The decline of SFX serves as a valuable lesson regarding the challenges of commodifying a subculture, highlighting the resilience of outsider communities. Prior to the rise of electronic dance music (EDM), dance music had thrived for decades as a grassroots and often marginalized community, with its members cautious of any efforts to exploit its cherished authenticity. Despite SFX's attempts to engage with a new generation of dance music enthusiasts, it struggled to resonate with the dedicated core audience at the heart of the genre. SFX developed within the EDM boom, a time when it seemed that electronic dance music would dominate the industry. However, the transition of a subculture into the mainstream can often alienate its foundational audience. As casual fans shift their interests elsewhere, a significant void is left behind.

#DanceMusic #subculture vs #EDM #mainstream #MusicHistory #DigitalMusic #distribution #SFX #beatport #alienation #commodification #profits #electronic #DanceMusic #MarginalizedCommunities #originators #MusicScenes #aficionados #music #OnlineMusic #MusicStores #CoreAudience #history

#NYC #Cities #Urbanism #Music #Gentrification #MusicScenes: "Fifty years after their emergence on the streets of the city, salsa, hip-hop, and punk still represent and define NYC to much of the world. The Bowery at 2nd Street has been branded Joey Ramone Place, 205th Street in Queens is now Run DMC JMJ Way, East 110th Street and 5th Avenue is Tito Puente Way, and most recently, Ludlow and Rivington Streets is now Beastie Boys Square. Unfortunately, these are largely empty signs of a cultural heritage and working-class history that have been lost almost entirely to real estate speculation and gentrification.

Without its working-class neighborhoods to nurture it, New York City music culture has lost its roots in the streets and communities that gave it its rhythms, rhymes, attitude, and raw power. The widespread displacement of working-class Jews, Latinos, and African Americans, the immigrant and minority communities most responsible for New York’s artistic and musical identity in the late twentieth century, has severely damaged the city’s cultural ecosystem. And urban musicians must now fend for themselves in the free market of global corporate products and platforms, an increasingly soulless, cityless world where hits come and go so quickly they can barely coalesce into a new genre — let alone a tight, community-based, DIY musical counterculture." https://jacobin.com/2024/02/gentrification-1970s-new-york-music-scene

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The 10 Most Metal Cities In The World
While every town should be proud of their headbanging heritage, these are the ten most metal cities in the world.

https://www.wearethepit.com/2023/05/the-10-most-metal-cities-in-the-world/

#MetalCities #HeavyMetal #LiveConcert #Sub-Cultures #RockMusic #Top10 #MusicScenes #MetalMusic #MetalHeads #HeavyRock #RockBand