Just as the book was a stinging indictment of Capitol Punishment, so too is the original film adaptation of Truman Capote’s true crime work. While the film is visually stunning with its use of chiaroscuro lighting where all is black or white, the matter of reality and the determination of guilt in a system of jurisprudence is entirely a world of varying shades of grey.
The two accused are losers, but can ‘revenge’ ever truly be justified?
★★★★★
120 years later and it’s still great!
Like most, I’ve always known of this but never really seen it properly before.
Here’s the version I watched: https://youtu.be/KHxYPW5vvic
It’s got the original hand-painted colour and frame rate adjusted so the action is at a normal pace the way it would have been seen at the time.
It’s wonderful, charming, and simply enchanting. If you haven’t seen it before now, do so.
Very highly recommended.
★★★★☆
I’m not sure why it’s taken me so long to see this film, and I’m also not sure how I hadn’t heard about this happening in the first place! Never before have so many been able to blame so much to so few!
To be fair to Congressman Wilson, he had no idea what would happen as a result, and he certainly didn’t expect to have the support he courted disappear so quickly and completely.
Great performances, great script.
Highly recommended.
★★★★★
The only quibble I have with the film is that it’s too short. I would have loved an Oliver Stone-style approach to this where everything is poured onto the table and shoved into our faces.
But that’s me.
This is a fairly complicated plot. You have those who originated the ancient gods working to protect the world from destruction, but who also help to destroy life to create life which then creates more life, even though much life must end to do that. There are also questions of choice vs faith, as well as the cost of vs sanctity of life. Also, what is the purpose of love?
There’s a lot packed in there.
Recommended.
★★★★☆
This is as much about the effect that writing “In Cold Blood” had on Truman Capote as it is about the author himself. He was brought face-to-face with himself, as he both became friends with a murderer and simultaneously yearned for him to describe the killings and then to be executed so that the book could be finished. Mr Capote knew he had an incredible book to write, as well as a self-loathing he could never be rid of.
Highly recommended.
★★★★★
Saying that one ‘enjoyed’ this film is akin to saying you ‘enjoyed’ a poem or a symphony. One experiences this more than anything as simple as that.
Much of this film’s techniques have been made fun of, but we always satirize or mock what scares us most; this film cuts to the bone of reality because we all feel guilt, self-doubt, lust, petulance, and disconnectedness.
As with any great art, it’s about feeling, not action.
★★★★☆
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I’m on holiday until the 15th! Hoorah!! Let’s watch some stuff that I probably shouldn’t spend time viewing! This runs 1:14 & looks cheesy as anything!
[:: views film ::]
Wow.
This is certainly a movie. Yup! No denying it; that there is a motion picture made using CinemaScope!
Yup. People talk, they move around, there’s a script… yup; definitely a film, fairly clear it is.
Maybe this is best viewed under the influence of something…?
★★☆☆☆
The difference between last night’s film and the one this evening couldn’t be more defined than it is.
Oh! They’re both black & white!
They both have actors who speak!
Uh… yeah, that’s it.
DEFINITE PLUS: you get to see a Ford GPA Amphibious Military Vehicle, a simpler version of the ‘DUKW.’
I’ve see this before — hell, #IOwnThis, but I streamed it in the hopes Ms Johannson gets some more money that way — but I kept getting references to it in other films and I couldn’t remember it well enough.
There’s a solid sense of learning about the person inside the character, despite her inclination to shut out the rest of the world and keep her own counsel.
Really excellent story-telling here about ‘family.’
Recommended.
★★★★☆
This little confectionary of mystery / procedural / comedy / backstage satire is perfection. The plot layers back o itself so ably that even if you work things out, there are so many little jokes and references to keep you going you start doubting your ability to work it out.
Fantastic performances from everyone, there’s not a dud to be found.
If you love theatre and know oodles of plays, you must see this.
Very highly recommended.
★★★★★
I have seen this picture many times. There’s always something that I’ve forgotten, or maybe I hadn’t appreciated quite as fully, or maybe I put the parts together in my mind a little more tightly.
There is VERY LITTLE CGI in it; anything you see is done the old way in the camera, or it’s forced perspective, or it’s a model. But, as if that’s not enough, the story is old SF solid.
It’s such an incredible film.
Very highly recommended.
I have been in an odd, insubstantial mood for much of the day, finding purpose in nothing, with the hope that it will come upon the morrow.
This charming portmanteau tells three whimsical tales of art, politics, & food; all with the élan that only Wes Anderson can bring to a film. I love his work, and all 87,000 of the actors in the picture.
