The thread about the Guse Pye; house of a poet and a painter that’s still there if you know where to look

There is a stunning watercolour landscape painting of Edinburgh in the mid-18th century, observed from the point of view of the Castle looking north to Leith by Paul Sandby (there’s a whole thread on that if you click the link). In the mid-ground of that picture is a prominent and intriguing building: a tall octagonal structure with a wing and portico to its front. This building was Ramsay Lodge or Ramsay Hut, the home of the romantic poet and stalwart figure of the Edinburgh enlightenment, Allan Ramsay.

“Edinburgh & the North Lock with the Bank on Which the New Town is Built” By Paul Sandby, c. 1750. Showing inset an enlargement of the prominent house in the mid-ground. Maps K.Top.50.96.b, British Library, PD.

During his 4 years in Edinburgh, the young Paul Sandby – a military draughtsman engaged in assisting William Roy with his “Great Map” of North Britain – had become well acquainted with Allan Ramsay and a welcome addition to the social circle that redeveloped around him. It is therefore not surprising that his house features so prominently in this and another landscape painting by Sandby.

Ramsay was born in Leadhills, Lanarkshire, the son of the superintendent of the lead mines that gave the settlement its name. As a boy, he was apprenticed to a wigmaker in Edinburgh and it was in this trade that he would first find success, both financial and professional. A man of broad interests and intelligence, in 1720 he entered the book selling trade from his shop on Niddrie’s Wynd and in 1722 he relocated himself and the business to the Luckenbooths – 18th century Edinburgh’s premier retail space. It was from the first floor here,in 1725, that he opened Scotland’s first circulating library. This establishment had over 30,000 titles available to borrow and it became the hangout for city’s literati.

Allan Ramsay the Poet (1684 – 1758), by William Aikman. This painting belonged to Ramsay’s correspondent and patron, Sir John Clerk of Penicuik. Aikman was a friend of both men. CC-by-NC National Galleries Scotland

As well as a businessman, Ramsay was something of a wit and a writer, and published his own work. His romantic poetry, exemplified by The Gentle Shepherd brought him critical acclaim and he found himself desiring a “poet’s nest” as befitting a bard of his standing. What he needed was a suburban retreat, at once in the heart of the city’s bustling Old Town but at the same time outwith its confines. He found this such a spot on the northern slopes of the Castle Hill, commanding views over the fields: past the smoky smudge on the shoreline of Leith and across the Forth and Fife beyond to the Highland mountains in the distance.

“Edinburgh Castle” by Paul Sandby, with the Guse Pye house bright and prominent on the Castle Hill. The West Kirk (St. Cuthbert’s) is the church at the head of the Nor Loch on the right. CC-by-NC-ND 3.0 Tate Gallery

In September 1733, Ramsay acquired a portion of garden land at this location from Robert Hope, a surgeon. In Memorials of Edinburgh, a story is related that he desired “as much land as he could get” to build a “cage for his burd” (i.e. his wife, of whom he was fond) and that this was the reason for its unusual, tall, octagonal structure. From an architectural point of view, it is thought the house may be inspired either by the Tower of the Winds in Athens or the 1720 Octagon Room of Orleans House in Twickenham by Scottish architect James Gibb for James Johnston, a former Secretary of State for Scotland.

View of the Tower of the Winds, Athens, Rey Etienne, 1867 (PD)The Octagon Room, Orleans House. CC-by 2.0 Matt Brown

Ramsay wanted the whole town to admire his mansion but the wags of the city derided his hubris and called his octagonal house the Guse Pye, after the shape of the traditional Scottish Christmas dish. Ramsay’s pride was hurt and he complained to Patrick Murray, 5th Lord Elibank, who retorted “Indeed, Allan, when I see you in it, I think the wags are not far wrong“. The ownership of the house was transferred to his son, also Allan Ramsay, in 1741. This Allan Ramsay is as famous as his father, but as a portrait painter, and he had designs on using the building as his studio (although he would spend most of his time away from his native City).

Allan Ramsay the Painter (1713 – 1784), copy of a self-portrait by Alexander Nasmyth. CC-by-NC National Galleries Scotland

In 1742, Ramsay the Poet retired to his Guse Pye, shutting up his house and bookshop in the Luckenbooths. He intended to spend what would be the final 12 years of his life in “ease and tranquil enjoyment” however his burd, Christian Ross, died the following year. He was not alone in life however, as his company was courted by all ranks of Edinburgh, who sought him out at the Guse Pye. It is said that he preferred instead to be surrounded by his family and their young friends, joining in their fun and games with “hearty life and good humour“. These young friends included the Paul Sandby also painted a very intimate sketch of Ramsay smoking an enormous “Churchwarden’s Pipe” in the house. Surrounded by two young women; with a book on his table; a cup by his side to drink from and a candle burning on the wall, it is a very homely scene. Ramsay was a bit of a closet Anglophile at heart, desiring to be an equal with the London literary wits, and this talented young Englishman would have been a fine addition to his circle.

Alan Ramsay the Poet, in later life by Paul Sandby, c. 1750 RCIN 914403 © Royal Collection Trust

When the Jacobites routed the Hanoverian Army under Sir John Cope at Prestonpans in September 1745, Ramsay the Poet – despite his known Jacobite sympathies (or perhaps because of them) – retired a safe distance to Mavisbank in Midlothian, the home of his correspondent and friend Sir John Clerk of Penicuik, 2nd Baronet. The Highland army of Charles Edward Stuart soon occupied the city, without resistance, where Ramsay the Painter, happened to be present on one of his infrequent sojourns north. Word was soon sent to him from the Palace of Holyroodhouse, desiring him to come at once and paint a picture of the Prince who hoped to be his King: which he did.

Prince Charles Edward Stuart, Allan Ramsay, 1745

During this period, the Guse Pye found itself damaged by the cannons of Edinburgh Castle and then ransacked by the garrison, who damaged many of the buildings on the Castle Hill to try and stop them being occupied by the Jacobite pickets. The latter were under direct orders from the Young Pretender to prevent – on pain of death – supplies and communications from reaching the Castle. As the last building between the city and the Castle, Ramsay’s house was directly in the firing line. By November however the Prince and his army were gone south – as had Ramsay the Painter too – but unlike the Former, the latter would make it to London.

Allan Ramsay’s House and Garden, 1871. © City of Edinburgh Council

The Ramsays continued to extend their landholding on the Castle Hill; acquiring the portion further down the slope from the house in 1748 from the Hopes and adding a new frontage, new wing and a proper entryway as befitting a house of its status. In 1754, workmen improving the garden accidentally broke through into a subterranean chamber some 14 feet square. In amongst the rubble and detritus they found a statue of white stone with a crown upon its head – supposed to be a Virgin Mary – two brass candlesticks, a dozen old Scottish and French coins and two cannon balls. It was supposed that this space dated to the middle of the 16th century when a large fortification, known as the Spur, was built out of the castle by its French garrison under the Regent Mary of Guise. Another theory was it was the remains of a supposed medieval chapel to St. Andrew which had once stood on the castle hill.

When Ramsay the Poet died in 1757, his son the Painter succeeded to it and let it out. By 1759 it was occupied by William Johnston, an advocate and a member of Ramsay’s Select Society.

The Guse Pye, by George Manson (1850-1876). CC-by-NC National Galleries Scotland

In 1765, Ramsay junior was granted permission to build two town houses – known as Ramsay Street to the east of the Guse Pye, on the site of the town’s old Bell Foundry which he had acquired from the City. It was his intention that these houses, to designs by the family friend Robert Adam, should be “in the English fashion, fit to accommodate two small families of distinction“. These houses were never built and instead in 1768 he erected a terrace of three, four-storey houses, known as Ramsay Garden. One of these houses was occupied by Ramsay’s widowed mother-in-law and his sister in law.

The Ramsay Garden townhouses, with Patrick Geddes’ additions to the left. © Edinburgh City Libraries

Ramsay the Painter spent little time in Scotland in the later years of his life and was appointed Principal Painter to His Majesty in London in 1767. But he continued to consolidate his land on the north slopes of the Castle Hill, acquiring the last portion of the Hope’s holding in 1773. He died in 1784, the lands and houses of Ramsay Garden now passing to his only surviving son, Captain (later General) John Ramsay.

