#TimeTravelAuthors 04/13. Silliest character
No one in #TimeTravelingGhost is what I would call silly. In "#Airisu: The Crow and the Witch," there’s the crow. She can be silly at times. So far, the time-travel element of that story is minimal, with only a brief mention of the Edo period or an Edo-like setting in Kakuriyo.
"Prolific," I like the sound of that.
#TimeTravelingGhost was started as a serial for #TimeTravelAuthors.
#Airisu is a continuation of my #UrbanFantasy #Mythpunk work. The Shadow Land (Kakuriyo) has many reflections of historical Japanese eras. In this version, they are pictured as co-existing in both the present & the reflected historical era.
In both cases, the time travel element is a direct result of this hashtag.
You corrupted me.
@NaraMoore @juliebihn Ha ha, come to the time side, we have paradoxes.
I do hope it works out for you in terms of your existing audience.
It shouldn't be a problem. The surreal and yuri elements are intact. They still have a sense of hidden darkness in the background and historical underpinnings. Found family, queer love, and karmic entanglement are still prevalent. The character of the narrator is still front and center.
i don't believe I have broken any reader covenant.
As for paradoxes: They are the norm in Kakuriyo. The rules of human logic have never existed there.
So, for example, that a place could exist both in the present and past hardly qualifies as exceptional. Which is the case in Airisu.
NaraMoore ⛩️👻八尺様👻⛩️ at Fedi
Julie Bihn
Quasi