Not theorising, diarising, soapboxing or broadcasting.
A shelf here to put these things on and capture the dust.
Not theorising, diarising, soapboxing or broadcasting.
A shelf here to put these things on and capture the dust.
Another new track. Meandering, chasing echoes, zig-zagging the laneways. The chance of finding manganese hued glass.
Live #electronicmusic, one take recording. Processes built with Cardinal (#VCVRack) in #Reaper.
This one goes to the Tasmanian School Of Minimalist Ambience - @SeaFury & @jimbob
From the Far East Gippsland Chapter.
Admittedly it still reveals my maximalist approach to the minimal, with typical over ornamentation. One day I'll kick the habit. No, really, maybe tomorrow.
(@ambientspace - you might be intrigued, this is all Cardinal=VCV, generative under Reaper, navigated realtime through its fractal self using a midi-CC-event matrix.)
#TasmanianSchoolOfMinimalistAmbience #FarEastGippslandChapter
Running out another new one.
No deaths here. The mundane of the living. Walking the washed smooth ground since the forest reserve was so many months flooded and is now drained away.
From the void to the void, I wonder do these links ever properly play.
A "songs of death" companion to the Boneyard Blues previous. This one being the Lych Gate Latch.
As is typical here in the Gooseyard the audio is unreal (hyper-real?) maximalist chaos.
As seen on recent travels - the Lych Gate in question is real.
www.google.com/maps/@-34.5408856,148.3269659,3a,30y,194.31h,86.15t/data=!3m7!1e1!3m5!1sORnbJ63seyxKQNhXtrWhqg!2e0!6shttps:%2F%2Fstreetviewpixels-pa.googleapis.com%2Fv1%2Fthumbnail%3Fcb_client%3Dmaps_sv.tactile%26w%3D900%26h%3D600%26pitch%3D3.848631353566219%26panoid%3DORnbJ63seyxKQNhXtrWhqg%26yaw%3D194.30966327130176!7i16384!8i8192?entry=ttu&g_ep=EgoyMDI1MDgxOC4wIKXMDSoASAFQAw%3D%3D
Another new mix. "Boneyard Blues" - it won a name. Posthumously?
The boneyard is about 4k north. Sapling choked neglected forest tracks converge alongside an old dam wall slumping tiredly back into the bush. Rotted out split rail fences muster crouching ragged cast iron carcasses. The packed clay ground is strewn with moss flecked white flattened bones crumbling to chalk.
The music was built with no thought to any of that. Though the images may assist if stoic resolve alone cannot sustain listening the full length of the track.
Necktar[2017]Nostalgia
All 9 volumes playing on hTrack.
Now added: the world is over A-Side and B-side.
The station steps, under the clocks.
Generative soft-synth chaos collage self arrangement.
Another hard sound track after another city visit. Post/mixdown addition of noise surface from Radio Aporee sample of Flinders Street Station - by John Hopkins, 2011. History!
link: aporee.org/maps/?loc=11281
In this one, the fine grain of pitch selection comparator gating is tapped as the primary track for percussion triggers, redivided and multiplied with sync back to main clocks.
#RadioAporee #FlindersStreet #Generative #Experimental #Music #Reaper #Cardinal
No Sordid Ends to Serve.
(An old Nettles track.)
Different voice, different times.
Some info and recording of Harding's 1921 disarmament speech can be found at:
millercenter.org/the-presidency/presidential-speeches/november-12-1921-opening-speech-conference-limitation-armament
Some kind of Stomp.
Re-discovered in old files & rejigged for live play stability.
Brutalist - honouring no fines coarse aggregate concrete.
#Sketches #Chaos #ExperimentalMusic #Cardinal #Reaper #LiveMusic