So, I finished watching all of 2022-3's Gundam of the moment, The Witch From Mercury yesterday, and I am... conflicted about it.
A lot of this conflict comes from the failure of the writing to pay off themes that it seemed would be explored properly - the The Tempest references are mostly superficial (Suletta is a pretty good Miranda, but ironically most of the things named from The Tempest are poor matches) and there's hints of much better things they could have done with that theme (Elen Ceres' clones might have been worked into a Caliban themed strand, if we take Peil's all-female directorship team as a Sycorax stand-in), and really mostly mislead. The Utena parallels work better - there's the interesting decision to invert the personality types of our Bride (Miorine is decidedly driven and determined more like Utena than Anthy), and the "Prince" (Suletta is *very* like Anthy, passive and obedient to the antagonist of the piece) - but Utena's metaphysical concepts run in a different direction to what this series wants to explore, ultimately.
The school setting does provide for an interesting contrast to the "corporate machinations" - but it also means that we never really get detail on a lot of the context that we need to engage with the commentary the show is trying to make at that level.
And, in the end, I think this is responsible for the second-half of season 2 seeming to run on mini-deus-ex-machina; revelations with little proper set up (the code in the tomatoes for Miorine, and then Miorine suddenly having hacker skills never evidenced before, for example; or the eleventh hour "Prospera is dying" thing); and a somewhat confused moral center (the person with the purest motives for doing evil is arguably Shaddiq, and he's basically the only person who seems to be suffering any consequences in the epilogue).
So, I enjoyed the series as a whole, but it also left me with a feeling that it *really* needed at least another series to give it time to sort itself out.
#thewitchfrommercury