Thesaurus is an album by American composer/arranger/pianist Clare Fischer, recorded and released in 1969 by Atlantic Records.
The New York Times review by Martin Williams was written shortly after the album's original release:
West Coast pianist Clare Fischer has done what I wish Monk would do: he has written his own big band arrangements; the results are admirable. Fischer can make his ensembles whisper, sing, shout, praise, explain, cajole, proclaim. He is not afraid to be simple when simplicity will work; he can write for a mere quintet within the ensemble when he wants to. The solos by tenor saxophonist Warne Marsh, particularly, and baritone saxophonist Bill Perkins are the best I've heard from these men, but, the leader excepted, some of the other improvisers confine themselves to other people's ideas. - Wikipedia
https://www.youtube.com/watch?v=1PaQaYsBUK0&list=OLAK5uy_nu0QgdgVA7X6rSGAuwoIPwuJujnP7pgAc
#ClareFisher #Jazz #BigBand #Music #WarneMarsh #DukeEllington
Jouer des standards, ce n’est pas les répéter ; c’est les utiliser comme véhicules pour l’improvisation.
https://www.youtube.com/watch?v=2dcA0KftIaw&list=RD2dcA0KftIaw&start_radio=1
https://www.youtube.com/watch?v=6P9NPucxT44&list=OLAK5uy_n-OxNWZCTTSiaOANFdBjzT2d7pExEZ3eI&index=6
Ne Plus Ultra, is an album by saxophonist Warne Marsh, recorded in 1969 and released on the Revelation label in 1970
The Guardian's John Fordham said, "A largely unsung classic, originally released in 1969, and featuring the most purist of all the followers of Cool School guru Lennie Tristano's ascetically linear method of jazz improvising. West Coast saxophonist Warne Marsh (like all the Tristanoites) liked staying in a narrow dynamic range, but within it he could perform miracles of melodic invention and rhythmic audacity – though almost always performing the latter over a metronomically steady drummer's groove" - Wikipedia
https://www.youtube.com/watch?v=jzmwVWOjjII&list=PLBJenJIJrq0xE2ViIoNr911_FjxVKxVjU&index=1
Thesaurus is an album by American composer/arranger/pianist Clare Fischer, recorded and released in 1969 by Atlantic Records.
The New York Times review by Martin Williams was written shortly after the album's original release:
West Coast pianist Clare Fischer has done what I wish Monk would do: he has written his own big band arrangements; the results are admirable. Fischer can make his ensembles whisper, sing, shout, praise, explain, cajole, proclaim. He is not afraid to be simple when simplicity will work; he can write for a mere quintet within the ensemble when he wants to. The solos by tenor saxophonist Warne Marsh, particularly, and baritone saxophonist Bill Perkins are the best I've heard from these men, but, the leader excepted, some of the other improvisers confine themselves to other people's ideas. - Wikipedia
https://www.youtube.com/watch?v=1PaQaYsBUK0&list=OLAK5uy_nu0QgdgVA7X6rSGAuwoIPwuJujnP7pgAc
#ClareFisher #BigBand #DukeEllington #Jazz #Music #WarneMarsh
Nice mono recording of this 1955 session.
Lee Konitz With Warne Marsh
(1972 – Japan, Reissue, Atlantic – P-6071A)
#nowplaying #nowspinning #jazz #jazzcommunity #vinyl #vinylrecords #vinylcommunity #leekonitz #warnemarsh