If you're excited that things are entering the #PublicDomain — which you should be! — perhaps it's worth considering reforming copyright.

In many places currently it's 70 years after the death of the author, or longer. This is insanity.

An important piece of culture made by a young author could be locked behind copyright (with rights usually held by publishers, not authors themselves anyway) for over a *century*.

That's how you get #Disney to own almost everything.

Reform #copyright!

@rysiek It is one of my worst enemies as a film historian. I restore old films but copyright keep me from accessing and saving films. They eventually end up being destroyed by time, or poor storage, or just locked away in some archive. Films donated to archives can be locked away even longer due to other rights, rights made by those who donate. They can keep films away from people just because they say so. Art is under threat by many factors but copyright is one of the worst.

@MachineGrrrl 💯

It's infuriating. How much art have we lost *because* it was not allowed to be preserved for posterity due to corporate copyright gobblers.

@rysiek @MachineGrrrl

even with fairly recent TV programmes made in 90s and 00s aimed at youth audiences in Europe, particularly those featuring pop music any archives are often deliberately wiped (or not even kept in the first place) despite tech being able to preserve them due to the risk of copyright lawsuits. Worse still, a lot of producers of 90s rave music sold out to major labels (at least here in UK) so stuff constantly disappears from YouTube etc..

@vfrmedia @rysiek I have done work for techno documentaries & TV channels are not really good at archiving. The MTV Europe archive burned down. Also the actual footage filmed on location is trashed after use & only the material used in the actual program might remain if lucky. Also it costs a fortune to buy rights to such footage. There is a great docu waiting to be released due to copyright "Free Party". It is finished but held up because of copyright. Quite ironic, a docu about Freedom !

@MachineGrrrl I wondered why I saw very little archive stuff from MTV Europe. Was the archive that burned in UK, PL or USA when it happened? I've only heard about archive stores in USA burning, but I read a lot of "999/112 news from UK/Europe and don't recall any news reports about any incidents in UK/Europe (but they could I guess just have been reported as a "normal" fire in business premises)

@rysiek

@vfrmedia @rysiek UK. But the good news is that James, the producer of MTV Party Zone, recently found, from what I understood, the entire back catalogue of the show ! So, at least that is still around and will probably be available at some point. I told him to contact the producer of the upcoming The Prodigy documentary, I suppose part of the band footage will be on that. I gave my film footage of the band to him as well.
@MachineGrrrl @rysiek I guess at some time after they vacated the TV-AM building (I used to send spare parts to there for for MTV to use when I was a broadcast engineer) the archive must have been moved to a less safe location, and hadn't been digitised either..
@MachineGrrrl @rysiek incidentally as an outsourced engineer I learned that TV companies are *really* paranoid about letting anything of Beta-SP quality or above leave their studios lest it got pirated, we had to test our playout systems on 5 year old trailers and half recordings of programmes (never an entire episode), even though Youtube was years away at the time and it wouldn't have been easy to borrow a Beta SP deck from work for an evening to copy anything..
@rysiek @MachineGrrrl intellectual property is theft from the Commons.

@MachineGrrrl

> rights made by those who donate

this truth, that restrictions established through agreements even *exist*, often gets smothered entirely by copyright discourse

copyright law, for all its problems, can be seen as an attempt to harmonize an even messier and often more restrictive thicket of disparate private practices.

It's like people ignore entirely the very existence of contract law.

@rysiek

@MachineGrrrl @rysiek

Great page here about works entering the public domain - and including some extra analysis about copyright generally:

* an analysis about attempts to keep Sherlock Holmes locked down that should (🤞) be guide for Disney

* section on saving silent films and the inadvertent destruction due to copyright

* the effects of copyright harmonisation due to trade deals between countries.

https://web.law.duke.edu/cspd/publicdomainday/2023/

Public Domain Day 2023 | Duke University School of Law

Tweet       By Jennifer Jenkins, Director of Duke’s Center for the Study of the Public Domain January 1, 2023 is Public Domain Day: Works from 1927 are open to all! On January 1, 2023, copyrighted works from 1927 will enter the US public domain. 1  They will be free for all to copy, share, and build upon. These include Virginia Woolf’s To The Lighthouse and the final Sherlock Holmes stories by Arthur Conan Doyle, the German science-fiction film Metropolis and Alfred Hitchcock’s first thriller, compositions by Louis Armstrong and Fats Waller, and a novelty song about ice cream.