For me, today, this was perfect. Thank you, Wes.
Recommended for those who love Wes Anderson.
★★★★☆
A fair question would be “why in blazes did you torture yourself with this?”
The problem with this film — and I grant there are a fair number of them with this — is that once the central conceit is revealed, it seems so blindingly obvious, that you hate yourself for not working it out earlier. You could have worked it out whilst standing outside the cinema, you still resent the time it took.
★☆☆☆☆
John Boorman is principally at fault, as he was the writer, producer, & director.
The costumes can only be considered the product of the imagination of a straight male in their early teens; not due to the diaphanous nature of the ladies’ costumes (although that certainly is a strong indicator), but that no matter how ridiculous the appearance of a male — lack of personal grooming or awkward choice of attire they may possess — chicks will still dig them.
As far as plot, it really needs to have something more than mixture of bad genetic superiority and a dumbed-down version of “Flowers for Algernon.” There’s a sort of message, but it’s so muddied by marauding masked assassins and titties that it could be ‘buy milk, bread, and a pound of butter’ and we wouldn’t be the wiser by the time the credits roll.
Best to avoid.
I have seen this all the way through at least twice. Don’t be like me.
Funny, action-packed, and full of music of my youth! Perfect!
Except, well, the plot is stretched a bit thin with too many loose threads and an overly-pat dénouement. Good in general, however.
★★★☆☆
Originally, I was going to watch the first 1½ hours of this and then go to bed and read.
Well… I’ve just finished watching all 4½ hours and it was SO VERY MUCH WORTH STAYING UP FOR! Zero regrets! I fully understood everything going on, which is saying something given I’ve never read the book.
Find a copy of the Sci Fi Channel’s mini series from 2000 and watch it. You’ll thank me later.
Profuse thanks to @anthonyfloyd for lending me his copy.
★★★★★
To add to the above, there are some problems with this, but mostly caused by the time of production, budgetary restraints, and its purposed display being turn of the millennium television.
The SFX are very clearly pre-Marvel Studios level of complexity. The fact that they didn’t have limitless money for the entire series and it being intended for Big Tube TVs and not Flat Screens just adds to the problem. Looking at the desert mouse is like looking at a ‘place holder rendering’ today.
All of that said, the sets, costuming, acting, editing, direction, and script are top-notch. I have seen the David Lynch film at least twice, and the Denis Villeneuve first half of the story once, and this is the one version I followed everything in the story — politics, economics, philosophy, moral quandary of whether Jessica and Paul really are the fabled characters or merely using the stories for their own ends — and that alone is a huge achievement.
I also have a copy of the follow-up.
Last night and tonight have been devoted to this. It’s delightfully complicated.
The art design is splendidly accomplished, with late-‘60s / early-‘70s industrial brutalism.
The writing is excellent, with a fair few surprises and philosophical discussions peppered throughout. Actions have consequences, and catastrophic actions doubly so. Thus, we need to discuss things.
Hoorah for intelligent Super Hero stories!
Bring on Season 2!
★★★★★
Originally released as two motion pictures — “The Great Gambler” & “Inferno” — this is an excellent story that’s well worth your time.
Some of the performances are extraordinary; there’s a moment near the end of the 1st film where the Count’s life is virtually destroyed which is mesmerizing.
This really broke new ground and set the manner of how to tell stories about swindles, heists, police investigations, & crime.
Very highly recommended.
★★★★★
A quiet, underplayed, terrifying true story about a quiet, underplayed, terrifying series of murders all committed at one address by one man over an expanse of two decades.
Everyone’s performance is flawless, and the filmmakers use realistic lighting and presentation, making the whole thing chilling.
Imagine the most polite, quiet, meek little man with the quietest voice you’ve barely heard. Now make him a murderer.
Very highly recommended.
★★★★☆
An excellent compliment to the film “Capote,” which was released the same year. Yes, it’s the same story about the same people covering the same events… but it’s a different feeling altogether. This is more sympathetic to everyone, which is quite apt.
Now, there’s a thread through this that I cocked my eyebrow at, but with Truman, it was tough to know just what to believe.
You’ll believe the performances, though. Great!
Highly recommended.
★★★★☆
Some films make you remain in your seat for a good number of minutes after the credits finish rolling, because you need some time to readjust to the reality that is immediately to hand. This is that sort of film.
The plot is an allegory for American Society; not just in the setting of the 1930s, but within the history of any nation in the so-called Western so-called Civilization. Who we value and why is too arbitrary.
Very highly recommended.
