You Did What?!

The Hole We Can’t Fix

By Cliff Potts, CSO, and Editor-in-Chief of WPS News
Baybay City, Leyte, Philippines — June 24 , 2026

What Is Happening

In northeastern Siberia, a massive permafrost collapse known as the Batagaika crater continues to expand as warming temperatures thaw previously frozen ground. The formation, sometimes referred to as a “mega-slump,” is the largest of its kind currently observed.

The process is driven by thermokarst activity: once ice-rich permafrost begins to thaw, the ground loses structural integrity, collapses, and exposes deeper layers to further warming. This creates a feedback loop in which collapse accelerates additional thaw.

Why It Matters

The crater is not simply a geological curiosity. Permafrost contains large amounts of ancient organic material. As it thaws, that material decomposes and releases carbon dioxide and methane into the atmosphere.

This contributes to a broader climate feedback cycle:

  • Thawing permafrost releases greenhouse gases
  • Greenhouse gases increase global temperatures
  • Higher temperatures accelerate further thaw

The visible collapse in Siberia is therefore part of a larger system that extends beyond the region itself.

What It Reveals

At the same time, the collapse is exposing layers of soil, plant material, and animal remains that have been preserved for tens of thousands to more than 200,000 years.

These layers provide direct access to:

  • Past climate conditions
  • Ancient ecosystems
  • Long-term environmental change

Under normal circumstances, this information would remain buried and inaccessible. The current exposure creates a rare opportunity for scientific study.

A Global Opportunity

The site raises a practical question: how should the scientific community respond?

Research in such environments is already conducted through international collaboration. Scientists from multiple countries contribute expertise in geology, paleontology, climate science, and environmental analysis.

Access to the site is limited by geography, safety concerns, and national jurisdiction. However, the knowledge gained is global in value, not local.

The situation suggests a need for coordinated study rather than isolated effort.

The Balance

There is a tension in how to interpret what is happening.

The cause of the collapse—rapid warming and permafrost thaw—is destabilizing and carries long-term consequences. At the same time, the exposure of ancient material provides valuable insight into Earth’s past.

Both conditions exist simultaneously.

This is not a case of a beneficial discovery. It is a case of a damaging process that produces useful information.

Perspective

The expansion of the Batagaika crater is measurable, ongoing, and difficult to reverse at a local level. Once initiated, the thaw-collapse cycle tends to continue as long as environmental conditions support it.

That makes the site less a singular event and more a visible indicator of a broader trend.

Similar processes are expected to occur in other permafrost regions as warming continues.

Conclusion

The ground in Siberia is opening, exposing a long record of Earth’s environmental history while also releasing carbon that contributes to further change.

The situation presents a choice: treat it only as a warning, or also as a source of knowledge.

When conditions cannot be immediately reversed, understanding them becomes part of the response.

When life hands you lemons, around here you make calamansi and squeeze it over the barbecue.

If you read this and it matters, help me keep it going: https://www.patreon.com/cw/WPSNews

For more social commentary, please see Occupy 2.5 at https://Occupy25.com

References

General synthesis based on current scientific understanding of permafrost thaw, thermokarst processes, and Arctic climate dynamics, including publicly available reporting and research summaries on the Batagaika crater.

#BatagaikaCrater #climateChange #environmentalScience #globalSystems #permafrost #Siberia #WorldBeat
The Cross of Changes (1993), de Enigma

«We came out from the deep» Mi adolescencia tardía fue un auténtico hervidero de música electrónica y descubrimiento personal. En mi reproductor nunca faltaba Enigma, uno de los mayores referentes …

THE_CHEI$

Nuevo post! Hoy, en un día tan especial como es el solsticio de verano, revisito este clásico del new age y el worldbeat.

The Cross of Changes (1993), de Enigma

#musica #discos #discosmusica #newage #newagemusic #worldbeat #downtempo #ambient #90s #blog #enmiblog

https://thecheis.com/2026/06/21/the-cross-of-changes-1993-de-enigma/

The Cross of Changes (1993), de Enigma

«We came out from the deep» Mi adolescencia tardía fue un auténtico hervidero de música electrónica y descubrimiento personal. En mi reproductor nunca faltaba Enigma, uno de los mayores referentes …

THE_CHEI$

The Cross of Changes (1993), de Enigma

"We came out from the deep" Mi adolescencia tardía fue un auténtico hervidero de música electrónica y descubrimiento personal. En mi reproductor nunca faltaba Enigma, uno de los mayores referentes en la música new age y el worldbeat de los 90, al que estuve muy viciado. Su éxito dio el pistoletazo de salida a bandas como Deep Forest, ERA o los españoles Elbosco, así como a toda esa música exótica que inundó el mercado por aquel entonces. Incluso prepararía a los oyentes para la […]

https://thecheis.com/2026/06/21/the-cross-of-changes-1993-de-enigma/

¿Spanish and Hindi (and English) in the same song? ¿Hokkien and Japanese in the same song? ¿Zhuang pop?

