this week i performed with an MC for the first time. it was amazing!!!

i didn't know i was gonna do that until i was at the event itself. it was opportunistic / serendipitous. when i arrived, the organiser introduced me to an MC who was booked for the set after mine and asked if i wanted them to MC for my set too.

my first reaction was like "wow cool" and "wait how does that even work" and "wait does my kind of music even work with an MC"

and i kinda admitted my ignorance like "oh wow" and "I've never done anything with an MC before" so the organiser asked me what kind of genre i'd be doing and that's another thing i don't know "uhh trancey house or.." and their face told me that might not work.

"ah well, no worries" and i felt the opportunity slipping away so i— "but like .. I'm totally up for it!" and i made it clear that the MC was welcome to jump in on my set at any time they wanted but there was also no worries if not

then it was the long setup and sound checks and stuff (though i had already done mine) and there was a lot of time to kill so me and her got talking about it all. the fun part is that i knew basically nothing about MC-ing and she knew basically nothing about live coding so we told each other about what it was.. the kinds of events we go to.. how we got into it.. other music we do outside of it..

and there were a few cool moments of realisation like "wait so when you're MC-ing with someone who's live coding.." the live coder can respond to the MC so that means the MC can kinda lead things too. because normally when you're just MC-ing with a DJ the DJ just does their thing and as an MC you gotta follow along.

"yeah!"

and especially if you do "from scratch" like me and i explained what that was and why I'm a purist. and we found similarities in making up words on the spot when you're MC-ing and making up code on the spot when you're live coding, and the panic that can sometimes set in when you start to freeze up. it was that Spider-Man pointing at himself meme
"but how do you come up with words on the spot anyway????" and it turns out she usually has some go-tos and templates to start with and then sees what happens and dang that's what i do with live coding too 🤯
and she told me that MC-ing is also about working the crowd and it's fun cos it sounds like the crowd work i [often do](https://youtu.be/MkxIQEmuKNo?si=M_wY8g_Poot5C-Rd) in my sets except much much much cooler
DESTROY ALL SPACE

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either way, i made it clear that i was completely easy and that anything was on the table. if she wanted to join in, that's cool, if not, that's cool. i'm pleased I'm at a point where this is something i can do. i think things like [algoravioli](https://youtu.be/wGPdZg-r0rQ?si=dXuoD5x7EBOELuJF) and [algorhythms](https://youtu.be/oE2IjCFjyaE?si=DGsh99JIJVWrdtxo) and the [park jam](https://youtu.be/6H8oRjvYs2o?si=E7s9gebJYt4hqTHW) have prepared me for. as well as all that #pastagang jamming I've done and also all the [improv](https://www.todepond.com/sky/sudden-poverty-in-nasty-orange-factory-fires/)

jam step @ algoravioli

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i think: when collaborating, it's more important to get you and the other person comfortable rather than figuring out any details. i think: when you get the energy right, the details follow on their own. that was my thinking at least!!

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when the slot came around, the MC, Zira Flo, asked if i wanted them to start at the start or wait a bit and join in the middle and i said the same thing as before: "I'm easy": whatever you want.

she started at the start and OH BOI i'm so glad she did

my entire visuals plan went out the window (good!) and i chucked on something bold and colourful straight away to give it a kind of backdrop. i guess the thing i now realise is: my visuals often try to be the "main character". like with things like [dogspinner](https://youtu.be/XshmvOM6BhM?si=Wljz9VzVDMQ7ohvP) and the recursive stuff i do i want you to be *looking at it*. it is the *subject*. that's always a kind of goal for me.
FOAIM

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but this time, it was clear the subject was the MC and that was awesome! but yeah i really didn't know what to do for visuals in this circumstance but I'd love to try again some time :)

thanks to Monz for stepping in to do some visuals towards the end thanks to some cable hopping. again, this kind of cable hopping felt comfortable to me because me and Monz did a bunch of that at algoravioli a few weeks earlier.

anyway: the music. shortly after the beginning, she started singing some high notes over the top of my usual bassy opening and OH MY GOD it immediately blew my mind / introduced me to what was about to happen
and then she started freestyling! and i loved how it sounded against the 4-to-the-floor plus polymeter(?) / polyrhythm(?) bullshit i always like to do. i love doing really repetitive music and one thing I've learned is i can make repetitive music sound more-ish by taking a super basic beat and combine it with something that doesn't line up with the end of the loop.
it sounds like it wants to keep going / repeating, like it'll never stop, u know? like you can't help but keep falling forwards. the [pasta lick](https://codeberg.org/pastagang/pastagang/src/branch/pages/blog/lore/lick) is one of these and i couldn't help by try it out straight away. i think I'd normally wait longer by bringing it in more gradually but i wanted to hear what it sounded like against a freestyle! to be fair i think i brought it in a bit jarringly but it was worth having it in the mix for longer 😆
pastagang

pastagang

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i feel like my entire set was trying out all my usual favourite templates. it was even more generic than usual because i wanted to try out my faves in this new way!!! no regrets

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the thing we mentioned happened: the MC did a bit of a rhythm and i imitated it with code, and she noticed and we doubled down on it for a bit. it became a call and response. that was one of my favourite parts

one other thing that happened is that she commented out loud that we were doing a key change when i did a key change. and she told me afterwards that she was looking at my code to see what key we were in. i think that's a really cool aspect of collaborative with live coding that i didn't realise! you don't need to understand the code: you just look for the notes / scales
i had a few panic moments when i was a bit lost in the flow where i suddenly remembered / realised that the MC was doing a long phrase and basically waiting for me to bring a drop or a break or something. those moments were so cool. i mean, i sometimes get that building feeling when the crowd is waiting for it, but this was another level! but also, the MC was really good at keeping going in creative ways when i inevitably missed my cue 😆
there was one time where she was facing me during a build up and i had a drop ready so i was nodding and smiling at her to try to give a hint of what was coming. i don't know if the message got across but i think at least the energy did because she spun around and started going double speed when it landed. it was amazing!
one other thing i realised is: i usually try to keep my drops and things a bit unpredictable because it sets up a fun game / dance between you and the crowd. my favourite is when you do drop, immediately followed by another bigger drop, cos they never expect the second one. its super hard and i may have only done it [once](https://youtu.be/il3gjH3F1rQ?si=GZEA4efVr1W-r7Un) before.
I WANT TO MAKE NOISE

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@TodePond These are such cool reflections!! Wow, I love it
@tudbut @TodePond Main Character. It's the most important person in the world, but changes frequently.

@TodePond If the MC is good then all music works with the MC. It's lyrical poetry, and like other forms of poetry it can often be set to multiple forms of music.

I'm smiling while reading this thread as I went through something similar in my 20s on the small gig scene after merging into it from the free party scene.

#repetition

One of my first MCs in a situation like this was Kirsty Hawkshaw, at a party on Davidstow Airfield. Who knew "opera" worked with Techno (*stares at Fifth Element*).