General John Ramsay (1768-1845), by François Ferrière. CC-by-NC National Galleries Scotland

John had accompanied his late father on a “Grand Tour” of Italy in 1782, and despite a career as a soldier, he found time to take up painting himself. He died without issue and as a result the house and his fortune passed to a distant relative: Lord Murray of Henderland (for whom the district of Murrayfield is named). An 1850s plan to build a large terrace infront of the Guse Pye for the statue of Allan Ramsay senior, which now resides in West Princes Street Gardens, came to nothing.

Ramsay Garden and proposed terrace for a monument, engraging, 1853. © Edinburgh City Libraries

The houses of Ramsay Lodge and Ramsay Garden were let out, until the former was purchased in 1890 by the sociologist, philanthropist and pioneering town planner Patrick Geddes.

1878 Engraving of Poet’s Guse Pye House, with Ramsay Garden built by his son the painter on its left.

Geddes engaged the architect Stewart Henbest Capper to design a 5-storey, arts and crafts fantasia around the Guse Pye. His intention was to establish a mixed community, composed of artisans and students alongside private dwellings, to promote regeneration in the decrepit Old Town of the City. Capper’s 1892 development was extended two years later by Sydney Mitchell, who incorporated, extended and redeveloped the Guse Pye and the original Ramsay Garden into the structure as a hall for residence for students, the first of its kind in Edinburgh.

The second phase of Geddes’ Ramsay Gardens under construction, by as unknown photographer, probably in 1895. CC-by-NC National Galleries Scotland

The end result – which we’ll pluralise as Ramsay Gardens – was a striking complex, high up on the Castle Hill, a curious mix of late medieval and early modern Scottish architectural style and (then) modern ideas about construction and planning and one which rendered the original house almost unrecognisable. This rambling, highly ornamented and colourful building was in radical contrast to the prevailing, conservative architecture of Edinburgh at the time:

The grey old metropolis of the North had been getting greyer year by year with freestone and slate, when suddenly on the east slope of the Castle Hill, a bright-hued pile arose, shocking the devotees of drab.

Margaret Armour, writing in “The Studio”, 1897

Ramsay Gardens, by H. D. Wyllie 1945. © Edinburgh City Libraries

Geddes part-financed the project himself and when it was complete took up residence in one of its main apartments and established a co-operative publishing company from there. He also incorporated into it an art school, the Old Edinburgh School of Art, where the Celtic revival painter John Duncan led classes in design, metalwork, leatherwork, woodwork etc. in the spirit of the arts and crafts movement. It was Geddes who commissioned Duncan to design the Witches’ Well, which is installed nearby on the Castle Hill as a monument to those executed near that spot for witchcraft.

Geddes had further plans for the redevelopment, including arts studios and a sculpture gallery built into the slopes below, a gatehouse – crowned with a full-scale replica of the city’s old Netherbow Port – spanning Ramsay lane to link it into the quadrangle of the New College buildings and a new public hall next door atop the Castle Hill Reservoir. His various schemes financially overstretched him however and he was declared bankrupt, owing £60,000, in 1896, putting an end his ambitions. His friends and supporters set up a philanthropic company, the Town and Gown Association, to take over Ramsay Gardens and run it in the spirit with which he had intended it.

George Shaw Aitken’s unrealised final designs for Ramsay Gardens, including the studios and gallery to the front and the replica of the Netherbow Port tower to the left (the taller tower behind is the steeple of the Victoria Hall – the General Assembly building of the Church of Scotland – later the Highland Tolbooth St. John’s church.

Ramsay Gardens was sold by the Town and Gown Association in 1945 to the Commercial Bank of Scotland, who used it as a residential building for staff and a training centre. It has subsequently passed into private hands and is a mix of exlusive residential homes, pieds-àterre and holiday lets. The original houses of the two Allan Ramsays are still there in plain site, within this most famous of skylines, even if you’d hardly know it to look at them.

Ramsay Gardens, highlighting the core of the original Guse Pye house in orange, and Allan Ramsay junior’s Georgian terrace of Ramsay Garden in magenta. After CC-by-SA 3.0 David Monniaux

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The thread about Edinburgh first Penny Postal service, house numbers and street directories

This thread is a write-up of a talk given for the Edinburgh World Heritage Trust in June 2023. It has been split across multiple sections for ease of reading.

This vacance is a heavy doom
On Indian Peter’s Coffee Room,
For a’ his china pigs are toom;
Nor do we see
In wine the sicker bisket’s soom
As light’s a flee.

The Rising of the Session, Robert Fergusson

In this verse, the “lights” that Robert Fergusson refers to are the men of law of the Court of Session in 18th century Edinburgh, fleeing the city in the summer to their country houses, away from the stench of the Old Town. Indian Peter’s Coffee Room was a small establishment within the Parliament Hall itself, the outer house of the Court of Session, Scotland’s supreme civil court, it’s patrons being the men of the law who conducted their business there. The “china pigs” are the drinks vessels and are empty now the customers are gone, and the “sicker biskets soom” is the dipping of small, sweet biscuits into the wine.

Part 1. Indian Peter.

So who was “Indian Peter”? Before we can go any further in our story it is very important to understand some of his long and complex life history, as it is relevant to his character and his motivations in later life. Indian Peter was Peter Williamson, born 1730 in Aberdeenshire. He was the son of a farmer and as a boy was sent to live with an aunt in Aberdeen. Aged 13, while hanging around the quayside in that city, he was tricked aboard a ship under false pretences and imprisoned. Not long thereafter he was part of a cargo of 70 abducted boys and girls who were taken to North America on board the ship Planter to be sold as a slave labour. On arrival in the New World, the vessel was shipwrecked, and the children were abandoned to their fate. When it was clear that they had survived, their captors returned and took them for sale. Peter was sold for £16 to a Scots settler who had arrived in America by the same method he had. He was as fortunate as his circumstances could allow him and his new master treated him well and schooled him.

The master died when Peter was aged 17, leaving him his horse, saddle and £120. With little reason to return to Scotland, Williamson settled down to farm and marry. His wife’s family were planters of some means and he was given a good property to work by his father-in-law. His recent good fortune however took a turn for the worse in 1754 when the farm was raided and burnt to the ground by the native Lenape people: the Delaware Indians. His wife was absent at the time but Peter was taken captive and forced to carry off his best possessions as booty. He spent some time as a captive with the Delaware, acting as a porter. During this experience he claimed to have been tortured and to have seen other settlers tortured or killed, but also picked up some of their customs (which he would later adopt and which would personify him in Edinburgh).

 
“The Indian Threatens Peter Williamson”, from The Red True Story Book, 1895, an illustration by H. J. Ford

After 4 months of captivity, Williamson seized a night time opportunity and escaped under the cover of the noise and activity of wild hogs and managed to return to the planter community. Tragically he found that his wife had died two months previously. Motivated by loss or revenge, he joined a British regiment in the Seven Years War to fight against the French and their Indian allies, serving for 18 months before being captured and imprisoned for the third time in his life in 1756 at the Battle of Oswego.

The Battle of Fort Oswego, where a French, Canadian and Indian force overwhelmed British defenders. Photogravure by John Henry Walker, 1877, from Journal de Montréal

Wounded, he was sent to a camp in Quebec he was soon fortunate to be repatriated to Britain in a prisoner exchange and that same year landed a broken man in Plymouth. Paid off from the army due to injury with a paltry sum, he headed for “home” in Aberdeen but ran out of his funds in York. It was here he ingratiated himself with some gentlemen who published an account of his life’s adventure in a book called “French and Indian Cruelty”. The book was a success and with the money he made from it he was able to return to Aberdeen, intending to sell his book and settle down. However the Aberdeen magistrates, who he had accused of being complicit in his abduction as a boy (and that of hundreds of other children) had other ideas and had him arrested and his books impounded. To secure his release, he had to agree to sign a retraction of his story and accusations, to pay a fine of 10 shillings, and to have his books publicly burned by the town executioner.

