finestraica pigrizia con del rendering schifatico.

Non inizia per davvero una nuova settimana in termini lavorativi personali, se non esce fuori un nuovo esterrefacente bug sul mio assolutamente meraviglioso apprezzatissimo Windows 10… e anche stavolta non è qualcosa che vedo per la prima volta, ma adesso ho avuto modo di filmare (talmente che son rognosi codesti troiai). Ed è tutto assurdo come al solito… 😭

Quello che è successo stavolta, e che ovviamente succede solo a momenti alterni in base a nessun criterio logicamente discernibile, è che alcune finestre (di explorer, nello specifico… non mi sembra di averlo mai notato con altre finestre che tengo non massimizzate) magari prendono e smettono di renderizzare le zone che sono al di fuori dell’area dello schermo, nel mio caso perché spostate troppo verso destra. Normalmente non succede nulla di strano mettendo le finestre in fuori, mentre in certi casi la finestra finisce in questo stato semi-glitchato, in cui si osservano due distinte merdate: 💩

  • Guardando dalla vista Alt+Tab, si vede che la finestra ha effettivamente il contenuto aggiornato nella parte per cui questa è visibile a schermo, mentre per la parte in cui è oltre si vedono o i pixel precedenti al momento in cui è scattato il glitch (e stavolta questo è il caso), oppure proprio del nero (probabilmente bit di memoria resettati a zero, quindi pixel #000). 🕳️
  • Trascinando la finestra da fuori a più in dentro l’area dello schermo, sul bordo limitrofo si vedono apparire per delle frazioni di tempo i pixel lì rimasti non aggiornati, esattamente come visibili dall’Alt+Tab (quindi in questo caso colorati, altrimenti neri), mentre contemporaneamente quella parte di finestra si aggiorna e si sbugga. Il resto che rimane oltre lo schermo rimane glitchato, mentre ciò che è stato spostato in dentro rimane sglitchato (almeno fin quando la maledizione non colpisce di nuovo la finestra). 🎃

Anche stavolta, un problema molto stupido, ma guardate che cazzo di roba! (E guardate come nel mentre fa la sua guest appearance un altro glitch che postai mesi fa…) Come minchia si fa ad introdurre un problema simile in un sistema operativo?! Pensare che io faccio sempre gli aggiornamenti (ho liberato spazio da quell’ultima volta, eh…), ma questi bug continuano a rimanere. Anzi, molti di quelli che io ho qui sopra pare ci siano ancora anche su Windows 11, dopo anni e anni… E che cazzo, cioè, è da un trentennio che in un modo o nell’altro la shell di Windows è completamente rotta, e non cambia mai niente in questo senso… e allora mi spiegate a che minchia servono tutti gli infiniti aggiornamenti, se non risolvono mai i veri problemi che si incontrano? Vaffanculo!!! ☄️💣🔪👹

#000 #bug #explorerExe #glitch #UI #visual #Windows #Windows10

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About

ADHO sponsors Special Interest Groups (SIGs) to enable members across different ADHO Constituent Organizations (COs) to exchange ideas, keep themselves current on pertinent developments, and mobilize in pursuit of related activities and goals. An ADHO SIG is a research or activity grouping of scholars initiated and run by a group of individuals who are members of an ADHO CO and who share a self-defined ‘special interest’ within the areas of scholarship in which ADHO and its COs are active. In this way, SIGs represent key elements in the breadth and depth of the ADHO community, though they do not speak directly for ADHO, its committees, or its COs.

Learn more here about forming a SIG.

Current Special Interest Groups

ADHO currently sponsors the following SIGs:

  • AVinDH
  • DH Pedagogy and Training
  • DHTech
  • DH-WoGeM
  • DLS
  • GeoHumanities
  • Global Outlook::Digital Humanities(GO::DH)
  • Libraries and Digital Humanities
  • Linked Open Data
  • Multilingual Digital Humanities (SIG Multilingual DH)

AVinDH

The ADHO SIG Audiovisual Data in Digital Humanities (SIG AVinDH) is a venue for exchanging knowledge, expertise, methods, and tools by scholars who make use of audio/visual data types such sa  audio, video and/or (moving) images. The community facilitates communication and interaction between researchers from various disciplines including domains such as history, media studies, musicology, and visual culture studies. 

