The Chitlin' Circuit consisted of venues throughout the U.S. that were mainly Black-owned, where Black entertainers would perform, predominantly to Black crowds, during the racial segregation era of the 1930s to the 1960s. "[It] is really the educational training ground for African American performers. Before they reach concert stages or Broadway or make recordings or they’re going to places like Motown or Stax or Chess Records, they’re really getting their start, particularly for musicians, in these small clubs, really forming a community of musicians, learning your craft, learning your vocals for the day, and then going on to the next level," history professor Michelle Scott told Jala Everett on Atlas Obscura's podcast. They chatted about one specific venue, Club Ebony in Indianola, Mississippi, where artists like B.B. King, Count Basie, Jimmie Lunceford and Bobby Rush cut their teeth.
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