Spurned by his home town, he headed south to Edinburgh where he ingratiated himself amongst some men of the law. Appalled by his tale, they agreed to help him sue the Magistrates of Aberdeen. Williamson was able to build up a convincing legal case, supported by many witnesses, and surprised everyone by winning. He was awarded £100 in damages and his expenses. The magistrates, represented by one Walter Scott (the father of Sir Walter Scott) appealed, and lost. Settling in Edinburgh with his award, he re-published his book and set himself up as a tavern keeper on the Parliament Square. A sign over the door of his establishment reputedly read “PETER WILLIAMSON, VINTNER FROM THE OTHER WORLD“. When business was slow, he would don the guise of a Delaware Indian which he had managed to procure and perform a “war dance” in the High Street. Thus he became an accepted eccentric in the city’s social scene as “Indian Peter“, “Peter Williamson of the Mohawk Nation” and the “King of the Indians“.

He moved his business into the Parliament Hall as a coffee house, with the men of the law being his primary clientèle. He was also popular amongst the literary men and as well as Fergusson his shop was patronised by James Boswell and Sir Walter Scott and he was a correspondent with Ben Franklin.

“The Parliament Close and Public Characters of Edinburgh, Fifty Years Since”, in the style of John Kay, 1849, the bustling legal heart of the city in Williamson’s time

Indian Peter was not content to just live the life of a coffee house keeper and local celebrity however, and showed an irrepressible entrepreneurial streak. During a visit to London, he bought a portable printing press, which he returned to Edinburgh. Unable to break the closed ranks of the city’s printers for training, he instead taught himself how to operate it and went into business as a printer, publisher and book seller. At times he also ran a small bank (offering to exchange bank notes for “ready money, books or coffee” and even ran a lottery offering two squirrels as the prize!

Transcription of one of Williamson’s bank notes, which was probably more of a joke and gimmick amongst his friends than a serious business proposition

The name “Ready Money Bank” was a jibe aimed at some of the Scottish banks, which at this time issued “option clause” notes, where your note, when presented for redemption, was at risk of being paid out not in cash but for a note of another bank.

Peter Williamson. A caricature by John Kay from 1791 called “Travells eldest son talks with a Cherokee chief” © Edinburgh City Libraries

But it was in 1773 where Williamson’s two greatest contributions to the City are made; he establishes a Penny Post (only the second such service in the British Isles) and he began compiling and publishing street directories of the city and its principal residents. It is now that our story really begins. So why are these innovations of his so important? Firstly, they allowed anyone to send communications within the city, quickly, reliably and (relatively) cheaply and they told you to whom to send it and where! It is the beginning of a modern communication network within the city, a city which was just beginning to break free of the ancient confines of the Old Town and across the Nor’ Loch valley to the opportunities, space and clear air of the New Town. The Postal Museum statesin particular, the Edinburgh Penny Post [was] influential in establishing the pattern for the Provincial English Penny Posts that followed.

Part 2. The Edinburgh Penny Post

Before the advent of the Edinburgh Penny Post, messages were carried around the city by your own servants or you could hire a Caddie (the town’s licensed class of porters and messengers) or pay a trustworthy child to run the errand. It was also the job of the Caddie to know everyone and everything, they acted as an informal news, communications and intelligence network.

An Edinburgh Caddie, by David Allan. Note the numbered badge of his trade, his licence to work, worn on the jacket breast. CC-by-NC National Galleries Scotland

The first Penny Post was established in London by William Dockwra in 1680, but he quickly fell foul of the General Post Office (GPO) monopoly and the fact his service was thought to be carrying seditious letters, it was seized from him, his patent forfeit and was ordered to pay £2,000 compensation. But you can’t keep a good idea down, and in 1765 an act was passed (Postage Act 1765) permitting licensed Penny Posts in provincial towns and cities. Although Williamson established his post in 1773, it was not until 1776 that he was formally granted permission from the Postmaster General for his service. His network in the city operated from 9AM to 9PM each day and for an English penny (paid up front, or on delivery) you could send a letter or small packet within one English mile of the Mercat Cross, north, south, east or west, and to Leith. The service to the latter, the city’s port, operated 8 times a day in both directions, between 8AM and 7PM.

Williamson’s Penny Post stamps, for mail sent payment on delivery (left) or paid in advance (right). These stamps are thought to have been made by Williamson himself from his experience of his printing press.

Four postmen were employed, who carried a hand bell to advertise their presence and wore a service cap with the name “Williamson’s Penny Post” painted or embroidered on it in silver and who were paid 4 shilling and 6 pence per week. The story goes that the caps were numbered 1, 4, 8 and 16 to make it appear as if the business was 4 times bigger than it really was. Knowing Williamson’s inventive abilities for self promotion, this does not seem that far fetched to be true. Of only one of the postmen do we have any sort of an insight, a highlander by the name of Donald Mackintosh who hailed from the vicinity of from near Blair Atholl and Killiecrankie. Mackintosh would have been in his thirties at this time and his task was described as a “his “useful though humble vocation”. He would later rise to prominence in his own right as an Episcopalian clergyman and a scholar of Scottish Gaelic.

Illustration by Will Nickless, 1962, purporting to show one of Williamson’s Penny Post men delivering a letter.

It was not only the four postmen who collected letters, they could also be dropped off at a network of 18 “receiving houses” in the city and Leith, which were pre-existing shops that Williamson had convinced to act as post offices. His carriers would call at them on their rounds to collect any deposited letters for onward delivery. He listed these in the directory, making it relatively easy to plot them to a map. At this stage the New Town could be served by a single receiving house on St. Andrew Street, the Canongate and southern suburbs both each by a single house too. The 1775 directory had a slightly refined network, with the concentration in the centre of the High Street reduced, additional houses in each of the Canongate and Southside and an additional house in Leith.

Williamson’s network of receiving houses in 1773-74, as listed in his directory. The red triangle is the GPO on North Bridge. Overlaid on Kincaid’s plan of Edinburgh (1784) and Wood’s plan of Leith (1777), both reproduced with the permission of the National Library of Scotland

Much of the business for the Penny Post came from the men of the law that Williamson was already ingratiated with – reflected in the concentration of receiving houses around the Parliament Square – as it was they who had a business need to communicate quickly and frequently across the city. They knew him well: he was both in their fold but an outsider in the city hierarchy; he had long overheard their intimate business discussions in his tavern and coffee house without making a nuisance of himself. He was therefore a man to be trusted with their secrets.

A letter sent by Williamson’s Penny Post, to Mr William Brodie at Mr Robert Donaldson’s, Writer to the Signet, New Town

But it was not just the city’s lawyers and merchants who found use for the Penny Post. It offered an important new opportunity to women, as for the first time they could begin to converse privately through writing, away from the prying eyes of the servants who up until that time would have been entrusted with carrying letters. One exceptional romance is recorded as taking place discretely though Williamson’s delivery network; that of Robert Burns and Agnes Maclehose, known either as his Nancy, or Clarinda. In all, this flourishing written courtship amounted to 88 letters, carried by the Penny Post, and what Sir Walter Scott described as “the most extraordinary mixture of sense and nonsense, and of love human and divine, that was ever exposed to the eye of the world“. Burns, bedridden at the time after injuring his leg, was lodgning near the St. Andrew Street receiving house in the New Town and Nancy was but a short distance from the branch on Chapel Street, just beyond the Potterrow. On some days the couple would exchange as many as two letters each, in both directions.

Mrs Agnes McLehose, c. 1840s, Artist unknown. CC-by-NC National Galleries Scotland

Even at this early stage, in a relatively small city, the correct addressing of mail was an issue for the Penny Post and Williamson had to print begging notices in his directories pleading for letters to be clearly and non-ambiguously addressed.

