Sweet Productions are a disability-led company based in Auckland NZ, with whom I have been lucky enough to work on a couple of genuinely delightful projects: Wheel Blacks, charting the trials and tribulations of the NZ wheelchair rugby team as they try to qualify for the Paralympic Games; and License to Drive, which follows a …  https://www.jeremysaunders.com/sweet-productions/?fsp_sid=118
https://www.jeremysaunders.com/sweet-productions/?fsp_sid=118

Title design (and key art) for Nash Edgerton’s latest short showcasing both his trademark dark humour and the acting talents of his kids. Well worth checking out! Was delighted to work on this one — designed a completely unnecessary end sequence showing the detritus of a teenage party, and fortunately nobody had any objections.   https://www.jeremysaunders.com/party-tricks/?fsp_sid=103
https://www.jeremysaunders.com/party-tricks/?fsp_sid=103

It’s been a long time since I have done much theatre work – in fact it’s 15 years since my long stint with Sydney’s Griffin Theatre. But when Sophie Henderson reached out and asked me to help design this year’s Silo Theatre season I was immediately taken by the opportunity. I’ve always felt that the …  https://www.jeremysaunders.com/silo-2026/?fsp_sid=96
https://www.jeremysaunders.com/silo-2026/?fsp_sid=96

Title design and graphics for Holly Shervey’s delightfully blacker-than-black comedy about a brief stint in rehab, currently screening in New Zealand. For Warner Brothers International Television. https://www.jeremysaunders.com/crackhead/?fsp_sid=87
https://www.jeremysaunders.com/crackhead/?fsp_sid=87

Here’s a piece of unused art for Floodland. The filmmakers wanted something less metaphorical and more grounded, which is fine, but I really liked this one. https://www.jeremysaunders.com/floodland/?fsp_sid=69
https://www.jeremysaunders.com/floodland/?fsp_sid=69

Titles for the Stan series Sunny Nights, featuring Will Forte and D’Arcy Carden as a brother and sister trying to start a tanning lotion company in Australia, to results that might charitably be described as ‘mixed’, given all the blackmail, explosions and murders that ensue. In the end we went with shades of yellow for …  https://www.jeremysaunders.com/sunny-nights/?fsp_sid=53
https://www.jeremysaunders.com/sunny-nights/?fsp_sid=53

Hello all. Here is the cover for the upcoming 7″ re-release of David McCormack’s “F*ck the Machine” with artwork by yours truly. A always B be C closing. Available here. https://www.jeremysaunders.com/david-mccormacks-ftm/?fsp_sid=32
https://www.jeremysaunders.com/david-mccormacks-ftm/?fsp_sid=32

My long-running and slow-moving Coens project is still lumbering along when I get an opportunity. The main advantage of its protracted labour is that my skills are slowly improving, although to what end is anyone’s guess. On that note, here’s Llewyn. https://www.jeremysaunders.com/inside-llewyn-davis/?fsp_sid=26
https://www.jeremysaunders.com/inside-llewyn-davis/?fsp_sid=26

David McCormack and the Polaroids "A Complete History of Popular Music"Delighted to announce that my old friend and local dog-voicer David McCormack has a new album and he very kindly asked me to create the artwork for it. He immediately responded to my series of incredibly bleak photos of industrial parks, so I let him have them.   https://www.jeremysaunders.com/david-mccormack-and...
https://www.jeremysaunders.com/david-mccormack-and-the-polaroids-a-complete-history-of-popular-music/?fsp_sid=5