Midnight at the Paradise and Love’s Second Act use a similar premise to tell two very different stories about love, nostalgia, and cinema itself.
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https://pablohoneyfish.wordpress.com/2026/06/03/the-screening-room-of-romance-cinematic-literalism-in-midnight-at-the-paradise-versus-cinematic-illiteracy-in-loves-second-act/

Midnight at the Paradise turns out to be profoundly shallow, but then it never said it was deep. The heroine’s father is a movie critic who “always” said, “It’s a movie. Let it be a movie.” Words to live by, as far as writer Bill Robertson and director Vanessa Matsui are concerned.
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https://ninetypercentcrapmoviereviews.wordpress.com/2024/05/19/midnight-at-the-paradise/