Sound is the debut album by free jazz saxophonist Roscoe Mitchell, recorded in 1966 and released on the Delmark label. It features performances by Mitchell, Lester Bowie, Malachi Favors, Maurice McIntyre, Lester Lashley and Alvin Fielder.

... Wadada Leo Smith commented: "It's no accident that Roscoe called that important piece of his Sound. Sound - not pitch - that's the difference." According to Mitchell, "[t]he musicians are free to make any sound they think will do, any sound that they hear at a particular time. That could be like somebody who felt like stomping on the floor... well, he would stomp on the floor..." - Wikipedia

https://www.youtube.com/watch?v=RLq2jx8oSbE&list=RDRLq2jx8oSbE&start_radio=1

#RoscoeMitchell #LesterBowie #MalachiFavors #ArtEnsembleofChicago #FreeJazz #Delmark #Music #Jazz #AlvinFielder #AACM

“The field is not overcrowded with truly inspired #violinists. #LeroyJenkins is one of the most fabulous, an #artist who blends something really soulful and something really esoteric.” #music #jazz #MusicSky #JazzSky open.substack.com/pub/iverson/... #AACM #WyntonMarsalis #EthanIverson

TT 561, part one: "Can you pla...
TT 561, part one: "Can you play 'Cherokee?'" + AACM Listening List

an old argument

Transitional Technology

Levels and Degrees of Light is the debut album by Muhal Richard Abrams which was released on the Delmark label in 1968 and features performances of three of Abrams' compositions by Abrams, Anthony Braxton, Leroy Jenkins, Charles Clark, Gordon Emmanuel, Maurice McIntyre, Thurman Barker and Leonard Jones with vocals by Penelope Taylor and a poetry recitation by David Moore.

The Penguin Guide to Jazz awarded the album 3 stars stating "Levels and Degrees of Light would be a slightly difficult record to place in a blindfold test. It is certainly not untypical of the Chicago experimentation of the period, except it seems much less chaotic, much more responsive to European tradition" - Wikipedia

https://www.youtube.com/watch?v=TJQhyPpfgbk&list=OLAK5uy_mdvi-ywieFixdd1ZksyDHohn8Y6XWEZ6c&index=1

#MuhalRichardAbrams #AACM #Jazz #FreeJazz #Delmark #AnthonyBraxton #Music #LeroyJenkins

Spiral Live at Montreux 1978 is a live album by Muhal Richard Abrams recorded at the Montreux Jazz Festival and released on the Arista Novus label in 1978.

The Allmusic review by Scott Yanow states "Abrams' occasional use of devices from earlier styles (including a bit of dissonant stride and basslines à la Lennie Tristano) makes this music a bit more accessible than one might expect at times, but in general, this set is for listeners who enjoy hearing new approaches to musical freedom".

DownBeat gave the album 5 stars.[2] Reviewer Bradley Parker-Sparrow wrote, "Ruthless clarity and a quality of raw unrestrained energy make this solo record a masterpiece." - Wikipedia

#MuhalRichardAbrams #Jazz #MontreuxJazzFestival #JazzPiano #SoloPiano #FreeJazz #AACM #Music

Thème De Yoyo from The Art Ensemble of Chicago's Les Stances A Sophie[1970] (vocals: Fontella Bass)

https://www.youtube.com/watch?v=MZOqutLUJj4

#music #Jazz #AACM #FreeJazz

Theme De Yo Yo, Art Ensemble Of Chicago, Fontella Bass

YouTube

Duets 1976 is an album by saxophonist and composer Anthony Braxton and pianist Muhal Richard Abrams recorded in 1976 and released on the Arista label. The album features three compositions by Braxton, two jazz standards and one improvisation...

The AllMusic review by Brian Olewnick states "The results are mixed, with a somewhat ragged approach balanced by enthusiastic playing and an intriguing choice of material" - Wikipedia

https://www.youtube.com/watch?v=pDmWaGNpJIQ&list=PLLLPWtgfCQ43YHrQJ0_1XQN60WAv709VS&index=1

#AnthonyBraxton #MuhalRichardAbrams #FreeJazz #AACM #ChicagoMusic #Music #Jazz

3 Compositions of New Jazz is the debut album by Anthony Braxton, released in 1968 on the Delmark label. It features performances by Braxton, violinist Leroy Jenkins and trumpeter Wadada Leo Smith with pianist Muhal Richard Abrams appearing on two tracks.

The AllMusic review by Thom Jurek stated: "This is a long and tough listen, but it's a light one in comparison to For Alto. And make no mistake: It is outrageously forward-thinking, if not—arguably—downright visionary. Braxton's 3 Compositions of New Jazz is an essential document of the beginning of the end" - Wikipedia

https://www.youtube.com/watch?v=fLC0YaI-LF4&list=RDfLC0YaI-LF4&start_radio=1

#anthonybraxton #aacm #leroyjenkins #wadadaleosmith #freejazz #muhalrichardabrams #delmark

Impressions by Ethnic Heritage Ensemble released on Red Record in 1982

"Listen to the album and dive into a real kaleidoscope of sonorities coming from a wide-open vision of the musical concept. There is ‘free’ in this music, its more poetic side, there is Africa, its beating rhythm, there is all the love that afro-americans of that time were putting into a music considered as an exploration journey. (Nicola Gaeta, liner notes)

https://www.youtube.com/watch?v=g_gGFGivYpg

#ethnicheritageensemble #freejazz #aacm #KahilElZabar #SpiritualJazz

Ethnic Heritage Ensemble | Impressions FULL ALBUM (1981)

YouTube

Return of the Lost Tribe is an album by Bright Moments, a collaborative project by saxophonists Joseph Jarman and Kalaparusha Maurice McIntyre, percussionist Kahil El'Zabar, bassist Malachi Favors and pianist Adegoke Steve Colson, which was recorded in 1997 and released on the Delmark label.

The Washington Post's Christopher Porter noted that "Bright Moments is dedicated to recapturing the original spirit and energy of the AACM--before its members are too old to do so," and wrote: "While nothing on Return of the Lost Tribe recasts the sonic density of early AACM recordings... Bright Moments is a glistening reminder of their blazing spirit." - Wikipedia

https://www.youtube.com/watch?v=wLHSaMw63YA

#aacm #JosephJarman #KalaparushaMauriceMcIntyre #KahilElZabar #malachifavors #freejazz #ArtEnsembleofChicago #chicagojazz

Return of the Lost Tribe

YouTube