(1) Two named Klingons
(2) Talking to each other
(3) About something other than honor
@Axomamma @drmaddkap well, _this_ feminist finds that to be a particularly hot take, but thank you for that.
The women in The Expanse are fully realized, fearless, and three dimensional, and some—notably Bobbie the Martian Marine and Naomi, who winds up leading the entire resistance movement—are among the most memorable women in fiction.
Yeah, they pass the Bechdel test, but that’s almost beside the point, given the thematic critiques of racism & sexism.
🙄
@Axomamma Yes, Holden begins the series as—to put it bluntly—an asshole. Not only Naomi’s response to him but the ENTIRE SERIES is about a privileged white guy—Holden—fucking up, because he’s arrogant and clueless—and LEARNING BETTER.
Like, it’s not even subtle.
In the books. Which is one reason that, despite the excellent work of the actors, the TV show was so disappointing. (Of course a major TV show had to lose that part of the story. Alas.)
Have to read the Expanse books at some point.
I really enjoyed the first 3 seasons of TV series with a few caveats – Holden's white saviour attitude becomes a running joke at about the third time he does it.
Naomi is hopelessly miscast.
My favourite character of the show – Drummer – is I believe a composite of several characters from the books.
@klegdixal and Drummer is indeed an amalgamation of at least two characters. Still kinda awesome, but I miss the originals.
I also was saddened by the changes to Avasarala’s character—and I really wish the TV show hadn’t villainized her so effectively. Not that her hands are clean in the books, but villainizing women in leadership is such a TV ploy. She’s far more morally complex in the books.
And she gets to be the one who first skewers Holden’s white saviorism, which is fun. 🙂
@klegdixal it’s the way she’s introduced to us in the TV show—if memory serves, which it may not—as she tortures a Belter captive. It’s a horrifying scene, and while it is not inconsistent with Avasarala’s realpolitik, by hitting us with it before we have any other real context for her character, it effectively villainizes her.
It’s a great performance by Shohreh Aghdashloo, but also pretty typical of how pop culture defines older women with power: evil queens and wicked fairies.
@klegdixal true. Though in Stark’s case, they make sure to show us the ethics behind that moment (at least in the books—my memory of the show is less precise).
Introducing Avasarala being brutal wasn’t alloyed that same way. And while it did serve to keep us from sentimentalizing her as a sweet little old lady and to show the grittiness of the politics, I think it also comforted those whose misogyny always shows powerful women as monsters—à la Hillary’s treatment by the press.