DH Pedagogy and Training

Our focus lies on bringing together those colleagues with interests in DH pedagogy and training (practical and theoretical) and its implementation (inflected courses, institutes, programs, etc.) with the goals of documenting shared concerns, establishing the scope of existing efforts and defining and pursuing the benefits which could be realized through international and cross-disciplinary collaboration.

Recognizing that curricular needs and opportunities differ widely from region to region, the SIG is open and supportive of digital (humanities’) pedagogy in a very broad sense.

DHTech

DHTech is an international community of Digital Humanities software engineers and people doing technical work in DH born in 2017 in Montreal. It aims to support the development and reuse of software in DH. As tools and services specifically designed for the Digital Humanities are increasingly computationally sophisticated, DHTech works on the development of an infrastructure for collaboration and cooperation in the field. Members of the group are software developers, scholars with programming expertise and project managers. Anyone involved in the creation and maintenance of such tools is invited to join.

DH-WoGeM

DH-WoGeM (Women & Gender Minorities) provides a mailing list for discussion of issues relevant to being a woman or gender minority in digital humanities. The group also organizes “conversations” (video chats via Zoom) around specific issues, and develops white papers and other resources for advocacy.

Digital Literary Stylistics (SIG-DLS)

The Special Interest Group Digital Literary Stylistics (SIG-DLS) facilitates inter- and transdisciplinary interaction between different fields of “digital style studies,” including computational stylistics, authorship attribution, corpus stylistics, and digital hermeneutics. Our aim is to foster novel empirical findings, methodological and epistemological innovation, as well as advocacy and networking. The SIG is interdisciplinary by nature.

GeoHumanities

The goals of the GeoHumanities SIG focuses on spatial, spatial-temporal and “placial” perspectives in the digital humanities. The aim of this group is to create a venue for pooling knowledge and best practices for relevant existing digital tools and methods, to foster the collaborative development of shared resources and new tools and extensions to geospatial software, and to keep humanist scholars at large informed about the possibilities and inherent potential challenges in their use. 

Global Outlook::Digital Humanities(GO::DH)

[English | Español | Chinese/中文]

GO::DH is a Community of Interest whose purpose is to help break down barriers that hinder communication and collaboration among researchers and students of the Digital Arts, Humanities, and Cultural Heritage sectors in High, Mid, and Low Income Economies.

Libraries and Digital Humanities

The ADHO Libraries and DH Special Interest Group aims to foster collaboration and communication among librarians and other scholars doing digital humanities work.

Linked Open Data (DH-LOD)

Linked Open Data conveys the idea of the Web as platform for loosely-coupled, distributed services that offer data in an accessible, open way, following the Linked Data principles as described by Tim Berners-Lee.

A large number of digital humanities (DH) projects generate data. When this data is published as LOD, both scholars and machines are able to combine data from different projects, creating new datasets for research. DH is making extensive use of open source software and open access venues for publication. The same reasons for releasing research reporting and software products under open licenses — transparency, serendipity and social responsibility — should encourage us to release our research data as LOD as well.

The mission of the ADHO LOD SIG is to bridge between the DH community and the semantic web community, encouraging and facilitating the interconnection and interoperability of open online Humanities resources by raising awareness of new developments (both content and technology) and discussing and developing best practices. The SIG encourages membership from all fields and all regions of the globe.

Multilingual Digital Humanities (SIG Multilingual DH)

The human condition is one of multilingualism. We speak different languages, use dialects or sociolects and communicate in a variety of ways in their professional and everyday lives. Sometimes we share a language with people across geographic distances and sometimes we do not understand our direct neighbours. Yet, the Anglophone-centricity of digital humanities continues to be an impediment to DH scholars who work on, or teach with, materials in other languages—not to speak of the vast majority of scholars whose first language isn’t English or who do not work in English at all. Tools and tutorials are almost all designed to primarily work with English.

The SIG Multilingual DH is an important piece of the larger puzzle of global DH. It will serve as a visible, ADHO-sponsored community for DH practitioners working in non-English languages, with scripts other than the Latin alphabet, and character encodings beyond ASCII-compatibility. We will share tools, resources and advice, and gather both virtually and in person to form a community.

– Subscribe to the SIG Multilingual DH mailing list
– Visit the website: http://multilingualdh.org/en/
– Read the full SIG proposal

How to Form an ADHO Special Interest Group

ADHO invites all members of Constituent Organizations to propose a Special Interest Group. The pertaining protocol is currently being updated. In the meantime, please direct any enquiries to the ADHO SIG liaison.