Over 2,250 songs now on my Infectious Multilingual 2 playlist. Catchy songs for joy in catchy times. Eclectic. Mid-to-uptempo. Minimal cursing (but some, and some mature topics). Fun music in dozens of languages and topolects.

https://music.youtube.com/playlist?list=PLLdlgvDfBTAIUoLX4AycbgnK_Jo8DfyUx&si=mGRkt4ia54UJjdfW

@music @languagelovers

#music #languages #worldBeat

Infectious Multilingual 2

Continued from Infectious Multilingual 1. Yet more catchy songs for joy in catchy times. Eclectic. Mid-to-uptempo. Minimal cursing (but some, and some mature topics). Fun music in various languages and topolects. References: Wikipedia, Every Noise at Once, Lonely Planet's Armchair Explorer, YouTube music algorithm, other peoples' community playlists, David Bennett Piano and Mojo videos, social media, fond memories.

YouTube Music
Shakira - Ojos Así | Live & Off the Record (En Vivo y en Privado)

https://u2be.ovh/w/206af2a2-7398-4d98-8555-af65d36ba006?start=0s&autoplay=1

🇪🇸 Shakira Isabel Mebarak Ripoll, nacida el 2 de febrero de 1977 en Barranquilla, Colombia, ha cautivado al público mundial con su innovadora fusión de géneros. Una de sus canciones más destacadas, "Ojos Así," se incluye en su álbum "¿Dónde Están los Ladrones?" y también aparece en "Live & Off the Record." Lanzada el 23 de julio de 1999, cuando Shakira tenía 22 años, esta canción muestra una mezcla de influencias de dance-pop, worldbeat y música árabe. La interpretación en vivo de "Live & Off the Record" resalta su dinámica presencia escénica y profundidad emocional, consolidando su reputación como ícono musical global.

<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>

🇬🇧 Shakira Isabel Mebarak Ripoll, born on February 2, 1977, in Barranquilla, Colombia, has captivated audiences worldwide with her innovative fusion of genres. One of her standout tracks, "Ojos Así," is featured in her album "¿Dónde Están los Ladrones?" and also appears on "Live & Off the Record." Released on July 23, 1999, when Shakira was 22 years old, this song showcases a blend of dance-pop, worldbeat, and Arabic music influences. The live rendition from "Live & Off the Record" highlights her dynamic stage presence and emotional depth, solidifying her reputation as a global music icon.

Follow Shakira:
► Follow Shakira Isabel Mebarak Ripoll:
@[email protected] https://u2be.ovh/a/shakira
► Watch more music videos by Shakira:
https://u2be.ovh/c/shakiras
► Listen to Shakira:
https://u2be.ovh/a/shakira
► Listen to Shakira's "Live & Off The Record (En Vivo y en Privado)":
https://u2be.ovh/w/p/suxAEDMms6FQvb8GhCR8qt
► Subscribe to the official Shakira channel:
https://u2be.ovh/c/shakiras

🎵 L Y R I C S / L E T R A S 🎵:
Ayer conocí un cielo sin sol
Y un hombre sin suelo
Un santo en prisión
Y una canción triste sin dueño

Ya he ya he ya la he
Y conocí tus ojos negros
Ya he ya he ya la he
Y ahora si que no
Puedo vivir sin ellos yo

Le pido al cielo solo un deseo
Que en tus ojos yo pueda vivir
He recorrido ya el mundo entero
Y una cosa te vengo a decir
Viaje de Bahrein hasta Beirut
Fui desde el Norte hasta el polo sur
Y no encontré ojos así
Como los que tienes tú

Rabboussamai fikarrajaii
Fi ainaiha aralhayati
Ati ilaika min haza lkaaouni
Arjouka labbi labbi nidai
Viaje de Bahrein hasta Beirut
Fui desde el Norte hasta el polo sur
Y no encontré ojos así
Como los que tienes tú

Ayer vi pasar una mujer
Debajo de su camello
Un rio de sal un barco
Abandonado en el desierto

Ya he ya he ya la he
Y vi pasar tus ojos negros
Ya he ya he ya la he
Y ahora si que no
Puedo vivir sin ellos yo

Le pido al cielo solo un deseo
Que en tus ojos yo pueda vivir
He recorrido ya el mundo entero
Y una cosa te vengo a decir
Viaje de Bahrein hasta Beirut
Fui desde el Norte hasta el polo sur
Y no encontré ojos así
Como los que tienes tú