To The Public, a notice in Williamson’s directory asking for mail to be clearly addressed

One of Williamson’s receiving houses was the premises of John Wilson, a bookseller who had one of the shops in the colonnade in front of the Royal Exchange (now the City Chambers). Wilson also sold Williamson’s directories and happened to be his father-in-law. He is absent from the later versions of the list of Receiving Houses. This is with good reason; Williamson had separated for his wife – Jean Wilson – having accused her both of serial adultery and also of interfering with the Penny Post and misappropriating its profits. She had also cut him off from access to his children, including the eldest daughter who made a reasonable addition to the family income as a mantua maker (specialising in making ladies’ mantles) and with her father had set up a rival operation to try and run Peter out of business! But if the story so far has taught us anything, it is that when he was down, Peter Williamson was never out, and he would come back fighting. Once more he turned to his friends in the legal establishment and he built up an indestructible case against his wife. He cited nineteen different servants, doctors and lawyers as witnesses; she put up none in defence. She tried to get Williamson to pay for her legal defence, the court found that she had left him in forma pauperis (in the manner of a pauper; unable to pay) which further damaged her reputation. Williamson was granted divorce in his favour in March 1789 and regained control of his businesses and custody of his children. To recoup his losses from this case, he published a sensational account of his wife’s “crimes” against him, which having been proven in court he had no need to worry about being sued over.

In all, Williamson would run his Penny Post successfully for 19 years, it returning him on average a profit of £50 per annum (about £6,500 in 2023). However the reality was that he was ageing, and his energy for self promotion, fighting off the competition and keeping his postmen in check was waning. In 1790 Francis Freeling, the secretary to the Postmaster General, visited Edinburgh and observed the Penny Post in action. Suitably impressed, on his return to London he recommended to his superior that the GPO should take the service over and run it for itself. A younger Williamson may have tried to resist, but he sensibly acquiesced to authority and in 1793 the GPO took over the service. But true to form, he did not hand it over before overstating both his age and his financial dependence on the Post in a letter to the Postmaster General, ensuring he received a pension of £25 for life in return for relinquishing control.

We have also to beg your Lordships permission to authorise us to allow Mr. Williamson of Edinburgh £25 per annum, he having long had the profits of 1d. a letter on certain letters forwarded through his receiving house in Edinburgh, which he will lose by our having established a penny post there.

Passage from a letter from the Postmaster General to the Treasury, requesting Williamson’s pension, 17th July 1793

A Victorian postman of the GPO in 1820, from the cover of the sheet music for a popular song “The Postman’s Knock”.

The GPO quickly adapted the service to their own practices, cutting down both the number of receiving houses – from 18 to 9, the number of collections to 5 per day and the number of deliveries to 3; but at relatively fixed times of morning 98AM), early evening and late evening (7PM). They increased the number of postmen to 20 and by 1817 there were 30.

Part 3. Williamson’s Postal Directories

Williamson’s other great innovation in 1773-74 was the collation and publication of a postal directory for the city. (You can view this directory for yourself here, on the website of the National Library of Scotland.) He described it himself thusly:

An alphabetical list of the names and places of abode of the members of the college of justice; public and private gentlemen; merchants, and other eminent traders;  mechanics and all persons in public business; where at one view you have a plain Direction, pointing out the Streets, Wynds, Closes, Lands and other Places of their Residence, in and about this Metropolis. Together with Separate Lists of the Magistrates, Court of Session and Court of Exchequer, the Constables of Edinburgh, Canongate and Leith, Carriers, etc.

Descriptive preface to Williamson’s first postal directory

This was the first comprehensive directory of anyone who was anyone in the city, what they did and where they were based. Williamson also includes useful information such as the boundaries of parishes, the members of the town council, the constables, and lists of carriers, the days they depart and where they operated from and to, and of course a list of his own Penny Post receiving houses. He operated this as a vertically-integrated business; he gathered the contents, published and printed it on his own presses, used it to advertise his Penny Post system and sold it himself at his own bookshop.

An extract of the first 4 pages of entries under the letter A for Williamson’s first Postal Directory of Edinburgh, 1773-74. CC-by 4.0 National Library of Scotland

To produce the publication, Williamson claimed to have visited every address in the city to compile details of the occupants and their professions. Many were suspicious of his motives and would not consent to give their details, which resulted in an incomplete listing that has a large appendix of late additions, which made it hard to use. A unique and cumbersome feature of the first directory was that within each letter of the alphabet, he sub-organised the contents by profession. While this makes it harder to find what you are looking for, it is a fascinating insight into the rigid social and professional hierarchies of the city at this time and perhaps the relative esteem with which Williamson himself held each class of profession. In all, the directory lists 3,914 individuals and 130 different occupations, some of which I have grouped together for convenience (e.g. shoemakers and clogmakers; barbers, wigmakers and hairdressers). The table below ranks professions with the the highest 15 and lowest 15 positions in the directory in the 1773-74 directory.

Rank“Highest 15” professionsRank“Lowest 15” professions1Advocates (barristers)15Baxters (bakers)2Clerks/ Writers to the Signet14Fleshers (butchers)3Lords’ and Advocates’ Clerks13Barbers, Wigmakers & Hairdressers4Writers (solicitors)12Candlemakers5Procurators (prosecutors)11Shoe & Clogmakers6Exchequer10Taylors & staymakers7Physicians9Weavers8Ministers8School masters, teachers, academics9Noblemen, Gentlemen, Ladies and Gentlewomen7Milliners & Mantua-makers10Bankers6Excisemen11Merchants5Stablers12Grocers4Engravers13Ship-masters3Bookbinders14Surgeons2Confectioners15Brewers1Room setters (letting agents) & boarders

The contents of this directory also allow us to easily total up the relative frequency of the different occupations amongst the entries and plot them as a chart (below). From this we can observe that a full quarter of the entries are for the Incorporated Trades (i.e. the officially recognised and established trade and craft associations of the city, such as bakers, butchers, goldsmiths, taylors, weavers etc.). A further fifth are the men of the law, and a tenth are the merchants. This is fully unsurprising for a city built upon the prosperity and power of these groups. We can see that the nobility, by volume, are a relatively small component, and while print, medicine and education are relatively small contributions, these are three industries that will flourish in Edinburgh in the next 100 years and that the city will become synonymous with.

There are no street numbers in any of Williamson’s Directories until 1784. Prior to this, locations are simple, relatively vague and purely descriptive such as “head of Baillie Fyfe’s Close” or “Grassmarket, south side“. The introduction of numbers at first was just for the New Town and small parts of the Southside of the city (Nicolson Street and Chapel Street), the exception being James’ Court, which at the time was an exclusive address.

Although he originally intended to produce only a single directory, in the end they were such a success that Williamson published them for 17 years. For his final directory, that for a two year period of 1790-92, he subcontracted the printing out to Campbell Denovan, but retained the rights to sell a certain volume of copies exclusively. From 1794 the Edinburgh directories would be published by Thomas Aitchison, and then again the Denovans in 1804 before the Post Office itself took over in 1805 (although the printing was still local in Edinburgh). These later directories conform very closely to the style and structure first set out by Williamson, a testament to his ability to bring a systematic and ordered approach to what was a very chaotic city.

Williamson exercised this latter talent in what is a remarkable document, known either as “Williamson’s Broadside” or “An Accurate View of All the Streets, Wynds, Squares, and Closes of the City of Edinburgh, Suburbs, and Canongate, on both sides of the High-street, from the Castle to Holyrood-house, agreeable to the names they are at present known by, together with those in the New Town and Leith.”. This large printed page was a comprehensive list of all the closes and streets of the city and Leith, and their relative order and position to each other and the principal landmarks. An invaluable reference then, it is even more so now for modern eyes interested in where the old streets and closes were located and what names were in use. Ever the man with an eye on business, the corners of the page advertise other products and services sold by Williamson such as his Penny Post, stamps for marking books and linen, printed funeral announcement cards, and a form of fortune-telling cards he printed.

Williamson’s Broadside, folded up. You can view the full sheet at the below link to the Book of the Old Edinburgh Club.

You can view the full broadside for yourself in a chapter that starts on Page 261 of volume 22 (original series) of the Book of the Old Edinburgh Club, published in 1939, which is digitised online here.

