Design's most distinctive cognitive contribution — abductive reasoning — remains largely confined to the studio, the workshop, the project timeline. We theorize it extensively (Kolko, Zingale, Dorst), we recognize it as the engine of design synthesis, the mechanism through which incomplete observations become structured hypotheses, through which uncertainty generates possibilities.
Yet when it comes to collective contexts — communities navigating complex territorial challenges — abduction stays trapped in episodic formats, limited by the well-known pathologies of participation: who gets to be in the room, for how long, with what resources, and whose complexity gets actually processed.

This is the gap we explored in the paper presented at the Italian Design Society last June with Michele Zannoni and Flaviano Celaschi. The Systemic Relational Insight (SRI) framework, born from my doctoral research at the University of Bologna, proposes a hybrid intelligence process — community and machine — designed to scale the abductive dimension of sensemaking across broader publics, longer timeframes, and thicker layers of data and knowledge.
The core idea: integrate qualitative knowledge from situated workshops with quantitative data and scientific references, generate candidate insights and submit them to community validation (bringing scale in the formula to reach who didn't attend). An insight here is never a single statement delivered by an algorithm. It's a cluster containing multiple versions, each traceable to its genealogy of sessions, voices, and contexts, each carrying different degrees of community consensus, data support, and scientific consistency.
That simple.

1/2

#DesignResearch #AbductiveThinking #Sensemaking #SystemicDesign #CommunityIntelligence #HybridIntelligence #PluralDesign

see this special issue of Diseña:

'Diseñar en la condición planetaria: Multiescalaridad, atención y habitabilidad' |
'Designing within the Planetary Condition: Multiscalarity, Attention, and Habitability'

edited by Martín Tironi

https://doi.org/10.7764/disena.28.Editorial

#design #DesignResearch

Got something urgent to say about crisis, design, or the world we’re walking through?📣

For DDCon 2026 – By Design and By Disaster, we’re looking for 7 people, initiatives or small collaborations to share stories and practices that reclaim the future while co-creating it in the present.

7 minutes. Any format.
Talk. Performance. Song. Live act.
As long as it fits within 7 minutes.

We’re interested in bold, honest, unexpected contributions that can inspire action, strategy and research now.

📩 Send your application to [email protected]

🗓 Apply by March 30

Format:
→ 1 A4 page (text + supporting visuals)
Include: short intro, 3–5 keywords, and a brief abstract connecting your idea to this year’s focus.

This isn’t about polished presentations.
It’s about sharing something real.

#DDCon2026 #7x7Talks #ByDesignAndByDisaster #CallForContributions #DesignResearch #AcademicMastodon

Workshop deadline extended ✨

The call for workshops for By Design and By Disaster 2026 (DDCon) now closes on 7 March 2026.

If you’ve been developing an experimental, critical or practice-based workshop around design & disaster this is your extra time.

Details here:
https://designdisaster.unibz.it/call-for-workshops-by-design-and-by-disaster-2026/

Please share within your networks.

#DDCon #CallForWorkshops #DesignResearch #AcademicMastodon

Call for Workshops: By Design and by Disaster 2026

If you are ready to share your practice and help us co-create this year's experience, please submit your proposal by the 28th of February

BY DESIGN AND BY DISASTER
Beautiful weather today 🩵 I was out for grocery shopping and errands. But otherwise I’m stuck at the laptop all day working on an exciting research proposal with a very fast deadline 😅 If that all goes well I hope to be able to start a new large research related undertaking later this year ✍️ #designresearch #research #finland #WinterWeather

📣 Important PWiP reminder — one week to go!

⏰ Deadline: 13 February 2026
❗️ Important reminder: This year’s PWiP page limit is 6 pages, including references.
We encourage all authors to review the updated submission guidelines before submitting.
We’re excited to see your work and welcome you to the DIS community! ✨
🔗 Call for PWiP: https://dis.acm.org/2026/provocations-and-works-in-progress/
#DIS2026 #PWiP #HCI #DesignResearch

📣 Attention, DIS community! We’re excited to share the next set of calls for participation.
📌 Workshops — 6 Feb 2026
📌 PWiP — 13 Feb 2026 
📌 Doctoral Consortium — 13 Feb 2026
📌 Student Design Competition — 27 Feb 2026
📌 Interactivity (Demo) — 27 Feb 2026
We warmly invite researchers, practitioners, designers, and students to contribute, connect, and shape DIS 2026 together. Join us in Singapore.🇸🇬✨
#DIS2026 #HCI #DesignResearch #DesignCommunity #BeyondInteraction

This work treats typography as a physical artifact rather than a symbolic system.

The letter “A” is constructed from thick soap-glass, where color appears through optical refraction and internal reflection.
Air bubbles are trapped within the material, introducing natural irregularity without decoration.

A study of form, light and material behavior.

#Typography #MaterialStudy #3DTypography #GlassDesign #DesignResearch

The first issue of a sparkly new journal called 𝘋𝘦𝘴𝘪𝘨𝘯𝘪𝘯𝘨 has been published! It's the journal of the Design Research Society, the academic association for the field of design research. https://journals.sagepub.com/toc/DES/current

See e.g. the editorial by senior editor @hrwiltse 'Designing for (alternative) platformed relations' https://doi.org/10.1177/30497671251392180
#design #DesignResearch #platform #FluidAssemblages

B

This study treats typography as a physical body.

The letter is formed as a single cast metal object —
no parts, no joints, no assembly logic.

Material behavior defines the form.
Not styling.
Not symbolism.

#Typography #3DType #MaterialStudy #DesignResearch