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title: James Riddle
artist: Charles Balthazar Julien Févret de Saint-Mémin, 12 Mar 1770 - 23 Jun 1852
source: National Portrait Gallery
#Art #Design #Museum #Gallery #MastodonArt #MastoArt #Culture #Random
https://npg.si.edu/object/npg_S_NPG.96.166
📰 Una imagen #random #randomImageGame #randomPic #imagenRandom #videogames #SwordartonlineHollowrealization - Sword art online - Hollow realization
Renovation of the Municipal Theater, Jena, 1921-1922
Unidentified Artist
c. 1921-1922
https://www.harvardartmuseums.org/collections/object/52806
#Art #Design #Museum #Gallery #MastodonArt #MastoArt #Culture #Random

The Queen Who Raised a Conqueror: Olympias of Macedon

The story of the formidable life of Olympias, mother of Alexander the Great and a political force in her own right.

Soldiers, nobles and onlookers packed the palace courtyard. And in the centre stood a woman in her late fifties, surrounded by her enemies.

That woman was Olympias, the widow of the king of Macedon and mother of the most famous conqueror the world had ever seen. Now her son lay dead. Her allies scattered. And the generals of his empire, in a fight for power, tore the world apart.

Her captor, Cassander, had promised her safety to persuade her to surrender. No one believed that promise for a second. Least of all her.

He arranged a trial, if indeed one could call it that when the judges were the same men who just besieged you. The verdict was predictable.

Ancient writers describe her execution with theatrical detail: soldiers reluctant to strike, crowds watching, and a queen who refused to beg.

Perhaps the drama was exaggerated. Or perhaps it was exactly as dramatic as it sounds.

But one thing is certain: Olympias had spent her entire life at the centre of power struggles, royal marriages, and dynastic murders. Long before this moment, she had helped place her son on the throne—and in doing so had helped change the course of history.

To understand Olympias, it helps to understand the world she was born into.

She came from Epirus, specifically the kingdom of Molossia in what is now northwestern Greece. Unlike the famous city-state of Athens, Molossia had no democracy and little interest in philosophical debates about civic equality.

But for women, it offered surprising freedoms.

Women in Molossia could own property, act as guardians for their children, pass citizenship to their descendants, and participate more openly in political life. Olympias would carry this sense of agency with her into the Macedonian court, a place where influence mattered more than formal rules.

Ancient sources gave her several names. She was probably born Polyxena, a name drawn from Homeric legend. Later, she may have been called Myrtale, perhaps after a religious initiation. The name history remembers, though—Olympias—likely came later, possibly in celebration of a royal victory.

Her marriage to Philip II of Macedon was not a romantic accident, despite the charming story told by Plutarch centuries later. Royal marriages in the fourth century BCE were diplomatic arrangements, and Philip had several wives already.

Olympias was probably his fourth or fifth.

But in the complicated politics of Macedonian polygamy, status did not depend on the order of marriage.

It depended on one thing: producing an heir.

Olympias did exactly that.

In 356 BCE, Olympias gave birth to a son: Alexander.

Ancient writers quickly turned his birth into legend.

One story claimed that the night before her marriage was consummated, Olympias dreamt a thunderbolt struck her womb and ignited a great fire. Convenient symbolism for a future conqueror who later hinted he might be the son of Zeus himself.

Other stories described Olympias sleeping beside snakes during religious rites devoted to Dionysus. Some writers treated this as evidence of mystical devotion; others implied it was sinister.

It is difficult to separate fact from smear campaign. Accusing powerful women of witchcraft or enchantment has been a popular tactic for thousands of years.

What is clearer is Olympias’s political importance once Alexander grew older. In Macedonian royal families, the mother of the heir could wield enormous influence.

By 340 BCE, Philip trusted his sixteen-year-old son enough to leave him as regent while campaigning abroad. That meant Olympias was now the most important woman at court, and possibly one of its most influential figures.

Then came the wedding that nearly ruined everything.

In 337 BCE, Philip married another woman, Cleopatra Eurydice. During the wedding celebrations, Cleopatra’s relative Attalus reportedly toasted the hope that Philip would now have a ‘legitimate heir.’

Alexander reacted furiously, possibly throwing his wine cup. Philip, drunk, drew his sword against his own son and promptly slipped.

Alexander reportedly mocked him:

“Here is the man who prepares to cross from Europe into Asia, and he cannot even cross from one [chair] to another.”

The incident led Olympias and Alexander to leave the court temporarily. But the split forced Philip to reconcile publicly with his heir.

The following year, events took a darker turn.

At a wedding celebration, one of Philip’s own bodyguards assassinated him: Pausanias. Ancient sources believed that Olympias might have encouraged the murder, since Philip’s death cleared the path for Alexander.

Modern historians, though, remain sceptical. Philip had many enemies, and Pausanias already had personal motives for revenge.