With his Penny Posts in the hands of the GPO and his directories with Campbell Denovan, Peter Williamson retired with his pension and what was left of his profits from these businesses (he claimed his wife and father-in-law had robbed him of fully three quarters of the latter) and took up a tavern in the Lawnmarket. He died in January 1799, and was buried in “The full panoply of a Delaware chief” in the grave of Mr. J. Scott, some distance north-east of William Nicol, beneath a stone surmounted by an urn.

Part 4. Street Numbering and Re-Numbering

Street numbering in Edinburgh started in the early 1780s, Williamson’s directories first reflecting it in 1784. It progressed as the New Town itself expanded, and the practice slowly began to spread to other parts of the city. Streets with only one side were simply numbered in a series from one upwards. However at this time there was no agreed manner by which to number doors in streets with two sides (which was most of them!) Three principal methods existed and all were implemented and existed side-by-side with no consistent approach – indeed the New Town used all three!

  • The first method used is that with which we are familiar today: one side of a street has even numbers and the other has odd numbers, and the numbers increase in series as you move along the street.
  • The second method was a “there and back again” method, whereby numbering progressed in an increasing series of odd and even numbers from number 1, up one side of the street, to the end, and then back down the other side. This meant that the highest and lowest numbers of the street were opposite each other. Nicolson Street was one street that used this method of numbering.
Nicolson Street on a map of Edinburgh by John Ainslie, 1804. Reproduced with the permission of the National Library of Scotland
  • The third method was that of “northside / southside”. In this system, the street sides were named north and south (or east and west) and each side was numbered from 1 upwards in a continuous series. As a result, each number was duplicated, No. 1 North Side and No. 1 South Side were opposite each other, and without specifying which side of the street a letter was intended for or an advert was referring to one could easily end up with the wrong door.
A section of George Street on a map of Edinburgh by John Ainslie, 1804. Reproduced with the permission of the National Library of Scotland

By 1811 the system (if you could call it that) was in chaos, as not only was there no consistent methodology but demolitions, new buildings and subdivisions had caused numbering sequences to become haphazard and out of sequence. Something had to be done, and done it was. Despite a curious lack of historical record in either the City Archives or contemporary newspapers, on Whitsunday 1811 there was a wholesale and systematic renumbering of much of the City which had been numbered up to that point. The Caledonian Mercury contains one of the few examples evidencing this wholesale change:

Caledonian Mercury – Saturday 27 April 1811

The new numbering system split the city into quadrants, using the east-west axis of the High Street and the north-south axis of the Bridges and St. Andrew Street (shown as the yellow line on the map below). Within each of these quadrants, streets with two sides would be numbered with odd doors on one side and evens on the other, and the number series would increase as you moved away from the axis (shown by the blue lines on the map below) – so in theory the numbers always increase as you move away from the centre point of the quadrants. The system placed the odd numbered doors on your right and the even numbered doors on your left as you walked along any street in the direction of increasing numbers.

The street re-numbering axes and directions of increasing numbers, overlaid on a map of Edinburgh by John Ainslie, 1804. Reproduced with the permission of the National Library of Scotland

There were of course exceptions to the system. The Grassmarket ran in the “wrong” direction, retaining its former door numbering order which increased towards the axis. The Cowgate passes underneath the South Bridge axis, so one half of it (the western end) was inevitably not going to be able to conform. The east west axis – the “Royal Mile” of the Canongate, High Street, Lawn Market and Castle Hill – was numbered in two sequences. The first was the Canongate, uphill from the palace of Holyroodhouse to old burgh boundary with Edinburgh at the Netherbow. The High Street, Lawnmarket and Castle Hill were numbered into one continuous uphill sequence from the Netherbow. It is for this reason that to this day, the Lawnmarket street numbers start at 300 (evens) and 435 (odds), and there are no numbers 2 to 298 or 1 to 433 Lawnmarket. Similarly the numbering on the Castlehill starts at 348 (evens) and 525 (odds). Other oddities include Great King Street, where the evens are on your right instead of the odds, and South Bridge, which retained the old “there and back again” numbering and still does to this day (this is despite the North Bridge and Nicolson Street, its northern and southern extensions, being re-numbered)

The street numbering of the South Bridge, on Ainslie’s Town Plan of 1804. The map has been rotated by 90 degrees for clarity. Reproduced with the permission of the National Library of Scotland

The First New Town of Edinburgh, that part planned out by James Craig and that existed prior to 1811, conforms almost perfectly to the rules of the 1811 numbering system. On the map below, the red arrows show the street numbers ascend in the correct directions. The squares of Charlotte and St. Andrew are ordered in a clockwise manner. The Northern or Second New Town, the section north of Queen Street Gardens was developed from 1800 onwards so conformed to the scheme too (with the exception of the already noted Great King Street). The “Moray Feu” extension of the New Town, shown in the blue arrows, was developed from 1822 and conformed with the 1811 scheme, with the anomaly of Great Stuart Street, which is interrupted by Ainslie Place, so you have to pass through the latter to get to the other side of the former.

Edinburgh map by Bartholomew, 1891. Reproduced with the permission of the National Library of Scotland

The West End (green arrows on the map above) was feud from the estate of Walker of Coates from 1813 onwards and took its own, haphazard approach as it developed in a piecemeal manner. Queensferry Street is numbered in a “there and back again” nature; the numbers on some streets ascend in the right direction, but with the odds and evens on the wrong sides; Drumsheugh Gardens increases in an anti-clockwise manner, and towards the Dean Bridge; the street is Lynedoch Place on one side and Randolph Cliff on the other, each with its own numbering sequence. Princes Street in the First New Town posed an interesting test for the system. We think of it as being only a street built on one side, but there is of course a single block built on the south side at its eastern end. This was originally individual properties and prior to 1811 these were numbered in their own series as “Princes Street South Side”. The principal, northern side of the street did not need the geographic qualifier.

The east end of Prince’s Street as shown on Kincaid’s Town Plan of 1784. Note numbers 1-5 on the south side, and 1 upwards on the north. Reproduced with the permission of the National Library of Scotland

The 1811 re-numbering decided to treat the street as if it had a single side, with numbers 1-9 allocated to the south side, and the northern side numbered from 10 upwards. This arrangement was broken in 1898 when the block to the south was demolished to make way for the North British Railway Hotel (now The Balmoral), which took the number 1; numbers 2 to 9 Princes Street have therefore never existed ever since.

East End of Princes Street, as shown on Kirkwood’s Town Plan of 1819. Reproduced with the permission of the National Library of Scotland

In 1826 it was reported in the local press that a wholesale renumbering of the “suburbs” has been completed, that street names had now been painted on the corners and that a move was being made to begin painting up the names of the closes of the Old Town.  The considered order of this new system was not to last however. By 1826, properties on Princes Street were plagued with subdivision of the original houses into commercial premises, requiring the Town Council to approve the use of A, B, C etc. to distinguish each new door from its original number. By 1856, the Cowgate was said to be in “a most hopeless state of darkness” and in 1869 the Lawnmarket was “greatly confused and unintelligible”. However a systematic approach was never taken again, and renumbering thereafter took place on a case-by-case basis, approved by a special council committee. Exceptions and curiosities still prevail however. Summerhall Place, for instance, was re-numbered as 5 to 13 Causewayside in 1935. However the uproar this provoked in its residents caused it to be renamed back to Summerhall Place, but with the numbers in the Causewayside sequence retained: to this day the latter street still starts its numbering of odd doors at number 15.

Part 5. Street Naming and Re-Naming

Street names, even those we are most familiar with, do not always remain the same forever and some change before they are even built. An early copy of James Craig’s original printed plan of the New Town from 1767 has the streets we know now as Princes, George and Queen referred to instead as simply the South, Principal and North; the names were yet to be decided.

Copy of James Craig’s 1767 New Town Plan © City of Edinburgh Council

A later copy of the same year, which James Craig apparently took to London, had named these streets as St. Giles Street (after the patron saint of the City), George Street (for the King, George III) and Forth Street, an unofficial innovation of Craig’s own doing, probably on account of the views it commanded towards that body of water. The magistrates of the city were unhappy with Forth Street and the King – who was shown the copy during Craig’s visit to London – was displeased with St. Giles, as he associated that name with the London district of the same name which had a reputation as a slum, hardly befitting his glorious new capital of North Britain.

