Green dresses are a personal favorite; this one is up there in my all-time list.

I first ran across it when I was doing research into the history of velvet for one of my ThreadTalk subjects and I could not look away. It looks like it's made of moss, and if I wear it, I may find my way to Faerie.

The date on the gown is somewhere between 1885-1888, & it was made in Scotland by Gowan and Strachan, and is from the National Museums Scotland collection.

#FashionHistory #fashion #ThreadTalk

If you want to learn more about velvet, I've got a whole page on it with some great resources.

https://www.nataniabarron.com/2021/03/01/voluminous-velvet/

Voluminous Velvet

Natania Barron

And, if you're interested in the history of green dye -- I've got a #ThreadTalk on that, too.

https://www.nataniabarron.com/2021/06/02/that-eldritch-hue-green-poison-passion-and-privilege/

That Eldritch Hue: Green, poison, passion, and Privilege

Natania Barron
@natania This is the kind of history I always enjoy. The little things which a lot of people don't even think of, which hide such surprising depths.
@XanIndigo Same! (obviously lol) I really love digging into a subject and then realizing I knew nothing about it really
@natania Oh yes, that's always the best. And sometimes it's amazing how much you can learn, too. One of the most interesting things I wrote this year was about the history of perfume, which is a lot more complex than I realised when I started!
@natania Oooh this is fascinating! The pics are worth the price of admission on their own, but the info is just delicious. Nice post!
@iris_tsui Thank you! I used to do these all on Twitter, and thinking of moving them here. :)

@natania thanks for writing that velvet article. It was interesting and I learned about Velvet codpieces and masks that you kept on by clenching a button.

Also, Your post, made me imagine a mythic tragedy in which someone is extremely vain while alive, and in the afterlife they are made to hold one of those velvet face masks with their teeth. The longer they hold it the more beautiful they get, but if they drop it they get disfigured somehow and have to start over like Sysiphus.

@longforjohn That is terrible and wonderful!
@natania Is this one of the ones with wildly toxic dye (even by the standards of the time)? I have a vague memory that one or more of the greens was a Bad Idea.
@natania I want to wear this and walk directly into a bog, only to be seen by moonlight.

@natania
Nice!

My favourite dress is this one by Maison Worth in Paris and worn by the Comptesse Greffulhe in 1897.

@gbsteve I know that dress! I wrote a whole piece on it. :)

@natania @gbsteve

What's the URL? Love to read it!

A Love letter to a House of Worth Victorian Tea-Gown – 1897

Natania Barron
@gbsteve @clive Aww, thanks for grabbing that. I was AFK :)

@natania @gbsteve

omg the blue that shimmers off that fabric as it bends and moves -- it's like EXTRADIMENSIONAL or something

Just amazing

@clive @gbsteve It's a mind-glowing effect. The joy of changeable silk (which has been around for a long time).
@natania go ahead and kill me so I can be buried in it.
@natania That is absolutely gorgeous! As a former wardrobe person in theatre & film, historical fashon and this level of detailed work fascinate me!
@DevonEllington Right? It's mind-bogglingly amazing art.
@natania Wearable art. The stitchers rarely get the credit they deserve. When you think about when this was done, how beautiful it remains, the craftmanship is astonishing.
@DevonEllington This is so true. There's a massive bias in historical research regarding fashion... we have misogyny to thank for that. It's getting a little better, but still lingers.
@natania So true. That's another reason it's so much fun to share photos like this. Thank you so much for posting it.