For sure I am so accustomed to backlit-keys on MacBooks.
That’s one thing that is not present in MacBook Neo.
37Prime ¯\_(ツ)_/¯
@37prime
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Definitely not the worst account on Mastodon Fediverse.
MacBook Neo: Day One
Perspective:
MacBook Neo 512 GB with Touch ID costs similar to dinner for two (or one) at an overpriced steakhouse.
MacBook Neo 512 GB with Touch ID costs similar to dinner for two (or one) at an overpriced steakhouse.
Back on the saddle again.
Every single one of our contributors have been handling their personal matters for the past 3 months or so.
We have been busy with each of our own day jobs, trying to deal with the increasing cost of living.
We’re still here, 20 years after the debut of 37prime.com, which anniversary is coming soon.
On the other news, Mike Portnoy still haven’t got his Grammy yet.
Megadeth (Dave Mustaine) reached the top of Billboard 200 Chart, with “Megadeth” (the album).
I like the album better now after listen to it a few times.
Megadeth’s version of “Ride The Lightning” seems to be recorded one whole step down. It is missing the bites of standard tuning.
Megadeth’s 17th and Final Album in “Blood Red” Vinyl, a Target Store exclusive featuring “Bloodlust” bonus track.
My take on Megadeth’s 17th and Final Album, “Megadeth”
https://theonion.com/humanity-still-producing-new-art-as-though-megadeth-s-1819578062/
Humanity Still Producing New Art As Though Megadeth’s ‘Rust In Peace’ Doesn’t Already Exist
WASHINGTON—Saying that any further endeavors of technical skill and imagination were pointless, experts at the Smithsonian Institution reportedly questioned Monday why new art was still being produced after the pinnacle of aesthetic and creative potential was reached in 1990 with Megadeth’s fourth studio album, Rust In Peace. “As the unquestioned apex of the entire history of the creative arts, Rust In Peace is the finest and last necessary piece of human expression—but it’s almost as though current so-called artists are completely oblivious to Dave Mustaine’s blistering, transcendent guitar work on ‘Hangar 18,’” said Smithsonian curator of contemporary art Joanna Marsh, gesturing dismissively in the direction of a massive self-portrait by photorealist Chuck Close, completed in 2000. “It’s not just incredibly disrespectful to keep making art; in many ways, it’s actually quite sad. The deluded people churning out this worthless garbage just can’t seem to reconcile themselves to the fact that their pathetic little sculptures and films and novels and whatnot will always pale in comparison to the brilliantly inspired, heart-stopping tempo shift halfway through ‘Holy Wars… The Punishment Due.’” At press time, a spokesperson from the Centre Pompidou in Paris confirmed the museum’s plans to throw out the contents of an entire wing and leave a massive, pure white space where the track “Lucretia” will be played on loop at full volume.