Public AI, Built On Open Source, Is The Way Forward In The EU

https://web.brid.gy/r/https://www.techdirt.com/2025/12/09/public-ai-built-on-open-source-is-the-way-forward-in-the-eu/

Why “public AI”, built on open source software, is the way forward for the EU

A quarter of a century ago, I wrote a book called “Rebel Code”. It was the first – and is still the only – detailed history of the origins and rise of free software and open source, based on interviews with the gifted and generous hackers who took part. Back then, it was clear that open source represented a powerful alternative to the traditional proprietary approach to software […]

#ai #aiAct #cdsm #china #cloudComputing #copyrightDirective #dataMining #eu #freeSoftware #openSource #openSourceInitiative #paulKeller #publicAi #rebelCode #research #startups #supercomputers #tdm #textMining #us #ventureCapital

https://walledculture.org/why-public-ai-built-on-open-source-software-is-the-way-forward-for-the-eu/

Jetzt einen der letzten Plätze für die großartigen CDSM aus Atlanta sichern, die am Mittwoch ihre Europatournee bei uns starten.

Der Eintritt ist frei, jetzt anmelden unter kontakt@no-budget-arts.de oder 0234 - 911 77 90.

https://www.youtube.com/watch?v=ldEp5OAEkQs

#CDSM #Atlanta #EvilDisco #ShameCore #FreakOutPostPunk #ConvertibleHearse #HellStairs #EintrittFreiInBochum #EintrittFrei #KulturInBochum #Bochum #StayingUndergroundSince2002

Croonartige Klagelieder, dröhnende Synthesizer, wirbelnde Saxophon-Riffs, straffe Four-to-the-Floor-Kadenzen. Am Mittwoch live bei uns: CDSM.
Der Eintritt ist frei, jetzt anmelden unter kontakt@no-budget-arts.de oder 0234 - 911 77 90.

https://www.youtube.com/watch?v=rnivLOsUNM4

#CDSM #Atlanta #EvilDisco #ShameCore #FreakOutPostPunk #ConvertibleHearse #HellStairs #EintrittFreiInBochum #EintrittFrei #KulturInBochum #Bochum #StayingUndergroundSince2002

Perfekt für Fahrten mit und ohne namenloser Leiche auf dem Rücksitz des "Convertible Hearse" (Leichenwagen-Cabriolet): Unverhohlen laut, tanzbar, abgefuckt, lustig, freakig. Am Mittwoch bei uns: #CDSM aus #Atlanta, Georgia.

Der Eintritt ist frei, jetzt anmelden unter kontakt@no-budget-arts.de, 0234-9117790.

https://www.youtube.com/watch?v=zyk6iFm27Qw

#EvilDisco #ShameCore #FreakOutPostPunk #ConvertibleHearse #HellStairs #EintrittFreiInBochum #EintrittFrei #KulturInBochum #Bochum #StayingUndergroundSince2002

Am 10. September live bei uns: CDSM aka Celebrity Death Slot Machine.
Post-Punk trifft Darkwave trifft No Wave, düster, schick, schäbig, erhebend und niederschmetternd zugleich.

https://www.youtube.com/watch?v=bVm-aghKsDE

Der Eintritt ist frei, jetzt anmelden unter kontakt@no-budget-arts.de, 0234 - 911 77 90 oder via Facebook-Nachricht an die BASTION.

#CDSM #Atlanta #EvilDisco #ShameCore #FreakOutPostPunk #ConvertibleHearse #HellStairs #EintrittFreiInBochum #EintrittFrei

Wir freuen uns, dass wir am 10.09. mit dem Konzert der #FreakOutPostPunk-Band #CDSM aka #CelebrityDeathSlotMachine aus #Atlanta unsere ungeplante Sommerpause beenden können!
Für den Weiterbetrieb der BASTION sammeln wir nach wie vor Spenden bei betterplace oder über unser Spendenkonto.

https://www.betterplace.org/de/projects/125125

https://www.no-budget-arts.de/bastion/adresse.html

#bastionbochum #bochum #bochumkultur #kultur #subkultur #underground #konzert #concert #nobudgetarts #ruhrgebiet #DasKleinsteKinoBochums #EvilDisco #ShameCore

#makeastorywithusers #boosters #bookstodon #onlinereading #cdsm #story #mastodon #xyzq

Hi guys, I got a idea, what about we make a story with all of you?

I start with a phrase. Rules:
1. No 2 in a row. (I'm execpted)
2. Must use no NSFW.
3. Do not deny because the theme is 🏳️‍🌈 .
4. Spoil if you use weapons or sensitive things.
5. English only
6. Must fit the previous phrase

On a day I was driving on my fatbike to school.

@hvangalen @StateOfKait please boost and maybe react!

#EU #Copyright #CDSM #Media #Journalism "Are journalists receiving their appropriate share then? Possibly, but unlikely. First, journalists receiving a share from the press publishers depends on the publishers being remunerated by platforms. While there is no source comprehensively reporting on the deals being made between publishers and platforms, thanks to the press reports we do know that licensing agreements are being concluded, but their scale is considerably less than that originally expected by publishers. Following from the delayed implementation, negotiations with platforms (mostly Google) are delayed, causing a domino effect on the appropriate share talks. Secondly, considering the lack of transparency of agreements which were concluded between press and platforms, the assessment of appropriateness of share offered to journalists might be rather difficult. The newly introduced general transparency obligation (art. 19 CDSM) could be of help, however, little attention was paid to this provision during the transposition process, resulting in its general and largely inoperative character. The criteria for the assessment are also uncertain, with different sums and percentages put forward by the legislators and stakeholders without due justification and explanation of methodology used."

https://copyrightblog.kluweriplaw.com/2024/07/12/the-journalists-share/