302 Followers
450 Following
10 Posts

Art / Historian. Translator.

Currently: Research Associate, Provenance Lab, Leuphana University Lüneburg

Twitterhttps://twitter.com/DrMaxKoss
Instagramhttps://www.instagram.com/hot_pink_flamingo/
Leuphanahttps://www.leuphana.de/institute/ipk/personen/max-koss.html
Orcidhttps://orcid.org/0000-0001-6026-8250

Courtauld PR video: “Art history matters because we live in a world of quantification and statistics… The study of art reminds us of those things that can’t be measured or described”

DH: hold my beer

https://www.instagram.com/reel/CvcdJAdtE8L/?igshid=MzRlODBiNWFlZA==

The Courtauld on Instagram: "Why does art history matter? 🎨 We’re revisiting some of the answers to this important question by experts from across The Courtauld - hear from Dr Jessica Barker, Senior Lecturer in Medieval Art History at The Courtauld. Originally filmed as part of the @heni Talks series 💭 Head to our website to watch more or find out about studying at The Courtauld."

1,268 likes, 36 comments - courtauld on August 2, 2023: "Why does art history matter? 🎨 We’re revisiting some of the answers to this important quest..."

Instagram
Ach diese große Liebe zur allerliterarisch sich gebärdenden Literatur, deren Literarizität man im Text immer genau belegen kann! Zur sich in die allerfeinste Verfeinerung hineinverfeinernden Feinheit, ach! #tddl

Wie sind Machtverhältnisse geschlechtlich konfiguriert?
Wie organisiert Kapitalismus das Netz des Lebens?
Wie intervenieren Künste in Konfliktfelder der Gegenwart?
Wie wird das Gemeinsame organisiert?

Derlei Fragen werden im MA "Kritik der Gegenwart: Künste, Theorie & Geschichte" an der @leuphana behandelt.

Bewerbungsfrist: 31. August 2023!

Spread the word! 🥳🙏

https://www.leuphana.de/graduate-school/masterstudiengaenge/kulturwissenschaften-kritik-der-gegenwart.html

Kulturwissenschaften-Kritik-der-Gegenwart

Entdecke den Master Kulturwissenschaften: Kritik der Gegenwart – Künste, Theorie, Geschichte (M.A.) der Leuphana Universität ▶ Mehr erfahren!

Leuphana Universität Lüneburg
@nabsiddiqui Thanks so much! Proud of this one. 🤓
Dirk Baecker zum WissZeitVG, der Universität und ihrer ungewissen Zukunft. Unbedingt lesenswert. #requiredreading https://www.soziopolis.de/unter-falschem-namen.html
Unter falschem Namen

Delighted to announce the publication of my first-ever peer-reviewed article, together with my co-authors Lynn Rother and Fabio Mariani.

Check out "Hidden Value: Provenance as Source for Economic and Social History," now out in the Economic History Yearbook.

🥳

#digitalprovenance #digitalhumanities #naturallanguageprocessing #AI #gender #inheritance
https://doi.org/10.1515/jbwg-2023-0005

Hidden Value: Provenance as a Source for Economic and Social History

Building on the extensive production of provenance data recently, this article explains how we can expand the purview of computational analysis in humanistic and social sciences by exploring how digital methods can be applied to provenances. Provenances document chains of events of ownership and socio-economic custody changes of artworks. They promise statistical and comparative insights into social and economic trends and networks. Such analyses, however, necessitate the transformation of provenances from their textual form into structured data. This article first explores some of the analytical avenues aggregate provenance data can offer for transdisciplinary historical research. It then explains in detail the use of deep learning to address natural language processing tasks for transforming provenance text into structured data, such as Sentence Boundary Detection and Span Categorization. To illustrate the potential of this pioneering approach, this article ends with two examples of preliminary analysis of structured provenance data.

De Gruyter

“The histories of artworks are linked.”

Why does this matter for #provenance & how does it affect #museums?

In the peer-reviewed essay “Taking Care of History: Toward a Politics of Provenance Linked Open Data in Museums,” now published in the digital publication "Perspectives on Data" from the Art Institute of Chicago and edited by Emily Lew Fry and Erin Canning, Lynn Rother, Fabio Mariani, and I tackle these questions.

https://www.artic.edu/digital-publications/37/perspectives-on-data/25/taking-care-of-history

Taking Care of History: Toward a Politics of Provenance Linked Open Data in Museums | The Art Institute of Chicago

An account of the limitations of museums’ current approaches to presenting provenance data digitally that advocates for adopting a linked open data (LOD) approach.

The Art Institute of Chicago
@LarsAlberth Das Blau konsistent beliebter als Rot und Gelb ist. Aber Grün offensichtlich noch beliebter. Vielleicht frage ich in einem Jahr noch mal nach. :)
🔴
11.1%
🟡
7.4%
🟢
48.1%
🔵
33.3%
Poll ended at .