Le pido al cielo solo un deseo
Que en tus ojos yo pueda vivir
He recorrido ya el mundo entero
Y una cosa te vengo a decir
Viaje de Bahrein hasta Beirut
Fui desde el Norte hasta el polo sur
Y no encontré ojos así
Como los que tienes tú

<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>

Album Artist: Shakira
Album(s): ¿Dónde Están los Ladrones?, Live & Off the Record, Live from Paris, Laundry Service: Washed and Dried (expanded edition), MTV Unplugged
Written by: Shakira Isabel Mebarak Ripoll
Music genre(s): Dance-pop, Worldbeat, Arabic music
Released: 1999
Decade for first release: #1990s

#shakira #ojosasi #dondeestanlosladrones #liveandofftherecord #dancepop #worldbeat #arabicmusic #1990s #youtubefree #googlefree #metafree #SongOfTheHour #SOTH #songoftheday #SOTD #MeinSongDesTages #MSDT #SongOfTheNight #SOTN #nowplaying
Shakira - Ojos Así | Live & Off the Record (En Vivo y en Privado)

PeerTube

Old review.

SYSTEM 7 - Point 3 - Fire Album

https://emcritic.blogspot.com/2016/06/system-7-point-3-fire-album.html

Two things remain consistent for this act's run in the #90s:
1. They expertly fused techno, trance, and hippie vibes
2. Their American distribution was a convoluted mess, no matter the release

#ElectronicMusic #Techno #GoaTrance #WorldBeat #Dub

Shakira - Suerte 🇪🇸 (Whenever, Wherever)

https://u2be.ovh/w/8ZZU1wHfrMR52cQsyrGiEo

Shakira - Suerte (Whenever, Wherever)

PeerTube
Shakira - Ojos Así

PeerTube

Goat – Requiem [2016], dieci anni dopo

Un disco che ha retto bene i colpi degli anni e che anzi è migliorato mentre cresceva è il terzo dei Goat, Requiem. Quando uscì, nel 2016, dovette subire il confronto innanzitutto coi precedenti dei Goat stessi, che avevano acceso gli animi con una mista di psichedelia, afrobeat, raga indiani, riffoni carichi di fuzz e wah wah e due impressionanti voci femminili a dare la carica, e perciò forse venne un po’ snobbato: tanti non accettarono l’idea di un disco folk, a tratti delicato, poco distorto e tanto strumentale; prevalse l’idea che fosse un’opera media, al limite discreta, fioccarono i giudizi compiacenti ma trattenuti. Riascoltato oggi, invece, con la prospettiva del tempo passato e mettendolo a fianco di altri dischi decenni – alcuni dei quali, è evidente, non hanno retto la botta – assume un altro sapore e un’altra profondità.

Il folk di Requiem è musica popolare multicolore e multiculturale i cui antenati vengono dall’Africa, dall’India, dal sud del Mediterraneo e dall’America Latina; è immersa in questa storia e tuttavia sembra non fare alcuno sforzo per assomigliare a qualcosa in particolare, e la firma della band ce l’ha stampata in fronte.

Gli strumentali spadroneggiano, ma cosa gli volete dire a dei pezzi come Goatband o Goodbye? Che sono troppo narcotici? Cosa vi aspettate dalla «psichedelia», le canzonette con la chitarra in riverbero? Suvvia. E non si può certo affermare che manchi il materiale per ballare. Ce n’è anzi da vendere ed è di ottima fattura: gli inni apripista da cantare a squarciagola I Sing in Silence, Trouble in the Streets, Try My Robe e Union of Mind and Soul sono già diventati dei classici. Il giro di flauto dell’ultima ha la stessa potenza ipnotica del riff di chitarra di Seven Nation Army – ed è un cazzo di flauto, non so se rendo l’idea. E poi c’è Goatfuzz, una carica col fuzz in spalla lanciata da due voci indemoniate che termina in una coda raga acidissima: non è forse tra le migliori del suo Goatgenere?

È un disco strano e alieno questo Requiem, non è conciso e immediato come i suoi fratelli più grandi e necessitava di tempo per aprirsi e fiorire. Questo mi è parso di capire. È un’opera che tiene tanti mondi insieme allineandoli l’uno accanto all’altro in un racconto che appare sempre più coerente, sempre più affascinante e grande a ogni ascolto, e che stacca di chilometri per carattere e fervore tante cose più blasonate.

Viva il caprone!

#Afrobeat #FolkRock #Goat #HeavyPsych #LaMusicaDel2016 #PsychedelicRock #Requiem #Worldbeat