★★★★★
Surely there’s a stage version? It’s the right length, the staging of the film screams for a black-box arena or alley staging, with possibly the narrator playing multiple small bits including the Big Man at the end. A production of this would be something I would rush to in order to audition for the role of narrator. What an incredible script and lofty challenge for the actors in the story.
This is easily the best thing I’ve seen since the last best thing I’ve seen in a very long time!
Wow.
An entirely enjoyable and satisfying six episodes of humour, action, drama, mystery and thriller. The acting is wonderful, the direction and cinematography great, the editing and sound (which, trust me, plays a big part here) is perfect.
Let me say this about the sound: when Hawkeye takes his hearing aid out and the world turns into a big fuzzy cotton ball of ‘wah-wah-wah,’ that is EXACTLY how it sounded when I had an ear infection.
Recommended.
★★★★★
Nine episodes that — based on my pattern — should have taken two nights to watch but really took three nights and I’m so glad I took the extra evening.
There are a lot of big questions posed here (what is love? what is real, if you believe hard enough? what are you willing to do to have what you want?) and there’s time enough to explore them.
Mr Bettany is so VERY good here. Also Ms Olsen, Ms Hahn, and Ms Parris. Everyone, really.
Recommended!
★★★★★
Excellent motion picture telling an exciting story of not only the importance of being able to overcome ‘the bad people,’ but of •being• the right kind of person to begin with. Sure you can be the fastest, the richest, the most powerful… but what you do with all of that counts more than anything imaginable. One can yearn for something but why you want it reveals more than what it is you wish for. Choose wisely.
Highly recommended.
★★★★☆
Equal parts humour, action, history, and current culture, this series is fantastic. It’s refreshing to see a part of the global community represented in a medium that usually only shows one side of American life.
I’m not sure how Muslim / Pakistani Americans feel about this series, but I can’t imagine anyone watching this and thinking anything other than ‘oh my god that’s just like MY family!’
I can’t wait for more!
Highly recommended!
★★★★★
Darned good fun here! Imagine a mixture of Ally McBeal, Hulk, and some of the funniest adult parts of the #Marvel stuff, all packed into one show. AND IT WORKS!!
Please ignore the ‘but The Hulk is a DUDE, dude!’ dudes because they cannot accept that women can ALSO be strong and want to be silly. Share the limelight, people; better yet, drag others into the limelight WITH YOU!!
Watch this on its own merits, not some expectations.
Recommended.
★★★★☆
A fantastic film telling an absolutely awful story, sadly based on a real event. Thankfully, much of the plot would never see the light of day in a Canadian courtroom of today.
Excellent acting and production work. The narrative device is a bit heavy-handed, but works.
A stinging critique of both capitol punishment and the use of a sexual assault victim’s record of behaviour. Also, the townsfolk in general.
So sad.
Highly recommended.
★★★★★
Turns out that the book upon which the picture was based may not have been about a real event.
No doubt this sort of thing did happen, however. And still does. That’s the saddest part.
The opening is difficult to watch because of the death of Chadwick Boseman. The rest of the story is difficult to watch because of the complexities of the question wrestled with: how to defend one’s family and respect others when it is the others who threaten your family? What is the right thing to do then? Can vengeance ever truly be right? Is a war really ever over?
This is an excellent film.
Very highly recommended.
★★★★★
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I have now finished watching the first two series of episodes of this. It is very very good. I’m especially impressed with the ability of the writers to stick handle their way through an already complicated universe while not ragging the puck and simultaneously incorporating the events of the films as and when they’re released •and• setting up other films and TV mini-series. None of that is easy. They even make it entertaining and with characters I care about!
As far as I’m aware, I hadn’t seen this until now.
The characters are incredibly realistic; so much so that I’m surprised they were allowed to be so… well… ugly. Telly Savalas’ role is especially nasty; and he plays it very carefully to the hilt and no further.
The dénouement is, frankly, quite inhumane, even if it is NAZIs that are being made to suffer.
Due to great pacing, it doesn’t feel like 2½ hours.
Recommended.
★★★★☆
While not ‘great,’ definitely ‘quite good,’ and I’m very glad to have seen it.
The House Antreides does get exceedingly messianic in this one — even more so than last time, if you can believe it — and the action is far more political and thrilling. Still, great plot, cast, writing, and cinematography. Some of the digital work is clunky, but that’s down to 2003 technology, budgets, and the fact I’m watching a DVD as source.
Thanks again @anthonyfloyd!
★★★☆☆
Ian Alexander Martin