#Zukunftslabor – Friday, 14 March 2025, 2–6 PM (online)
Join us for a critical reflection on
#curatorialpractice: How should an independent dance house curate its program? What guides artistic selection? How can personal biases be addressed?
For independent
#dance professionals from
#Frankfurt, the region, and across Germany.
Info & registration:
https://www.idtanzhausfrm.de/en/projects/zukunftslabor/ Zukunftslabor - ID_Tanzhaus Frankfurt Rhein-Main
2025 ASYMMETRY CURATORIAL FELLOWSHIP
SculptureCenter, New York – Asymmetry
Check out Francesca Albrezzi’s latest research on curatorial practice! Her article explores the impact of virtual exhibition building in digital environments, focusing on challenges, opportunities, and the new paradigms it creates for art and culture. A must-read for anyone interested in digital curation and immersive exhibitions! #DigitalArt #VirtualExhibitions #CuratorialPractice #DigitalArtHistory
Read the article: https://doi.org/10.3390/arts13050162
Expanding Understandings of Curatorial Practice Through Virtual Exhibition Building
This article reflects on the translation of gallery space into a virtually immersive experience in an era of remote access. Curators and scholars such as Mary Nooter Roberts, Susan Vogel, Carol Duncan, Tony Bennet, Stephen Greenblatt, Judith Mastai, and Barbara Kirshenblatt-Gimblett have discussed the myriad of ways in which the experience of culturally significant objects and sites in person has been critical to the study of art and its history. Focusing on theories of curation and display, I utilize practice-based examples from six virtual reality (VR) exhibitions produced in three different institutional contexts: the International Journal of Digital Art History’s online gallery, the European Cultural Center’s Performance Art program, and the Digital Humanities program at the University of California, Los Angeles. By documenting and analyzing the extended reality (XR) methods employed and the methodological approaches to the digital curatorial work, I address some of the challenges and opportunities of presenting objects in virtual space, offering comparisons to those faced when building physical exhibitions. I also consider how digital modalities provide a distinctly different paradigm for epistemologies of art and culture that offer greater contextualized understandings and can reshape exhibition documentation and the teaching of curatorial practice and museum studies.
Being a portable museum means that it has been visited inside people's homes, outdoors, and indoors...by the young and the young-at-heart.
It's listening fun for anyone, anywhere – even online via video chat!
Book your own visit at http://museumofportablesound.com/visit!
#listening #sound #museum #online #offline #portablesound #headphones #sounds #soundstudies #museumstudies #museology #CuratorialPractice #soundobjects
How To Visit Us
Whether online or in person, you get a personalised guided tour from our Director & Chief Curator, who meets with every visitor! We are OPEN for Online & In Person Visits! In-person visits …
How To Visit Us
Whether online or in person, you get a personalised guided tour from our Director & Chief Curator, who meets with every visitor! We are OPEN for Online & In Person Visits! In-person visits …
ID_Tanzhaus
Julian Wong-Nelson
Harald Klinke
Museum of Portable Sound
Museum of Portable Sound