In this clip from The Tonearm Podcast, Caroline Davis describes the texture of daily life at Ucross during the Fallows sessions and how the combination of being in nature and part of a creative community kept isolation from tipping into loneliness.
Check out more on the latest episode of our podcast: https://podcast.thetonearm.com/caroline-davis-the-saxophone-reimagined-in-the-fallows/
On today's new episode of The Tonearm Podcast, saxophonist and composer Caroline Davis joins us to discuss 'Fallows', her debut solo album. Davis recorded the twelve-track set entirely alone during an artist residency at Ucross, Wyoming, using prepared saxophone techniques and an Organelle processing unit.
The conversation covers the making of the album in close detail: aluminum cans dragged across a saxophone bell, hand-built drum sequences assembled through Pure Data patches, and the ancestral figures — Steve Lacy, Geri Allen, Thich Nhat Hanh, and Connie Crothers — whose presence Davis summoned throughout the sessions.
Don't miss this particularly fascinating episode: https://podcast.thetonearm.com/caroline-davis-the-saxophone-reimagined-in-the-fallows/
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