The Con Man and Destructive Dogma
I did say those things. I did mean them. I still do.
That’s Darwin, by the way, not Hitler.
Fair. Although the question (MY QUESTION, btw) was addressed, and great man history is exactly the name of the global political game right now. Yes, as unfortunate as that is, it is a relevant lens for this line of thought.
Maybe consider the value in a discussion before flinging shit.
This is fascinating. Very interesting! I need to read the book mentioned in the article.
The Con Man and Destructive Dogma
To be an artist, you need skills. Skills you do not have. No one stole from you. You just don’t have what it takes.
2) While you’re sitting in your cave with shit-stained fingers complaining about your lack of ability to compete in a market where people are thriving, you have forgotten the most important thing about art. What is that, Pinocchio? What is the most important thing about art? THE EYE OF THE BEHOLDER.
You have no respect for the eye of the beholder, which means you will never GET the respect of the eye of the beholder. You are not destined to be one of us because you cannot adapt to tools and manifest your vision THROUGH THE TOOL in a competitive space, like the good little cog in art history which you ARE NOT. What part of Art History are you building besides your stance as the ant-like, sweaty irritant at the edges complaining that no one seeks you out?
Go find someone else’s joy to shit on, you talentless hack.
2) While you’re sitting in your cave with shit-stained fingers complaining about your lack of ability to compete in a market where people are thriving, you have forgotten the most important thing about art. What is that, Pinocchio? What is the most importantly thing about art? THE EYE OF THE BEHOLDER.
You have no respect for the eye of the beholder, which means you will never have the respect of the eye of the beholder. You are not destined to beer one of us because you cannot adapt to tools and manifest your vision in a competitive space, like the good little cog in art history which you ARE NOT.