Tim SmalleyMoss, wildflowers, ferns, fungi and intimate forest floor scenes all benefit from being photographed in soft, even light.
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It’s partly why overcast light encourages a slower, more considered approach to photographing forests.
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It’s part of what makes overcast light such a great teaching tool for woodland photography.
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Drab, fully overcast days are perfect for soft light photography tips to shine, so long as you don’t get streaks of sunlight cutting through mid-shoot.
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That softness is exactly why overcast lighting for woodland photography is so effective, especially when you’re working with texture, colour and mood.
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The ideal type of overcast light for forest photography is uniform cloud cover with no direct sunlight bleeding through.
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How to Master Overcast Lighting for Woodland Photography as a Beginner
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