Malist – Eternal Echo of the Fall Review By Kenstrosity

Public opinion on Moscow’s once one-man black metal project Malist varies quite a lot more than I realized. While several at AMG HQ regarded Ovfrost’s flagship project with a fair amount of praise, others feel most of his material is by-the-numbers melodic black metal. This variation of reception applies album to album as well, which makes pinning down a crowd favorite from Malist’s discography an interesting discussion. I happen to feel Malist are remarkably consistent—albeit somewhat generic—churning out solid slabs of melodic black metal that straddle dour moods and bouncy tunes with poise. Now boasting a full lineup, fleshing Malist out to six fully minted musicians, sixth opus Eternal Echo of the Fall achieves the same feat once more.

Malist remain as reliable as ever. Perhaps a touch bouncier than they’ve been in a minute, recalling the bopping quality of past hits like “Timeless Torch,” Eternal Echo of the Fall opens up with high-energy romps that contrast nicely with their familiar thematic pall. Ovfrost still handles most of the writing here, so long-time followers of the band won’t be caught off guard by Eternal Echo. However, a new vitality blooms in these eight new tracks. As a result of the current band lineup’s various contributions, a sense of immediacy and a burst of vibrancy enlivens everything from songwriting to performance compared to Eternal Echo’s more melancholy predecessors.

Listeners won’t need to wait long to appreciate this refreshing shot of adrenaline. Opening duo “Eternal Echo” and “Through a Distorted Gaze” launch with a blaze hot enough to melt my skin, marking two of Malist’s most successful tracks to date. “Through a Distorted Gaze” especially impresses, boasting a thrashing speed that would feel alien were it not for those trademark emotive leads and weeping melodies that weave in and out of writhing riffs. Slower and more atmospheric items restore that ominous sense of dread and reclusion that listeners expect from Malist at the center of the record, but even longer-form tracks in this space (“Snows of Remembrance”) offer more intensity, chunkier riffs, more accessible melodies, and hooks than usual. These qualities allow latecomers like “To Walk the Path of the Dead” to shine, deftly balancing crushing heft, exuberant pacing, and soaring melodies.

An impressive outing for a band six albums in, Eternal Echo of the Fall’s major fault is that it doesn’t do anything unpredictable or novel, and isn’t so excellent as it is to overcome that shortcoming. Malist competes in a competitive, saturated field, which only makes their task an even greater challenge. Valiant efforts in its high-octane outbursts (“Through a Distorted Gaze,” “Her Dark Backwater,” “Above the Mists of the World”) as well as its more introspective spells (“Snows of Remembrance,” “The Hird”) push hard to propel Eternal Echo to the front of the pack in the context of the band’s own discography. Against their peers, however, Malist haven’t found that intangible quality or that undeniable execution which would make them stand out. Its flat and plastic production doesn’t help matters much. Wholly lacking in low-end body and short on fullness across the midrange, Eternal Echo of the Fall sounds professionally polished but tinny and flimsy, not unlike cheap chrome. It’s not a deal-breaker, and at least all instruments can be heard. Nonetheless, improvements to the frequencies that lost ground in the engineering suite would ensure a sound that gives proper weight to these songs.

As it stands, Eternal Echo of the Fall is more than a competent, but by-the-numbers melodic black metal record. It is, however, not quite memorable or striking enough—nor does it offer a certain level of excitement or originality—to distinguish itself with distinction amongst the horde. Hints of that distinction in its best cuts give me hope that Eternal Echo heralds a new era for Malist, in no small part due to the fresh talent newly inducted into the project. With this in mind, I offer a qualified recommendation to try Eternal Echo. Should you be an existing fan, or a newcomer curious to add another entry into your rotation, you might not be blown away, but you’ll certainly not be disappointed. In a genre as overpopulated with talented musicians and songwriters as this, it’s hard to ask for more than that!

Rating: Good!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Flowing Downward
Websites: Bandcamp | Facebook
Releases Worldwide: June 12th, 2026

#2026 #30 #BlackMetal #EternalEchoOfTheFall #FlowingDownward #Jun26 #Malist #MelodicBlackMetal #Review #Reviews #RussianMetal
MALIST (Rússia) presenta nou àlbum: "Eternal Echo of the Fall" #Malist #BlackMetal #Juny2026 #Rússia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
10 Amazing Black Metal Albums From The 2020s

Music for a bleak decade.

