looking forward to spending some time with Listenings, the exhibition catalogue accompanying Soundings: An Exhibition in Five Parts, curated by Candice Hopkins and Dylan Robinson, and published by the Agnes Etherington Art Centre, Independent Curators International (ICI), and the Morris and Helen Belkin Art Gallery with Information Office 📖 👂 ✨
#listenings #soundings @candicebhopkins @dylan.w.robinson
Rie Nakajima and Pierre Berthet brought their magical battery-powered musical objects.
These challenged my alt text skills!!
Off for a fun weekend in Worcester!
Despite many of years of mapping effort, only a small fraction of the world ocean’s seafloor has been sampled for depth, greatly limiting our ability to explore and understand critical ocean and seafloor processes. Recognizing this poor state of our knowledge of ocean depths and the critical role such knowledge plays in understanding and maintaining our planet, GEBCO and the Nippon Foundation have joined forces to establish the Nippon Foundation GEBCO Seabed 2030 Project, an international effort with the objective of facilitating the complete mapping of the world ocean by 2030. The Seabed 2030 Project will establish globally distributed regional data assembly and coordination centers (RDACCs) that will identify existing data from their assigned regions that are not currently in publicly available databases and seek to make these data available. They will develop protocols for data collection (including resolution goals) and common software and other tools to assemble and attribute appropriate metadata as they assimilate regional grids using standardized techniques. A Global Data Assembly and Coordination Center (GDACC) will integrate the regional grids into a global grid and distribute to users world-wide. The GDACC will also act as the central focal point for the coordination of common data standards and processing tools as well as the outreach coordinator for Seabed 2030 efforts. The GDACC and RDACCs will collaborate with existing data centers and bathymetric compilation efforts. Finally, the Nippon Foundation GEBCO Seabed 2030 Project will encourage and help coordinate and track new survey efforts and facilitate the development of new and innovative technologies that can increase the efficiency of seafloor mapping and thus make the ambitious goals of Seabed 2030 more likely to be achieved.
Does anyone remember how ace Japanese musician ICHI was at #SupersonicFestival a few years ago? Well he’s back in the area in a few weeks doing a show & tell and performing at Sam Underwood’s 4th #Soundings event in #Worcester!
Also starring @hellocatfood!
And YOU, if you have something to show.
More info and tickets here: https://www.worcestermusicfestival.co.uk/soundings
#LiveMusic #ShowAndTell #ExperimentalMusic #WestMidlands #MusicalInstruments #ams #ichi #SamUnderwood #HelloCatfood
Bringing the foremost mechanical musical instrument makers and performers to Worcester. Soundings is a yearlong programme of events funded through Arts Council England’s National Lottery Project Grants and will run as part of the 2022-23 Worcester Music Festival season.
Anybody else having flashbacks to #Usenet or #fidonet in the 1980s? If so, what were your usual haunts?
Triple-dipping grad schools mid journalism career (#WesleyanUniversity x2, #UNC ), my main newsgroups were #rec.music.folk #alt.hypertext and #rec.boats
I freelanced for computer mags while staff at boating mag #Soundings; wrote about computers-and-boats more than expected:
CS profs & software entrepreneurs with boats, boating forums on #thewell or #CompuServe, & the '90s dawn of #WWW