fredrik wallberg

@quesebifurcan
329 Followers
627 Following
633 Posts
Composer, hobby sinologist, software engineer. Based in Berlin. Coding musical grammars in Python, Haskell and SuperCollider. Happy Reaper user.
homepagehttps://fredrikwallberg.com/

What I'm listening to: "David Edmonds on Wittgenstein's Poker" (2020)

"But there was this huge gulf between them in one way. There was a class gap. Wittgenstein was from one of the richest families in Europe. [...] Popper, on the other hand, was from a middle class family. His father was a lawyer. Their wealth was wiped out in the hyperinflation of the nineteen twenties. We came to believe that that class gap was part of the personal antagonism between them"

https://philosophybites.com/podcast/david-edmonds-on-wittgensteins-poker/

WORKSHOP: Coding Musical Patterns - Algorithmic Composition, Generative Growth, and the Music of Math
Mads Kjeldgaard

Saturday 25.4.26 and Sunday 26.4.26
11am - 4pm with breaks

at Morphine Raum in Berlin, Germany. Organized by Hyperlinear. Poster by @joegilmore. More info below.

#supercollider #algorithmiccomposition #generative #generativeart #computermusic

New book
thisoccasionalsociety (@[email protected])

Attached: 1 image Hello again. Just a wee reminder that this is tonight at 20.00 UTC via stream.gravitons.org and you are cordially invited. Pack extra socks, as @[email protected] is going to rock them. Big thanks as ever to @[email protected] and the @[email protected] crew for making it all happen. #electronicMusic #experimentalMusic

Mastodon
Thinking about chords #Supercollider

Today was the last of six Sundays at Sonic Acts where my piece Towards a Music For Large Ensemble was played as part of the GRM showcase there.

This new release which is out on Fönstret today collects all six acts.

Towards a Music for Large Ensemble, Acts I—VI

What I'm listening to: "Recurrence" by Lula Romero

"...is an orchestral piece based on an obsessive, repetitive percussive gesture. This gesture appears in several iterations and undergoes a process of fragmentation, disintegration and dissolution among the orchestra's different instruments, exploring their various timbres."

https://lularomero.com/recurrance.html

Lula Romero - Composer

Morning walk, but the path is a sequence of microtonal chords and the landscape is a parameter space with 11 dimensions
Acceleration/deceleration. The same modulation signals are shared by all voices but "resolved" in different ways depending on the current state of the voice.

What I'm listening to: Social Science Bites, Peter Ghosh on Max Weber and "The Protestant Ethic" (2014)

https://socialsciencebites.libsyn.com/peter-ghosh-on-max-weber-and-the-protestsant-ethic

Social Science Bites : Peter Ghosh on Max Weber and 'The Protestsant Ethic'