Retching – Charming the Decomposed Review

By Saunders

Part of the appeal of my long-standing relationship with death metal is the sheer diversity of the genre and its many sub-genres. There is something for all moods. So while stylistic preferences remain, most forms of death I can happily jam with, whether it be old school primitive clubbings, tech shredding, gnarled dissonance, emotive melodeath, brutal slam, or successful forays of doom, blackened and prog influences into deathly frameworks. But in the end, it’s the genre’s simplified, core values and slimy, grimy atmospheres that warm the heart. Throwing their hats in the old school death revivalist ring, relative newcomers Retching explode out the rusty graveyard gates with a no-nonsense, pretension-free blast of old school death. Seeking to add their own spin and identity to separate themselves from the horde of old school aficionados, while leaving reinvention for other folks, the Rhode Island duo unleash debut, Charming the Decomposed. Let us explore whether Retching possess the songwriting smarts and tools of destruction to make an impact outside of aping the genre’s proud past.

Thirty-two minutes is all it takes for Retching to deliver eight slashing cuts of riff-driven, blasty, gore-soaked death, American-style. Charming the Decomposed is an old school brawler with a mean streak, chock to breaking point with parasitic grooves, gut-busting riffs, brutal percussive assaults, and appropriately grisly, brutal vocal eruptions. All that said, Charming the Decomposed doesn’t take itself too seriously, loading the rabid, bloodied collection with a variety of part goofy, part unsettling samples, adding to the album atmosphere, even if they are a little overdone at times (see bludgeoning opener “Moonlight Perversions/Gorging on Ecstasy”). Otherwise, efficient, high-energy cuts are the order of the day, drawing influence from the esteemed likes of early Exhumed, Mortician, Carcass and Cannibal Corpse.

“Shower Curtain Silhouette” builds from a rugged, grinding base, ratcheting up tension before exploding into speedy, punk-infused rampages, stomping verses, and skillfully fluctuating tempo shifts. The deceptive songwriting diversity poking through the muck and feral abuse adds a layer of intrigue to otherwise more traditional, blunt force beatings, amid a couple of less impactful tunes. Another of the album’s stronger examples, “Septic Entombment,” features a creative arrangement, allowing breathing space for the meaty, yet wickedly infectious riffs and bouncing grooves to ride shotgun with aggressive, blast-riddled surges. Retching operates effectively in high-speed savagery, yet the writing tends to appeal most when mixed with slower, malevolent tempos, lending a doomy, leaden weight to proceedings, such as the tormenting melodies and ominous vibes emanating from “Fetid Abattoir.”

Energy rarely drops, as brutality and raw-boned explosions of speed and blast-riddled mayhem ensue. Retching wisely integrate structural and tempo variety, coupled with razor-fine slivers of melody and raucous, crunchy riffs to stave off monotony and lend the album an infectiously headbangable streak. Along with the aforementioned tunes, this is further highlighted on the brooding, ominous swagger of ‘Vulgar Celluloid Trophy”. The anonymous duo of Latex (drums, vox) and Mondo (guitars) forge a powerhouse combo, perfectly suited to the lean, mean, and cutthroat nature of the album’s tight construction. Latex whips together a punchy, inventive performance behind the kit, proving adept at deploying slower, groovier rhythms and finesse to go with the rip-snorting blasts and thrashy tempos. His serviceable vocals get the job done, adding a gritty, guttural edge. Meanwhile, partner in crime Mondo serves up an unhealthy dose of meaty, genuinely catchy riffs, which, if maintained consistently across the album, may have elevated a solid experience into something more substantial. Still, there is some excellent axework and riffs to sink into.

Retching’s impressively no-nonsense debut won’t challenge the upper tier of death metal albums in 2025 or threaten many year-end lists. But what it does, it does well, with a no-fuss, belligerent charm that is easy to like. While there is little fat or unnecessary bloat to be found, the songwriting has room for improvement to live up to the quality of the album’s stronger cuts and create a more consistent, compelling listen. However, signs are bright and the potential promising for Retching to build something more formidable down the track.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Transcending Obscurity Records
Website: Bandcamp
Releases Worldwide: August 22nd, 2025

#2025 #30 #AmericanMetal #CannibalCorpse #CharmingTheDecomposed #DeathMetal #Exhumed #Mortician #OldSchoolDeathMetal #Retching #Review #Reviews #TranscendingObscurityRecords

Caustic Wound – Grinding Mechanism of Torment Review

By Saunders

Back in the strange old days of 2020, Seattle’s Caustic Wound detonated a skin-blasting deathgrind debut, entitled Death Posture. It landed on my end-of-year list and has remained a staple since. Comprised of like-minded scene veterans, including members of Mortiferum and Magrudergrind, Caustic Wound skillfully weld brutal, old-school death and grindcore influences into a raw, gnarly, riff rumbling beast. Death Posture’s dirty, unrefined production and reeky, terrorizing attack lent it a dangerous, unhinged edge, complimented by its infectious riffcraft and ugly underground values. Fast forward to the present and Caustic Wound reappear hellbent to fuck things up in their wickedly violent, deranged way. The efficient, action-packed platter of splattery goodness gets the job done in under half an hour, rifling through sixteen sharp, savvy and utterly punishing deathgrind bursts. With all the pieces in place, can Caustic Wound back up their impressively savage debut and capitalize on their prior groundwork with a sophomore album to savor?