Related News

Read More

https://adho.org/sigs/

#000

AVinDH SIG

Special Interest Group AudioVisual material in Digital Humanities

AVinDH SIG
the css honors dark mode

@media (prefers-color-scheme: dark) { body { background-color: #000; color: #fff; } a { color: #7799dd } a:visited { color: #aa99dd } }
edit: lol, so much for escaping code

Sheffield

Sheffield Pattern Club is a group of people who meet up to explore patterns in craft, technology, music, performing arts etc. Imposters and beginners are welcome. If you have thoughts/questions to share/ask please get in contact.

Instigated by Ray, Lucy and Alex.

Subscribe

Please join our mailing list to be the first to hear news of our events.

Radio show

We have a monthly radio show on Resonance FM (and previously on Mondo Radio). You can listen 6-7pm UK time every 4th Sunday, or catch up on recent past episodes on mixcloud or older ones on soundcloud.

Update: Our 24 Aug show won’t be broadcast – we didn’t realise Resonance have a summer break! But you can still listen to it here.

Meetups

We are currently doing Pattern Club meetups on the third Thursday of each month at Gut Level, for people doing strange things with different kinds of patterns. Check the schedule below!

Events coming up

See our event archive to see what we’ve got up to previously..

Current Month

september 2025

12sep(sep 12)10:0014(sep 14)23:59Alpaca FestivalA diverse weekend of pattern-based performances (concert + club night), talks and hands-on workshops

Event Details

We’re happy to be running the first Alpaca festival (of algorithmic patterns in the creative arts) in Sheffield, from 12-14th September 2025!

Event Details

We’re happy to be running the first Alpaca festival (of algorithmic patterns in the creative arts) in Sheffield, from 12-14th September 2025!

See the website for more details: 2025.algorithmicpattern.org/sheffield

Time

12 (Friday) 10:00 - 14 (Sunday) 23:59(GMT+00:00)

CalendarGoogleCal

Organizer

Sheffield Pattern Club

Learn More

Funders

Materials and venue costs for some pattern club events are funded by UKRI fellowship Algorithmic Pattern, ref MR/V025260/1.

#Sheffield

Contact us – Pattern Club

Torno con le mie mirabolanti domande di #mastoaiuto sul tema #informatica e #WebDesign. L'argomento di oggi è il tema scuro nei siti e nell'interfaccia del computer/cellulare. O come lo chiamano in modo tutto figo #DarkMode.

Io mi sento più rilassato quando lavoro con il tema scuro su progetti grafici o scrittura. Mi aiuta a concentrarmi meglio su quello che sto facendo. Ma quando si tratta di #accessibilità mi viene un dubbio enorme: se faccio un sito con tema scuro, accontento tutti i lettori?
Io ho sempre fatto attenzione a non usare mai lo sfondo totalmente nero #000 con testi totalmente bianchi #fff perché anche solo pensarlo mi si bruciano le retine. Ho sempre fatto una mediazione di grigi o comunque colori complementari che abbiano lo stesso un elevato contrasto, ma più morbido. Ho già chiesto ad alcune persone con difficoltà di lettura come si trovassero con i miei siti e hanno risposto che riescono a leggere senza affaticarsi. Ma l'esperienza di persone che si conta sulle dita di una mano non fa statistica.

Ora, questo approccio che a me piace è sempre stato venduto anche come ecologico perché inciderebbe meno sull'energia impiegata dal monitor, con gran gioia della bolletta, della batteria e dell'ambiente stesso. Ma è davvero così?

Leggo articoli online che si contraddicono, perciò mi piacerebbe sentire il parere da gente vera come voi. In realtà un tema chiaro incide poco o nulla sulle performance e quindi è meglio stare più leggeri per non mettere in difficolta i lettori online, oppure c'è un vero e tangibile risparmio energetico e quindi è buono l'impegno nel fare temi scuri ma il più possibile accessibili?
I wanted to support Day One. So I bought their subscription. Next release comes, and dark mode is literally just #fff on #000 with no customization. And they took a bunch of fonts out of the iOS version. So... now what?
@epicmorphism thanks! its just base16 ember with the backgrounds changed to #000