Florian Hardwig

@fhardwig
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I don’t know if this is gonna float anyone else’s boat, but it made my afternoon! The @stabi_berlin just uploaded its digitization of a specimen for Ramses, a serif typeface designed by Hermann Delitsch for Julius Klinkhardt around 1912. The specimen’s title page features a stylized ornament that depicts Pharaoh Ramesses II. I instantly recognized it! H. Berthold AG acquired Klinkhardt after WWI, and Joseph Tscherkassy – a Ukrainian-Jewish former typefounder who fled to Berlin during WWI – reused it on a page from his 1924 specimen of H. Berthold AG’s Hebrew and Yiddish typefaces. I instantly recognized it from that catalog. In some quarters, it is considered the most beautiful metal type specimen ever printed.

https://digital.staatsbibliothek-berlin.de/werkansicht?PPN=PPN1963801857&PHYSID=PHYS_0001&view=overview-toc&DMDID=

https://berlin.museum-digital.de/singleimage?imagenr=102887#map=1.38/1621.28/1361.67/0

Preparing for my talk next week at the Fontstand Conference in Berlin!

Yes, the topic is admittedly a bit niche: “Rounded sans in Japan.” I’ll be looking at why rounded sans is so widely used in Japan, and why it carries quite different connotations there – tracing its roots in calligraphy, sign painting, and multiscript typography.

It will be a visually rich presentation, and I hope it offers fresh insights — not only for CJK design enthusiasts, but also for anyone curious about how design and culture intersect.

Here are a few teaser Images!

Fascinating post by @mwichary about the Macintosh system font naming: https://unsung.aresluna.org/world-class-female-singers/
World-class female singers – Unsung

A blog about software craft and quality

Mark your calendars: the anniversary edition of Mastering Type will be shown on 25 and 26 April at Kulturforum Berlin.

The event provides insights into contemporary type design education; with an exhibition of 350+ graduation projects made in the past decade at @TypeMedia, Écal, @ANRT, @esadtype, University of Buenos Aires, University of Reading, and @typeparis; as well as lectures and workshops. Organized by Luc(as) de Groot @LucasFonts and the @typostammtisch team.

https://www.smb.museum/en/museums-institutions/kunstbibliothek/exhibitions/detail/mastering-type/

Cover Die Reklame, Berliner Heft, Erasmusdrucke, 2. Märzheft 1927
Year: 1927

Cover design: n.n. (possibly Erasmusdruck Berlin)

Learn more:
https://www.flickr.com/photos/kirsten_solveig_schneider/55167701815/

Courtesey #KirstenSolveigSchneider

RE: https://typo.social/@fontstand/116284544665393467

Four of these tickets come at half price, if you are a student. Get in touch before they’re gone.

„Küm̄̄el“ statt „Kümmel“, das habe ich noch nie gesehen.
War das mal gängige Praxis?

Yesterday I learned about an InDesign plugin that makes using variable fonts much easier. The values ​​on an axis (for example, the weight axis) can be easily applied to individual words, lines of text, or entire paragraphs.

Just tried it out with Salou! 💥

👍 Great work by the foundry HAL Typefaces.

➡️ Download:
https://type.hanli.eu/typepad-manual/

Last week, we released a book about the first 50 editions of https://letterspace.amsterdam

The book is available though its publisher https://www.uitgeverijdebuitenkant.nl Jan de Jong, who also has printed it.
It should also be on the book table at @fontstand Berlin, in case you plan to be there.

Next to an introduction by @eWalthert there are participation by @typearture, @LauraMeseguer, @jolanasykorova, @fonthausen, @fritsjonker, @Sabinakipara, @MauriceMeilleur, @olga_umpeleva, @ceci_dcd, @kasperQ, @Celinejouandet, @RetypeFoundry and many more!

Please help us to promote this beautiful book #boosts are very appreciated. #Typography #Amsterdam #Letterspace

Thanks for the support by Stimuleringsfonds, @typotheque @cakelab @boldmonday @futurefonts and https://OPS-type.com
’Twas a fantastic weekend over at fontsinuse.com @FontsInUse