A poor quality facsimile of an engraving of 1767 of Craig’s New Town Plan, showing unfamiliar street names. Thank you to Rob Ralston for helping to source this grainy copy in an 1971 paper in an obscure journal.

The King’s Scottish physician – Sir John Pringle – sent a letter expressing the displeasure and making some suggestions for improvement to Lord Provost Laurie, and a new copy was made, with George Street central, flanked by Queen Street to the north, and Prince’s Street to the south for George, Prince of Wales. With the cross-streets including Hanover and Frederick (the second son), the King approved and this new trend of naming streets in the city – to the glory of the reigning dynasty – was instituted. Prior to this, nearly all the street names in the city had been functional, describing the builder, owner or principal occupant(s). . An old saying amongst Edinburgh schoolboys – to help them remember – went; “The Queen and the Prince, the Rose and the Thistle, and King George in the Middle”.

You may have noticed in these earlier maps that illustrate Princes Street that some use the form “Prince’s Street” and that others use the more familiar “Princes”. So which is it? The simple answer is both, but never Princes’ Street! The table below gives the varieties used for Princes Street and George Street from the first royally approved plans of 1767 to 1831. The matter was finally settled in 1846 for Princes Street when the GPO street directories finally abandoned the original form of Prince’s Street. That Princes Street was named for two Princes is categorically not the case, it is not a plural, it is a possessive case, it is one where the apostrophe has been lost over time; it was for Prince George and Prince George alone, his brother Prince Frederick got Frederick Street.

MapmakerYearForm of Princes Street UsedForm of George Street UsedJames Craig1767Prince’s GeorgeJohn Andrews1771 Princes GeorgeAndrew Bell1773 Princes GeorgesJohn Ainslie1780Prince’s GeorgeAlexander Kincaid1784Prince’sGeorge’sDaniel Lizars1787Prince’s GeorgeT. Brown & J. Watson1793 PrincesGeorge’sThomas Aitchison1794Prince’s GeorgeJohn Ainslie1804 Princes GeorgesRobert Scott1805 Princes GeorgeGPO1807Prince’s GeorgeRobert Kirkwood1817 Princes GeorgeThomas Brown1818 Princes GeorgesRobert Kirkwood1819 Princes GeorgeRobert Kirkwood1821Prince’s GeorgeRobert Scott1822 Princes GeorgeJohn Wood1823 Princes GeorgeJames Knox1825Prince’s GeorgeJohn Wood1831 Princes GeorgeTable showing the spelling of Princes and George Street used from 1767 to 1831 on maps of the city.

Another change in the planned New Town streetnames affected the Northern explansion around 1806; the streets planned with the Latin names of Caledonia Street, Hibernia Street and Anglia Street were Anglicised to Scotland, Dublin and London Streets respectively before any shovels were in the ground. At the same time, a planned Albion Row was merged with the start of Albany Street and took the latter name.

Ainslies’ town plan of 1804 showing planned Caledonia, Hibernia, Anglia Streets and Albion Row. Reproduced with the permission of the National Library of Scotland

An opposite issue to renaming a street occurred in 1803, when Mrs Maxwell of Carriden (Mary Charlotte Bouverie) complained that her house was on a street with no name! She lived at the extreme west end of the First New Town, where the as-yet unnamed street to the west of Charlotte Square met Princes Street. A disagreement with the Moray Estate over land boundaries meant that the original planned street on the west side of Charlotte Square was never built, and what had been constructed had been given no name. This was resolved by Christening this portion Hope Street, after Charles Hope of Granton, Lord Advocate and the local MP (this is the explanation given by Stuart Harris. An explanation may be that it was for Admiral Sir George Hope of Carriden, a 2nd cousin of Lord Granton). The following year we find a Miss Blair in the Post Office directory for Hope Street.

Kincaid’s Town Plan (left) of 1784, showing the never built western side of Charlotte Square (then still planned as St. George’s Square) and Ainslie’s Town Plan (right) of 1804, showing the compromised updated designs for the west side of Charlotte Square, with the southwest portion now known as Hope Street. Reproduced with the permission of the National Library of Scotland

An idiosyncrasy of some Edinburgh streets is where the road has one name, but the street addresses along it have another. This is normally the result of a planned or pre-existing street being built along in a piecemeal, protracted manner. A good example of this is London Road, a planned new roadway into the city from the east formed around 1819, but where development along it took around 80 years to complete. Individual street blocks of houses were named by their landowner or builder, after themselves, family connections, royalty, battles, topography, pre-existing local names and more, with opposite sides of the same road frequently having different addresses. In its 1.4 mile Length, there are 19 different street addresses, with London Road itself being the address for relatively few premises.

1944 OS Town Plan of London Road overlaid with the street addresses of the premises along it. Reproduced with the permission of the National Library of Scotland

Another point in case is Leith Walk, a historic walking route between Edinburgh and its port that was only very gradually developed into a carriageway and built along. From the very top (the south or Edinburgh end) of “the Walk” – beginning at current Picardy Place, the facing “pairs” of places on opposite sides of the road went Union Place / Greenside Place; Antigua Street / Baxters Place; Gayfield Place & Haddington Place / Elm Row; Croall Place / Brunswick Place; Albert Place / Shrub Place; George Place / Crichton Place. At this point we reach the Leith and Edinburgh boundary at Pilrig Street.

The Leith end of Leith Walk, Pilrig Street north (down) towards the Foot of the Walk. From Old & New Edinburgh by James Grant.

Continuing down into Leith, the historic addresses went Fyfe Place; Kings Place; Orchardfield / Heriot Buildings; Springfield; Ronaldson’s Buildings; Stead’s Place / Anderson Place; Allison’s Place; Whitfield’s Place / Macneill’s Place; Cassell’s Place / Queen’s Place. In 1933, the council street naming committee made a proposal to merge Leith Walk and Leith Street into a continuous numbering sequence and to remove all the older intermediate addresses. Options included calling the whole length simply “Leith Walk”; splitting it into a “Leith Walk South” and “Leith Walk North”; extending Leith Street north to London Road, with everything north of that being Leith Walk. This proposal was never taken forward, and it is only on the Leith half of Leith Walk (i.e. north of Pilrig Street) where the houses are named and numbered as Leith Walk. On the Edinburgh side, the traditional names remains to this day, even though the roadway itself is formally called Leith Walk.

Street renaming generally took place on a case-by-case basis, usually to remove a duplicate name. An exception was a wholesale renaming and de-duplication exercise undertaken in a systematic way between 1965-69 upon the introduction of Post Codes for sending mail. This caused an issue where the traditional use of the old post towns or burghs to disambiguate between streets in the formerly separate burghs of Edinburgh, Leith and Portobello was superseded by simply using “Edinburgh” and the post code. At least 56 streets were renamed in this period, with the general practice being that the Edinburgh name was kept and any duplicates in Leith or Portobello (or both!) were renamed. This resulted in 15 old Leith street names and 8 in Portobello being lost and changed. There were exceptions however, and 5 Edinburgh names were changed where they conflicted with Leith, 4 Leith names were changed where they conflicted with Portobello and 3 Portobello names were changed where they conflicted with Leith.

Amongst others, Edinburgh lost its Pitt Street (to Dundas Street), Duke Street (to Dublin Street), Chapel Lane (to Cathedral Lane), Mitchell Street (to Peffer Place). Leith lost its George Street (to North Fort Street), Queen Street (to Shore Place), Albany Street (to Portland Street), Bank Street (to Seaport Street). Portobello lost its Hope Street (to Rosefield Street), Ramsay Lane (to Beach Lane), Melville Street (to Bellfield Street), Pitt Street (to Pittville Street). The village of Newhaven lost its St. Andrew’s Square (to Fishmarket Square) to avoid confusion with St. Andrew Square in Edinburgh, and it lost its Parliament Square (to Great Michael Square) for the same reason. Across the city as a whole, multiple streets with “Church” or “Hope” in their name were also altered to avoid potential duplicates or ambiguity.