Metal Injection
10 Amazing Black Metal Albums From The 2020s

Music for a bleak decade.

Metal Injection

Malist – Of Scorched Earth Review

By Thus Spoke

If there’s anything I could say for certain about Malist, it’s that they can get a hell of a lot of variety out of the superficially simple ‘atmospheric black metal’ subgenre. This variety, spanning melodic, second-wave, and quasi-DSBM styles, has doubtless played a role in Malist’s very positive reception in these halls. At least through 2021’s Karst Relic. When I picked up the mantle of reviewing rights for the act in 2022, I wasn’t blown away,1 and felt it was a clear step down from the previous outing. Yet it wasn’t enough to totally obscure the talent of sole member Ovfrost, so I was determined not to lose faith. Their fifth album in as many years, Of Scorched Earth faces the challenge of course correction, answering the naysayers of solo black metal projects who assert their inevitable fate of obscure mediocrity. Whether or not it succeeds is, as you will see, a matter of nuance.

Without a question, Of Scorched Earth is better than its predecessor As I Become Darkness. Its melodies are more memorable, compelling, and graceful. Its compositions are more dynamic and interesting. And there is more of that aforementioned variety in the surface-level simplicity of atmospheric black metal, which nonetheless still feels like one coherent whole. All these factors combine to create a record that has elegance, albeit an elegance with rusted, and frosted edges. On several occasions (like “The Lone and Level Sands,” “The Ship,” “Clad in Black and Gold”), this sensibility of the music leads me to make the favorable comparison to Pure Wrath because of its bittersweet mournful melodiousness, shrouded in ferocity.2 At others, however inappropriately, it gives me incredibly strong Insomnium vibes with clear, piano-accented plucking, swaying tempo, and gently rising atmosphere (“Ode to the Night,” “Wind of Change, Carry Me,” “Rotting into Primal”). And just these two identified touchstones of sound can help illustrate what elevates this album in multiple ways.

Of Scorched Earth is rich with emotion, and feels, however shrouded in allegory, quite personal. The melancholia erupts in recurring minor refrains that manifest as fiercely beautiful cathartic outbursts (“The Lone and Level Sands,” “Clad in Black and Gold”) and more musing, understated phrases (“Ode to the Night,” “The Ship”). Malist infuses compositions with feeling through affecting themes and heightens their impact with the deft touches of synth, impressing meaning upon the listener with often quite articulate ardent snarls. The differing means of expression—angrier, faster, second-wavier, and sadder, slower, more atmospheric3—complement each other well as they easily flow in and out of one another. “The Lone and Level Sands,” “Clad in Black and Gold,” and “The Ship” each in themselves and together epitomize this blackened dichotomy and exemplify it beautifully with impactful and carefully developed compositions. But perhaps most striking of all, at least aesthetically, is the recurrent fluttering tremolo of “Wind of Change, Carry Me.” Like a lightning strike it breaks the silence following “The Ship,” and its frenetic urgency carries the tumbling tempo of the song through wave after wave of tension release. And speaking of “The Ship,” that song showcases best another stylistic duality—between post and trve black metal—as it moves from the spacious introspection of resonant guitar and lapping waves to the weirdly groovy and catchiest black metal of the whole album, through which the sounds of the sea can still be discerned.

But in spite of so much greatness, the album falters at points. Most notably with penultimate track “Rotting into Primal,” which sticks out as inferior to its companion tracks, simply lacking that musical and emotional thematic element present elsewhere. And while all the others are compelling and beautiful at turns, each is a little too long for its own good, and could do with a trim of their midsection meandering to pull up the impact garnered by their intense and excellent melodies.

Of Scorched Earth does improve upon the missed swing of As I Become Death, but its overall success comes down to how convinced you are by the heart of the thing. Anyone with at least mild sympathies for atmospheric black metal, or Malist in particular will find a solid, and at times brilliant album to rail against and muse to the bitterness of fate.

Rating: Good
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Avantgarde Music
Website: bandcamp | facebook
Releases Worldwide: January 12th, 2024

#2024 #30 #AtmosphericBlackMetal #AvantgardeMusic #BlackMetal #Insomnium #Jan24 #Malist #MelodicBlackMetal #OfScorchedEarth #PureWrath #Review #Reviews

Malist - Of Scorched Earth Review | Angry Metal Guy

A review of Of Scorched Earth by Malist, available January 12th worldwide via Avantgarde Music.

Angry Metal Guy