Historicus ThemataVacancy for Research Data Officer at University of Strathclyde
Segnalazione utile per chi si occupa di archivi digitali e strumenti di descrizione.
https://www.dpconline.org/news/job-vacancies/vacancy-research-data-officer-strathclyde-uni
WhatIsDH'DH involves the use of computers either to conduct humanities research or to communicate its results.' Caleb McDaniel 01.01.2014 #DigitalHumanities #WhatIsDH
Xavier MarecaThe conversation around AI often swings between panic and misconception.
AI doesn’t “replace” creativity, responsibility, or human judgment. It automates patterns, not meaning.
In every field — from art to engineering — humans remain the ones who interpret, validate, and give direction.
AI is a tool. The human layer is the system.
#AI #FediTech #FutureOfWork #Ethics #DigitalHumanities #HumanInTheLoop #OpenCulture
Frederik ElwertIt’s here! We just launched the new website of the #DiGA Collection, a collection of Buddhist sculptures from the Dir Museum in Chakdara, Pakistan. This site was built using an experimental static site framework for #CulturalHeritage collections that I developed over the last months. It’s a first beta version, and it will serve as a foundation for future explorations. Read more and explore the collection here: https://collection.diga.ceres.rub.de/ #BuddhistArt #DigitalHumanities #MinimalComputing
Malte RehbeinHier eine Stellenausschreibung #digitalhumanities an der Uni Passau. Leider nur für ein Jahr, dafür aber Home-Office geeignet:
RaDiHum20Vor 3 Wochen ging die #DHd2026 in Wien zu Ende. Die Echos der Eindrücke hallen aber noch nach & auch unsere heutige Folge bringt euch die Konferenzwoche nochmal akustisch näher. Schwelgt also gerne in Erinnerungen, sie müssen für 1 Jahr reichen...
https://radihum20.de/dhd2026-impressionen/
#DigitalHumanities #DHd2026
https://radihum20.de/dhd2026-impressionen/
#DigitalHumanities #DHd2026
DHd2026: Impressionen zusammengestellt von RaDiHum20 - RaDiHum 20
In dieser Folge nehmen wir euch direkt mit nach Wien zur 12. Jahreskonferenz der Digital Humanities im deutschsprachigen Raum. Wie in den vergangenen Jahren haben wir auch diesmal wieder Mikrofon und Aufnahmegerät eingepackt, um für euch Eindrücke von der Konferenz einzufangen: Stimmen aus Workshops und Panels, kurze Gespräche mit Teilnehmenden, Ausschnitte aus den Keynotes von […]
FID Anglo-American CultureMaybe a trip to the #LakeDistrict next? Joanna E. Taylor & Ian N. Gregory present this innovative, interdisciplinary study bringing together #LiteraryStudies on #Literature & #History of the Lake District 1622-1900, with tools from geography & #digitalhumanities
Vacancy for Project Archivist at University of Strathclyde
Contenuto rilevante per patrimonio documentario, archivi e biblioteche.
https://www.dpconline.org/news/job-vacancies/vacancy-project-archivist-strathclyde-uni
'I think of 'Digital Humanities' is a vague and ambiguous term; in fact, I think it causes a fair amount of confusion both inside and outside of the academy. DH is an umbrella term that, depending on who you are talking to, covers a huge territory: everything from applied text analysis and corpus stylistics to the more esoteric and theoretical realms of video game criticism.' Matthew Jockers 01.01.2010 #DigitalHumanities #WhatIsDH
Digital History Berlin📣 Out now: New Episode #Soundscapes of #DigitalHistory 🎧
On this episode we talked to Edgar Leujene from Paris and Sébastien Poublanc from Toulouse about the state of digital history in France, the label digital historian, and more!
👉 https://www.hsozkult.de/debate/id/fddebate-158481
@historikerinnen @histodons @hsozkult @NFDI4Memory @VHD
#Soundscapes #DigitalHumanities #DH #NFDI4Memory
Interview Edgar Leujene (Paris) and Sébastien Poublanc (Toulouse) – Soundscapes of Digital History
The conversation with Sébastien Poublanc and Edgar Lejeune highlights the ambivalent situation of digital history in France. Poublanc does not see himself as a digital historian, but rather as a user of technical tools from other disciplines, and believes that the field is not yet firmly established institutionally. Lejeune, on the other hand, defines digital history in terms of belonging to a research community and sees it as a continuation of quantitative historiography, particularly in medieval studies. Together, they point to serious structural deficits: digital resources such as databases are hardly recognised scientifically, which means that historians have little incentive to acquire technical skills. As a result, other disciplines make greater use of historical data, while the discipline of history itself assumes little institutional responsibility.