Quote of the day, 25 March: Blessed Marie-Eugène

Before the Annunciation, Mary was the daughter of God in prayer. Certainly, she didn’t yet know about her divine motherhood. She was aware of her grace, the treasure she possessed, the abundance of this grace; yet she remained unaware of herself in the sense that she didn’t recognize the superiority of this grace over ordinary and common grace.

The Virgin was concerned only with uniting herself to God. It was this self-forgetfulness, this purity, that allowed God to pour Himself into her. She continually sought Him, going to find Him in the Temple, and orienting herself toward Him like a child to her Father.

Let us not think that simplicity implies limited horizons. From a human perspective, Mary surely does not seek satisfaction for her faculties; no, she turns solely toward God, practicing in her external actions—required by this simple orientation—the virtue of obedience, like a child who does what is asked without seeking anything beyond it, without even becoming attached to the work itself.

We, on the other hand, are restless in our faculties; Mary is not. She finds this peace in faith. Everything else would be an unnecessary distraction, diverting her from her contact with God. For her, this contact is entirely simple, without ecstasies or raptures, for her faculties are flexible enough to receive and endure—without leaving a trace in her senses—the brilliance and anointing of the Divinity present within her.

What matters, in fact, is not strength but flexibility. The strong are inevitably broken; the flexible bend and endure. In the Virgin, simplicity and flexibility reach perfection. Nothing externalizes itself in her. “She is so simple that I fear she will not be recognized,” they said about Saint Thérèse of the Child Jesus. The same can be said of the Virgin at that moment.

Blessed Marie-Eugène of the Child Jesus

La Vierge Marie toute Mère (The Virgin Mary, All Mother)
Présence Maternelle: La prière de Marie (Maternal presence, Mary’s prayer)

de l’Enfant-Jésus, M 2019, La Vierge Marie Toute Mère, edited by Institut Notre-Dame de Vie, Éditions du Carmel, Toulouse.

Translation from the French text is the blogger’s own work product and may not be reproduced without permission.

Featured Image: This detail from The Annunciation by the Italian artist Orazio Lomi Gentileschi (1563–1639) is an oil on canvas painting executed in 1623 for Charles Emmanuel I, the Duke of Savoy. It is one of the masterpieces found in the collections of the Musei Reali di Torino. Image credit: Adobe Stock (stock photo)

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