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The thread about Riversdale; the street with the “ridiculous” name that became an inter-war demonstration for innovative housing

Riversdale Road is, on the face of it, another sleepy little inter-war suburban Edinburgh street, of neat little bungalows and well-trimmed hedges. You can see streets like these all over Edinburgh. I’ve cycled down it hundreds of times, probably over a thousand, and never paid it much attention. If I had, I might have found out that this is no ordinary street.

Riversdale Road, Roseburn

You may recall the other week I wrote about the “Sighthill Demonstration Site”, the post-war living laboratory for municipal housing experiments in Scotland. Well, nobody was more surprised than me to find out that Riversdale Road is its inter-war equivalent!

Edinburgh Corporation had acquired the Saughton Hall Estate in 1905, to provide a new public park and land for suburban expansion. Riversdale Road, at the eastern end of the estate where the Water of Leith approaches Roseburn was so-named at a meeting of the Streets and Buildings Committee in 1913, to some consternation from one member who felt it sounded too English:

Judge Macfarlane took exception to the name as ridiculous for a Scottish town. It seemed to him to come from Putney. (Laughter.) A title in keeping with the City of Edinburgh should be found. (A Member: “Macfarlane Avenue!” and laughter.) Mr Fraser defended the name on the ground that the road ran alongside that beautiful river the Water of Leith – (Laughter) – and along a dell.

Edinburgh Evening News, 28th October 1913

Nothing further progressed along this road at that time due to the onset of World War I, however afterwards it was earmarked for Council Housing under the “Addison Act” (The Housing, Town Planning etc. Act) of 1919. Again this came to nothing as the scale of that act was drastically cut back and only around two out of every five homes planned were built. The Housing Act of 1924 once again made public money available to councils to construct houses and things finally began to move. Some of Riversdale Road would be built with the sorts of private-built bungalows for the burgeoning middle class that came to dominate much of suburban Edinburgh at this time, but the Corporation used some of the 1924 funding to create a “demonstration scheme” here to experiment with the latest non-standard construction techniques. And most of these houses are still there!

This scheme attracted a variety of novel construction methods and materials – what we would call “non-standard construction”. The government was willing to pay a futher £40 subsidy (about 10% of the cost of building a house) on top of other finance for approved houses built using “non standard” methods, so there was financial incentive to explore these options. This meant that none of the houses at Riversdale were (entirely) built from the traditional materials of brick, stone, wood, slate and tile. The scheme also spilled into adjacent streets in the next few years, with further examples of the most popular or successful houses being built. The others remained as one-or-two-off curios.

I have identified 8 definite types of houses at the Riversdale Demonstration Scheme, with references in passing to 3 or 4 more types, which were either never built or have been subsequently demolished (as is frequently the case of non-standard construction, it is not mortgageable, so will often be demolished and rebuilt, that house can then be re-mortgaged). The below map is in no particular order.

Riversdale Demonstration Scheme, base plan © City of Edinburgh Council

1. Reith Steel Houses. Leith shipbuilders John Cran & Somerville were a traditional heavy industry looking to diversify in the post-WW1 economic downturn. They erected four Reith Steel Houses here in early 1926, which were all-steel houses walled and roofed from the same sort of steel sheet as used in shipbuilding. They were to the design of Robert Buchanan Reith, who took his inspiration from ships deckhouses. Reith claimed his was the first all-steel house design in the country (it predates the Lochend Steel Houses by a few months) and it was first demonstrated at The Edinburgh Housing and Building Exhibition in February that year, when Cran & Somerville exhibited a quarter of a house, open to the sides to be seen by the public. That same year the Clyde shipbuilders, Alexander Stephen & Sons of Govan, also demonstrated a model of it at The Building Exhibition. The designer’s brother – John Charles Walsham Reith – is probably familiar to you as Lord Reith, the “father” of the BBC and. put in a good word for his brother, declaring these houses were “the finest… for wireless reception [I have] come across“.

The Reith Steel Houses in early 2022. This house – with the window above the door – has been demolished.

Two pairs of semi-detached houses were built at Riversdale, one of which remained until last year (2022), when half of it was demolished to be replaced by a new-build (the demolished houses are hatched out on the map). A contemporary journalist described them: “there is the most perfectly equipped kitchenette I have yet seen and it is that house which goes one better in the matter of hot water, with an ingenious portable boiler which heats the water for the bath in summer“. This new market was not enough to save Cran & Somerville however and they went out of business the next year. Fifty Reith houses were apparently built by Stephens at Harthill the following year at a cost of £425 per house.

I am obliged to the present householder of the remaining Reith Steel House for taking the time to have an enthusiastic chat about her unique property and the time to show us a very heavy section of 3/16″ shipyard steel that was cut from the house during renovations. She informed us that the house is hot-riveted together in typical shipyard manner and that these can be seen inside the garage.

3/16″ steel plate cut from the Reith Steel House during renovations © Self

2. Glasgow Steel Roofing Co. Duracrete Houses. These houses look really like your standard, inter-war, suburban, Edinburgh bungalows. You would never tell that all is not quite what it seems with them.

Duracrete Houses at Riversdale

But if you were to look really closely, and I mean really closely at one house and its neighbour, you will realise that the “masonry” texture on each house is exactly the same. Because it isn’t masonry at all, it’s pre-cast panels of a material called “Duracrete”, hung off of a steel frame. These houses were built by the Glasgow Steel Roofing Co. and cost £425 each.

Matching panels on two different Duracrete houses.

3. Allied Builders Montrose Bungalows. These handsome bungalows were built by Allied Builders Ltd. of Montrose, and named after that town. Allied were a subsidiary of the Coaster Construction Company shipyard in Montrose, who had been formed by W. D. Mclaren and his business partner in 1919 to build ships to Mclaren’s designs that incorporated prefabrication and simple, standardised lines and components. The company found itself in the same post-war slump as the rest of the shipbuilding industry, which was suffering from significant overcapacity, and like Cran & Somerville and Alex Stephens, they diversified.

Montrose Bungalow at Riversdale.

The regular panel lines, distinctive channel markings and curious rounded corners arouse curiosity that these aren’t particularly traditional despite appearances. Mclaren applied his interest in standardised components and prefabrication to housebuilding, and came up with an interlocking, pre-cast cement block that was pinned together with steel rods. This block system was relatively flexible and meant for easy reconfiguration to build different sizes of houses and rooms, and detached or semi-detached bungalows. They were lined on the inside with fibreboard – there being a shortage of skilled plasterers at the time, with the joins in the board covered in fillets of wood to give a traditional, panelled interior appearance like wainscotting.

Allied Builders’ cement blocks as used in the Montrose BungalowsAllied Builders’ cement blocks used to form a wall, note the steel rod around the top, used in the Montrose Bungalows

As a publicity stunt, Allied built the prototype house in a then record 6 days outside the shipyard and invited the public to inspect it. The house is still there (along with another up the road to a different layout). Allied offered to build these at a rate of one per week for developments larger than 5 houses, after an initial few months of groundworks. Small developments of these houses were built by councils in Forfar and in Melrose. A big public order for Bongate in Jedburgh was cancelled when it was found that traditional methods were cheaper and resulted in larger house; this is the curse of employing a “building system” on a small scale, as it negates the economies when compared to traditional techniques.

The prototype Montrose Bungalow, outside the Coaster Construction Company shipyard, now (left) and then (right)

Once again, the diversification into housing couldn’t keep the shipyard afloat and it too closed in 1927. McLaren emigrated to the west coast of Canada and was successful in the shipbuilding industry there, his prefabrication techniques and standardised designs finding favour with construction of barges and lighters. He and his son took the Allied Builders name and even logo and used it for a shipyard they later set up in Vancouver, and it’s still going as Allied Shipbuilders Ltd.