Grinding Mechanism of Torment picks up where its predecessor left off, albeit offering a freshly inspired take on the bare-bones aesthetics and raw buzz of the debut. First and foremost, this shit maintains the band’s brutally raging, guttural thrust and blast riddled form of deathgrind mayhem, featuring the thrashy, artery slashing hooks and gore spattered flair to do Exhumed and Impaled proud, Caustic Wound have sharpened their weapons of butchery and refined their sound, without compromising the blasty, grind-fueled punch and exhilarating blast of the debut. This is partly attributed to a cleaner, more refined, though still appropriately thick, beefy production job that stays true to their brutal underground roots. The tidier sonic aspects fail to diminish the savage old school charms and full throttle grind attacks that litter the album (“Advanced Killing Methods,” “Human Shield,” “Endless Grave,” “Dead Dog”).

Without discarding those classic death and grind influences of yesteryear, the influences reach a little broader, encompassing the occasional d-beaten Swedeath smackdown, hardcore stomp, and nods to the early days of legends such as Napalm Death, Cannibal Corpse and Terrorizer. Equipped with a bevy of killer riffs, the songs penetrate the memory bank. The buzzsawing, uppercutting riffs are uniformly strong, regardless of speed, but especially when Caustic Wound occasionally lay off the relentless pace and unleash the Leng Tch’e-esque groove and grind sections (check the sludgy, groovy crush of “Drone Terror” or insanely hooky riffs of “Blood Battery” as primo examples). Elsewhere, wild solos punctuate the chaos (“Infinite Chaos,” “Blackout”) and Clyde Lindstrom’s (Corpus Offal, Fetid) meaty, phlegmy vocal eruptions enlivens and adds a feral, guttural punch to proceedings, lending character and deceptive variety, not content to fall into being an unremarkable rhythmic afterthought. Not content to play it safe, closer “Into Cold Deaf Universe” dabbles in slow building, sludgy discordance, and samples before eventually mutating into a deadly deathgrind epic, unloading across nearly seven minutes of blasting and caterwauling noise, capping the album in momentously chaotic, violent fashion.

Despite the cleaner sonic palette, Grinding Mechanism of Torment packs a hefty wallop in the heaviness and brutality stakes, and is anything but a run-of-the-mill example of old school deathgrind. Chase Slaker and Max Bowman wield their axes with feral abandon amid lightning bursts of speed, vice-tight interlocking riffs, and divebombing solos. The riffs are a constant highlight and the deeper emphasis on thick, headbanging grooves unlocks some seriously chunky, infectious moments, such as the vicious outro of the grindy “Sniper Nest,” and swaggering grooves of “Horrible Earth Death.” Amidst the speedy focal point and blast riddled displays, the rhythm section of bassist Tony Wolfe and drummer Casey Moore do a bang-up job of driving this deathgrind killing machine and locking down the mean, violent grooves punctuating the album.

Death Posture established Caustic Wound as a deathgrind powerhouse to be reckoned with, embracing classic death and grind values, executed with fresh and frenzied flair. Some of those endearing, caveman charms of the debut cannot be recreated in the more refined format. As such Grinding Mechanism of Torment may lose some of the wild, unhinged edges of the debut. However, the album compensates through its addictive riffcraft and diverse, though still plenty brutal display of deathgrind lunacy, expanding their songwriting scope and marking a grisly, bone-crunching, and righteously infectious return.

Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Profound Lore
Website: Bandcamp
Releases Worldwide: April 25th, 2025

#2025 #40 #AmericanMetal #CausticWound #CorpusOffal #DeathMetal #Deathgrind #Exhumed #Fetid #Grindcore #GrindingMechanismOfTorment #Impaled #LengTchE #Magrudergrind #Mortiferum #NapalmDeath #ProfoundLore #Review #Reviews #Terrorizer

Caustic Wound - Grinding Mechanism of Torment Review | Angry Metal Guy

A review of Grinding Mechanism of Torment by Caustic Wound, available April 25th worldwide via Profound Lore Records.

Angry Metal Guy
Mercredi jour des enfants fouisseurs, Exhumed / Death Revenge. #exhumed #exhumedband #deathrevenge #deathmetal #vinyl #transatrecordshop #confortmoderne #poitiers
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