Quote of the day, 16 May: Hermann Cohen
There may still be some who, from deference to the naturally staid, impassive character of the English, would counsel Catholics to maintain a certain reserve in their devotion to Mary, as though, indeed, there were any other than Mary who was to crush the head of error; as though there could be danger or excess where God has so wondrously surpassed Himself: can the love of Catholics for Mary ever rise to such a height, or can they honour her with glory so sublime, as that to which God Himself has chosen to exalt her?
As if this filial homage could be out of place in England, the birth-place of the devotion of the Holy Scapular, the favoured spot to which the Blessed Virgin came, bringing from heaven that pledge of salvation, to bestow it upon a Religious, not of Italy or of Spain, but on an English Saint, born and bred in England, English in his labors, in his mission, and in his election as General of the Carmelite Order.
This preference for England as the scene of that revelation, and the choice of an Englishman, St. Simon Stock, as the receiver of the promise attached to the Scapular is, to my mind, a pledge of the future conversion of that nation.
Servant of God Augustine of the Blessed Sacrament
Hermann Cohen
Lecture at Malines (3 September 1864)
Tierney, T 2017, A Life of Hermann Cohen: From Franz Liszt to John of the Cross, Balboa Press, Bloomington, IN
Featured image: This close-up photo shows the monumental reliquary of St. Simon Stock in the chapel of the Carmelite priory in Aylesford, England. Image credit: British Province of Carmelites / Flickr (Some rights reserved)
⬦ Reflection Question ⬦
Do I believe there can be “danger or excess” in loving Our Lady as God exalts her?
⬦ Join the conversation in the comments.
#BlessedVirgin #BrownScapular #CarmeliteOrder #Catholic #Catholics #conversion #England #HermannCohen #Mary #PriorGeneral #scapular #StSimonStock
A Life of Hermann Cohen
Hermann Cohen was a star pupil of the great composer/pianist Franz Liszt in Paris in the mid 1800s. Cohen became an international concert pianist in his own right and mixed with many of the famous names of the day. He provided piano accompaniment for Giovanni Mateo De Candia ( Mario), the Pavarotti