4. Cowieson Brieze Block Houses. A pair of these houses were built by F. D. Cowieson & Co., of St. Rollox, Glasgow. Cowiesons are better known as builders of bus and tramcar bodies, but had 20 years of experience building prefabricated steel agricultural buildings like barns and silos, and they also provided anything from huts to pavilions to cinemas. These houses were built of “Brieze” blocks (Breeze is the modern spelling), dense concrete blocks which used colliery waste as the aggregate component.

Cowieson Houses at Riversdale

These two houses, in a semi-detached, two-storey block, were built on a wooden frame and used “Celotex” internal partitions, which was a brand new material made from the waste fibres of sugar-cane processing. This product was being pushed in Scotland by William Beardmore & Co., another heavy industrial concern desperately casting around for new markets – and another that was imminently about to go under. Its manufacturers stated that “IT IS ENDURING, SCIENTIFICALLY STERILISED, VERMIN-PROOFED AND WATER PROOFED”. The houses were harled on the outside and had brick chimneys. Cowiesons also offered a house with a timber frame and steel cladding, the Second Scottish National Housing Company (Housing Trust) would build 500 houses of this type, with around 50 being provided at Lochend in Edinburgh.

5. Rae Concrete Houses. A large number of these houses were built at Riversdale, and a 40-house estate of them later followed up around Baird Grove. These rather plain in appearance little bungalows were built to a system and method devised by Thomas L. Rae, who for 20 years had been the superintendent of the Clydebank and District Water Trust. In that capacity, he had gained huge practical and scientific experience with working concrete and had become familiar with the intricacies of how you made it waterproof (and on the flipside, breathable). He persuaded the water trust to build two prototypes, as workers houses, at the Cochno Water Filters. Convinced he was on to something, he resigned and set up his own company to build these houses.

Rae Concrete Bungalows at Riversdale. The subtle change in the pitch of the roof over the bay windows, and the little fillet of lead flashing that bridges the resulting gap, is the giveaway.

Rae‘s method used a 3½” thick poured concrete wall reinforced with steel bars. He said that with one man erecting shuttering and ten pouring concrete, the walls of a house could be put up in a single day (so long as the foundations were prepared!) Hr gave his houses a 100 year life span. They’re now 98! You can find more of these houses in Edinburgh around Boswall Green in Wardie.

Nissen-Petren houses at Riversdale, much extended and modernised in recent years.

6. Nissen-Petren Steel & Concrete Houses. Eight pairs of these semi-detached houses were described as being planned, although only 4 appear to have been built. If you’ve been down this street, they are the incongruous-looking ones that look like Dutch Barns. Nissen was Colonel Peter Nissen, DSO, a military engineer of Nissen Hut fame. these distinctive semi-circular, corrugated steel-clad, prefabricated, temporary buildings became synonymous with British military encampments in the 20th century.

British soldiers erecting Nissen huts near Bazentin, November 1916 © IWM, Q4597

Post-war, Nissen attempted to apply his ideas about prefabricated structures to mass-produced housing. He was assisted by “Petren”; the architects John Petter and Percy J. Warren. The resulting houses used a similar framework of curved steel tubes to support a corrugated metal roof as used in the huts, but they were substantially larger, two-storeys and had pre-fabricated concrete block walls. The roofs were “asbestos-protected metal“, which was further coated in asphalt to weatherproof it. These houses had three bedrooms when built, a living room and a kitchenette when new. I am unsure if any more Nissen-Petren houses were built in Scotland. You can read more about Nissen-Petren houses at the Municipal Dreams site here.

https://www.flickr.com/photos/14230388@N03/8561234059

The prototypes were built in Yeovil and have an elegant, curved roofline that flares out towards the bottom. Unfortunately, building prefabricated “system” housing on a small scale deployment inevitably pushes costs up as economies of scale cannot be realised. As a result these houses went well over budget – £350 per house became £510, a 45% increase. I assume the angular roofs employed at Riversdale are the result of a cost-cutting exercise.

7. Consteelwood Houses. The odd names of these houses is a portmanteau word which comes from their building system; Concrete, Steel and Wood. They were built on a wooden frame, infilled with poured concrete and clad in pressed steel panels by the Stelonite Company of London. These panels were interlocking and had the pattern lines of masonry set into them to give them a traditional appearance. The roofing was a traditional wooden frame covered in tiles.

Consteelwood Houses at Riversdale

A prototype house was erected in London at Tooting. The pair of houses at Riversdale, their steel panels with fake masonry lines hidden beneath a skin of harling, were (and thus are) probably the only houses of this type in Scotland.

Pathé Newsreel from 1925 of the prototype Consteelwood House being erected in London.Pathé Newsreel from 1925 of the prototype Consteelwood House being erected in London.

A local furnishings company outfitted these houses when new and invited members of the public to come and see this “unique opportunity to inspect the latest in housing and furniture“.

Advert for McCullochs Ltd, outfitters of the Consteelwood Demonstration Houses

8. Laurie Houses. The last type I have identified at Riversdale are named for their designer, Arthur Pillans Laurie. He was the Principal of Heriot-Watt College (as it was), a chemist who had made a name for himself pioneering the infra-red photography of Old Masters paintings to analyse them. He designed a neat little pair of cottages, externally they were traditional harled brick with a timer and tile roof, but internally they used no plasterwork (skilled plasterers were in short supply) and instead had an asbestos-cork-asbestos sandwich board for partitions. A single pair of houses were built – again these are unique. Laurie later turned to fascism.

The Laurie Houses at Riversdale

These are the houses I have definitely identified. I have found written references that further types of houses were – or were intended to be – built here;

  • An Atholl Steel House and clad house was apparently erected, it is certainly no longer here. Atholls were an attempt by the steel and shipbuilding company, William Beardmores – desperate for work post-war – to diversify into housing. Two estates of Atholl Houses were built by the Second Scottish National Housing Company in Edinburgh around this time; at Lochend and at Wardie. They are all still there, a precious few in near original external condition.
  • Corolite No-Fines Houses – these are of in-situ poured “No-Fines” concrete, i.e a mixture with no “fine” material; sand or ash in the aggregate. This improves ventilation of the concrete. I can’t find any at Riversdale, but a small scheme of them were built at Restalrig.
  • Laing Easiform Houses by John Laing & Son of Carlisle. Easiform refers to a proprietary system of shuttering into which the solid concrete walls were poured. According to newspaper reports, two 5-apartment houses at £509 each and two 3-apartment houses at £400 each were built here. I can find no trace of them (yet!). These are non-standard houses but not declared defective, so can be mortgaged, so are less likely to have been demolished to rebuild.
  • A Weir Steel House was meant to be built, but a 1925 newspaper report says that it was suspended owning to a dispute over wages (the Weir houses were thought to be too cheap to put up in labour terms, and builders refused to work on them as it didn’t pay enough)
  • Jones Timber House. It was noted that consideration was being given to building a wooden house by Jones & Sons, timber merchants of Larbert. Some of these houses still exist in that town.

The houses of the Riversdale Demonstration Scheme were all of types approved by the Scottish Department of Health, meaning they were eligible for Government subsidy. These subsidies could be drawn down by Councils (e.g. the Corporation of Edinburgh), by government backed housing bodies like the Second Scottish National Housing Company, by private developers or by groups of individuals.

This latter group was a scheme known as Utility Societies, which were “building clubs” of five or more interested housebuilders who had got together. The Council provided them with land it had set aside for housing and they could borrow money through a public assistance scheme or get a government grant (or both) to build an approved type of house. The builders of those houses would erect them on site on behalf of the Society. These (in theory) cheap, prefabricated, “off the shelf” designs of non-standard construction houses were aimed to suit their needs. A group of Tramway Department employees were noted in a 1925 article in the Scotsman of organising such a society, which I believe are of the Rae type and located around Boswall Green.

The houses at Riversdale are are remarkable collection of 1920s housing innovation and ideas. They are probably the most remarkable collection of such houses anywhere in Scotland – one common feature shared by most of this variety bag of houses has is the great efforts the designers went to to make the most modern and cutting edge houses look traditional and unremarkable. Have a closer look next time you are passing!

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These threads © 2017-2025, Andy Arthur

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