @crcollins

It's an artifact of the language.

In sign language (ASL), pronouns are set by body position. I might lean to the left and sign "bank manager, tall" then lean to the right and sign "bus driver, old". Then I might sign that the (lean left) was wet, and angry at the (lean right), and you'd know the tall wet bank manager was angry at the old bus driver, without knowing (or needing to know) whether each was male or female.

#ASL
#SignLanguage
#linguistics

@allisonwyss
@emmaaum @crcollins

If English had programming language extensions, then instead of "He watched her as she cooked his breakfast the way he had seen her mother do it," you might say:
"1 watched 2 as 2 cooked 1's breakfast the way 1 had seen 2's mother do it."
This would be different from "1 watched 2 as 1 cooked 2's breakfast the way 1 had seen 1's mother do it."

No need for gender. Maybe even introduce more numeric pronouns as necessary.

#linguistics
#ProgrammingLanguages

@allisonwyss
@emmaaum @crcollins

Come to think of it, I wonder if that's easily understandable.

"Peter watched John as he² cooked his¹ breakfast the way he¹ had seen his² mother do it."

or maybe

"Peter¹ watched John² as he² cooked his¹ breakfast the way he¹ had seen his² mother do it."

You know, I might actually try this, for my story writing!

#linguistics
#StoryWriting

@potungthul @emmaaum @crcollins

Oh yeah. We just need to mark which person is which. The best tool we have for this is, er, names? But when don't use names, we use either pronouns or some other identifier such as role or relationship or some sort of descriptor (the X person, the one who Y). In English, some of our pronoun handles have the baggage of gender. Other identifiers have other baggage. And baggage is a form of subtext--we have to pay attention to how we deploy it.