Frank Grießhammer

@frankrolf@typo.social
390 Followers
151 Following
268 Posts
HBKSaar → FontFont → TypeMedia → Adobe
@letterror @MathieuLommen I think it might be the result of a path simplification filter, possibly run by the sign making software.

One of my favorite stories about Jim Parkinson – when he received an unexpectedly large quarterly check from Adobe, he assumed an accounting error. Jim was conflicted, and pondered calling to ask, but decided to wait it out. When the amount was even larger in the following quarter, Jim did finally call, and found out that everything was perfectly fine – he’d received a windfall from his font Mojo shipping with Adobe Type Manager. 😎

RIP Jim, I’ll miss you.

@slye It’s fun to read it in a voice that describes the side-effects of a questionable weight-loss drug
@monokrom I absolutely agree with you – however, let’s keep in mind that many outlets (The Verge, Wired, etc.) are basically all advertorials. Also, the Red Dot Award is a similar affair – you pay for winning. So, let’s take those awards/publications for what they are – vanity plates for whoever feels the need to afford them.
@colinmford Unless I’m missing something, I see branches (with sources) for `v1.2.2` and `next` (among others)
@colinmford The branches?
@Cykelero @db I can’t 😩
@Cykelero @db case in point:

My role in Momochidori was designing the Latin part, which now has been released as “Chidori”. There’s a bit more flexibility in drawing the Latin (since I don’t have to deal with heavy ideographs), so the axes are more extreme. In Chidori, it’s possible to go heavier, lighter, and tighter. The variable axes makes the family fun to use – I enjoyed making these samples, in which I reproduced signs seen in my surroundings.

https://fonts.adobe.com/fonts/chidori-variable

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Momochidori (designed by Ryoko Nishizuka and Taisei Yoshida) is a Japanese Variable Font which breaks the notion of the square body: weight- and width axes translate to “short” and “tall” in vertical typesetting.

Momochidori aims to be useful and approachable while recalling the quaintness of the Showa Era – which it does very well! Congratulations Ryoko and Taisei on this remarkable family!
https://fonts.adobe.com/fonts/momochidori-variable

More about Momochidori (in Japanese):
https://main--blog--adobecom.hlx.page/jp/drafts/takada-drafts/iwamoto/cc-design-adobefonts-2502

#ad, I think?

As expected, questioning something as fundamental as the Japanese baseline grid could not be achieved without the solid technical skills of Masataka Hattori and @zacharyquinnscheuren 😎🧰

And as with every typeface family, many more people were involved behind the scenes.

My role in Momochidori was designing the Latin part, which now has been released as “Chidori”. There’s a bit more flexibility in drawing the Latin (since I don’t have to deal with heavy ideographs), so the axes are more extreme. In Chidori, it’s possible to go heavier, lighter, and tighter. The variable axes makes the family fun to use – I enjoyed making these samples, in which I reproduced signs seen in my surroundings.

https://fonts.adobe.com/fonts/chidori-variable

@frankrolf heart these signs!