Swaantje Güntzel

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Conceptual artist working on the ecological crises. #plasticpollution #climatecrisis #microplastics #spacedebris #extinctionofspecies #solastalgia #feminism www.swaantje-guentzel.de

Discounter Still Life II

The work „Discounter Still Life II“ refers to the painting „#Pronkstillleven with fruit and fowl“ (1651) by Abraham Hendricksz. van Beyeren, one of the most famous Dutch still life painters. The arrangement of the original was reinterpreted in a contemporary approach using food that represents the consumption patterns of today.

[Swaantje Güntzel, Discounter Still Life II, 2017, Diasec, 80 x 67,7 cm]

Foto: Henriette Pogoda

#stillleben #stilllife #photography #art

Things left on the moon

Stereoscopy (1898) covered with miniature objects that represent the items left behind on the #moon during spaceflight missions: in addition to space probes, lunar vehicles, and other technical equipment, these include a bible, used diapers, soap, tools, golf balls, and cameras. To date, 190 t of material have been left behind during the missions (#NASA)

[Swaantje Güntzel, 2022, Lunar Litter, Stereoscopy, plastics, paper, 36.7 x 28 cm]

Realized during an AiS at #ESA.

About bottle caps and a general denial of reality.

I made this work in 2012. I filled a humming top with plastic objects found in the stomach of one albatross chick on Kure Atoll (Northwestern Hawaiian islands). 340 g. Cigarette lighters, plastic fragments, toys and mainly bottle caps.

There is a reason why the lids no longer come off the bottles!

[Swaantje Güntzel, stomach contents/340 g, 2012]

Realized with the help of Kure Atoll Conservancy.

#bottlecaps #flaschendeckel #plasticpollution

I can´t believe that I am still doing this sht!

In 2006, which is almost 20 years ago now, I started to work on the #plasticcrisis. This is one of my first works. It is 20 freaking years now and we don´t even know if the final round of the #plastictreaty negotiations will get us anywhere.

#plastictreaty2025 #genf #geneva

[Swaantje Güntzel, paddling pool, 2006, print]

Diasappearing glaciers and villages

In my series ‘Crevasse’, which I have been working on since 2022, I usually remove glaciers from postcards and photos to show how big the void is that their melting causes in the topography and in our collective memory. Since the collapse of the Birch #Glacier in Switzerland, which buried the village of #Blatten, everything has changed. I had to adapt my concept now that entire villages are disappearing: I am now also removing the villages from the cards.

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HAPPY WORLD OCEAN DAY!

[Swaantje Güntzel, Spring cleaning / Fårö (Sweden), Persona Beach, 2011, intervention]

Foto: Jan Philip Scheibe

Realized during an Artist Residency at #Bergmangårdarna#Fårö.

#worldoceanday #worldoceanday2025 #marinedebris #plasticcrisis

Today is the first WORLD DAY OF GLACIERS

Therefore I will share another work of my series "Crevasse" in which images of glaciers found on photographs, postcards, CdV, maps etc. were cut out and preserved.

[Swaantje Güntzel, Hintertuxer Gletscher / Gletscherhütte, Austria, ca.1970s, 2024, postcard cropped, 31 × 26.6 cm (frame)]
Foto: Tobias Hübel

#glacier #gletscher #worlddayofglaciers #conceptualart #womensart #womenartists #climatecrisis #art #contemporaryart #gletscherschmelze

Space Heroine goes Covergirl.
Das Magazin für Kunst und Gesellschaft in NRW #KulturWest hat passend zum Monat des Intl. Frauentags ein Frauenheft herausgegeben. Für den Titel wurde ein Motiv aus meiner Arbeit "Space Heroines" benutzt, einer Serie von weiblichen Superheldinnen, die im Weltraum für Recht und Ordnung sorgen und gegen #Weltraumschrott kämpfen. Sie entstand während meiner Artist-in-Science Residenz bei der #ESA und versteht sich als Kommentierung einer von Männern geprägten Raumfahrt

Kunst goes Schule.
Die ökologische Krise im Unterricht – Perspektiven für das Fach Deutsch. Wie soll das Fach Deutsch auf die ökologische Multi-Krise reagieren?

Freue mich sehr, dass meine Arbeit "Setzkasten XL, 2018", [Setzkasten, befüllt mit Spielzeugen, die aus den Mägen verendeter Albatrosse und von den Stränden von Kure Atoll stammen] als Anschauungsbeispiel für die Vermittlung der Plastikkrise in diesem brandneuen Reclamheft von Sebastian Susteck (Ruhr-Universität Bochum) gelandet ist.