What we do know is that Alexander became king, and Olympias moved swiftly to protect his claim. Philip’s newest wife and her child were eliminated, a brutal but typical act in the ruthless politics of ancient dynasties.

As Alexander set off on his extraordinary campaigns—conquering Persia, Egypt, and vast stretches of Asia—someone had to keep the homeland stable.

Officially, the regent was Antipater. In practice, Olympias remained a powerful presence. Records show large grain shipments addressed directly to her, suggesting she was functioning as a political authority. Religious patronage and diplomacy also flowed through her networks.

But the relationship between Olympias and Antipater was tense. Their rivalry grew so bitter that Alexander reportedly complained he was trying to conquer the world while the two of them fought through letters.

Then, in 323 BCE, Alexander died suddenly in Babylon.

The empire collapsed into chaos.

Olympias eventually returned to Macedonian politics to defend the rights of her grandson, Alexander IV, the infant son of Roxana.

Her final campaign was a dramatic one. She defeated rival forces led by Adea Eurydice, wife of Alexander’s half-brother Arrhidaeus, and ordered both executed.

But this victory made new enemies—especially Cassander, son of Antipater. When he returned with an army, Olympias found herself surrounded and eventually forced to surrender.

The queen who had once helped shape an empire now faced her own end…

We often remember Olympias as ‘Alexander the Great’s mother.’ But that description misses the complexities and nuances of her life.

She was a political actor in one of the most turbulent periods of ancient history. She navigated royal marriages, court rivalries, regencies, and military struggles in a world where people contested power through brutal means.

The ancient sources, written mostly by men centuries later, often portray her as manipulative, mystical, or dangerous. Yet the same sources acknowledge her determination, intelligence, and influence.

Without Olympias, Alexander’s path to the throne might have looked very different. And without Alexander, the cultural spread known as the Hellenistic Age—the blending of Greek and eastern cultures across vast regions—might never have occurred in the same way.

Her story also highlights something historians increasingly recognise: women in ancient politics were rarely passive figures.

Even when formal authority belonged to men, women like Olympias could shape events through alliances, diplomacy, and sheer force of personality.

She lived in a world that expected dynastic violence and political ruthlessness.

She simply played the game as fiercely as anyone else did.

History remembers Alexander the Great as a conqueror who changed the world.

But behind the legend stood a mother who navigated the dangerous currents of royal power long before he marched across Asia.

Olympias was ambitious, controversial, and deeply embedded in the politics of her age. She protected her son’s throne, fought for her grandson’s survival, and ultimately paid the price for that struggle.

Perhaps the final irony is that her life reads almost like a Greek tragedy, complete with prophecy, ambition, betrayal, and a dramatic end.

The question is: was she the villain of the story, the architect of a dynasty, or simply a survivor in a ruthless world?

Timeline.

  • c. 375 BCE – Born in Molossia (Epirus).
  • 357 BCE – Marries Philip II of Macedon.
  • 356 BCE – Birth of Alexander the Great.
  • 336 BCE – Philip assassinated; Alexander becomes king.
  • 323 BCE – Alexander dies in Babylon.
  • 317 BCE – Olympias returns to Macedonian politics.
  • 316 BCE – Executed after defeat by Cassander.

Did You Know?

  • Ancient writers claimed Olympias kept snakes for religious rituals connected to Dionysus.
  • Her son Alexander sometimes hinted he was the son of Zeus rather than Philip.
  • Olympias was nearly 60 when she led her final political campaign.

Olympias represented in this bas-relief in the imperial Pavlovsk Palace. Source.

Sources

attalus.org/names/o/olympias.html

britannica.com/biography/Olympias

thecollector.com/olympias-mother-alexander-the-great/

wikipedia.org/wiki/Olympias

facebook.com/groups/archeologyandcivilizations/posts/8792222190871227/

ebsco.com/research-starters/history/olympias

womeninantiquity.wordpress.com/2017/04/02/olympias/

nationalgeographic.com/history/history-magazine/article/queen-olympias-ancient-macedonia

herhalfofhistory.com/2024/12/26/14-2-olympias-mother-of-alexander-the-great/

medusaarchive.omeka.net/exhibits/show/biographies/olympias

Stories like that of Olympias remind us that the forces shaping history are rarely simple. If this glimpse into her life intrigued you, share your thoughts: Was Olympias a ruthless political strategist—or a mother defending her dynasty in an unforgiving world?

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📰 Una imagen #random #randomImageGame #randomPic #imagenRandom #videogames #TheLegendofZeldaBreathoftheWild - The Legend of Zelda Breath of the Wild
title: John H. Hobart Ward
artist: Mathew Brady Studio, active 1844 - 1894
source: National Portrait Gallery
notes: The Frederick Hill Meserve Collection comprises more than five thousand […]
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https://npg.si.edu/object/npg_NPG.81.M1599