Florian Hardwig

@fhardwig
1,070 Followers
503 Following
1.2K Posts

It never gets old seeing what humanity can do with math and science while we continue to battle against our base instincts down here on Earth.

#Artemis #Artemis2 #Science #Math #Space

#Amsterdam #Lettering and #Typography Through the Ages

A remarkable digital archive highlights 150 years of lettering and typography in the Dutch capital.

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https://bl.ag/amsterdam-lettering-and-typography-through-the-ages/?ref=bl-ag-online-latest-all-members-newsletter
Amsterdam Lettering and Typography Through the Ages

A remarkable digital archive highlights 150 years of lettering and typography in the Dutch capital.

BLAG Magazine: Adventures in Sign Painting Craft, Community & Culture
Typoart Liberta folder scanned at 800 dpi ☞ https://letterlibrary.org/view/object/liberta-folder-r1874/

My favorite use of PLINC’s Caruso Roxy: the covers for a series of creative activity books by Grace Mintonye and James E. Seidelman, published by Crowell-Collier Press from 1967 on.

See all of seven on @FontsInUse: https://fontsinuse.com/uses/42135/creating-book-series-by-james-e-seidelman-and

#BookCovers #crafts #MidCentury #1960s #fonts #FontsInUse

I don’t know if this is gonna float anyone else’s boat, but it made my afternoon! The @stabi_berlin just uploaded its digitization of a specimen for Ramses, a serif typeface designed by Hermann Delitsch for Julius Klinkhardt around 1912. The specimen’s title page features a stylized ornament that depicts Pharaoh Ramesses II. I instantly recognized it! H. Berthold AG acquired Klinkhardt after WWI, and Joseph Tscherkassy – a Ukrainian-Jewish former typefounder who fled to Berlin during WWI – reused it on a page from his 1924 specimen of H. Berthold AG’s Hebrew and Yiddish typefaces. I instantly recognized it from that catalog. In some quarters, it is considered the most beautiful metal type specimen ever printed.

https://digital.staatsbibliothek-berlin.de/werkansicht?PPN=PPN1963801857&PHYSID=PHYS_0001&view=overview-toc&DMDID=

https://berlin.museum-digital.de/singleimage?imagenr=102887#map=1.38/1621.28/1361.67/0

Preparing for my talk next week at the Fontstand Conference in Berlin!

Yes, the topic is admittedly a bit niche: “Rounded sans in Japan.” I’ll be looking at why rounded sans is so widely used in Japan, and why it carries quite different connotations there – tracing its roots in calligraphy, sign painting, and multiscript typography.

It will be a visually rich presentation, and I hope it offers fresh insights — not only for CJK design enthusiasts, but also for anyone curious about how design and culture intersect.

Here are a few teaser Images!

Fascinating post by @mwichary about the Macintosh system font naming: https://unsung.aresluna.org/world-class-female-singers/
World-class female singers – Unsung

A blog about software craft and quality

Mark your calendars: the anniversary edition of Mastering Type will be shown on 25 and 26 April at Kulturforum Berlin.

The event provides insights into contemporary type design education; with an exhibition of 350+ graduation projects made in the past decade at @TypeMedia, Écal, @ANRT, @esadtype, University of Buenos Aires, University of Reading, and @typeparis; as well as lectures and workshops. Organized by Luc(as) de Groot @LucasFonts and the @typostammtisch team.

https://www.smb.museum/en/museums-institutions/kunstbibliothek/exhibitions/detail/mastering-type/

Cover Die Reklame, Berliner Heft, Erasmusdrucke, 2. Märzheft 1927
Year: 1927

Cover design: n.n. (possibly Erasmusdruck Berlin)

Learn more:
https://www.flickr.com/photos/kirsten_solveig_schneider/55167701815/

Courtesey #KirstenSolveigSchneider