“It’s a really great learning experience to actually visualize these prayers, to put prayer into art and into a literal map. Culturally, it allows us to reconnect to our past.” #zuni artists create maps based on memories, ceremonies, songs, and a deep relationship to land. They counter western notions of place and geography and challenge the arbitrary borders imposed on their world.
https://emergencemagazine.org/story/counter-mapping/
(from the archive, 12.12.2019)
Zuni (A:shiwi) women used ollas (<em>oy-</em>ahs) like this one to collect, carry, and store water. The water well was a place for socializing, and the vessels’ public visibility may help to explain their elaborate, deftly painted decoration—here an abstract creature called the Rainbird whose beak spirals between two stylized, stepped wings that may allude to moisture-bearing clouds. Milford Nahohai, the contemporary Zuni potter, believes the motif is inspired by rain clouds that roll into the Zuni River Valley, their leading edges curled under the main mass to form a curve like that of the beak.
Zuni (A:shiwi) women used ollas (<em>oy-</em>ahs) like this one to collect, carry, and store water. The water well was a place for socializing, and the vessels’ public visibility may help to explain their elaborate, deftly painted decoration—here an abstract creature called the Rainbird whose beak spirals between two stylized, stepped wings that may allude to moisture-bearing clouds. Milford Nahohai, the contemporary Zuni potter, believes the motif is inspired by rain clouds that roll into the Zuni River Valley, their leading edges curled under the main mass to form a curve like that of the beak.
Zuni (A:shiwi) women used ollas (<em>oy-</em>ahs) like this one to collect, carry, and store water. The water well was a place for socializing, and the vessels’ public visibility may help to explain their elaborate, deftly painted decoration—here an abstract creature called the Rainbird whose beak spirals between two stylized, stepped wings that may allude to moisture-bearing clouds. Milford Nahohai, the contemporary Zuni potter, believes the motif is inspired by rain clouds that roll into the Zuni River Valley, their leading edges curled under the main mass to form a curve like that of the beak.
Zuni (A:shiwi) women used ollas (<em>oy-</em>ahs) like this one to collect, carry, and store water. The water well was a place for socializing, and the vessels’ public visibility may help to explain their elaborate, deftly painted decoration—here an abstract creature called the Rainbird whose beak spirals between two stylized, stepped wings that may allude to moisture-bearing clouds. Milford Nahohai, the contemporary Zuni potter, believes the motif is inspired by rain clouds that roll into the Zuni River Valley, their leading edges curled under the main mass to form a curve like that of the beak.
Zuni (A:shiwi) women used ollas (<em>oy-</em>ahs) like this one to collect, carry, and store water. The water well was a place for socializing, and the vessels’ public visibility may help to explain their elaborate, deftly painted decoration—here an abstract creature called the Rainbird whose beak spirals between two stylized, stepped wings that may allude to moisture-bearing clouds. Milford Nahohai, the contemporary Zuni potter, believes the motif is inspired by rain clouds that roll into the Zuni River Valley, their leading edges curled under the main mass to form a curve like that of the beak.
kollektiv orangotango
Hidden Gems