#WritersCoffeeClub day 1: What’s the greatest benefit you’ve taken from the writing community online?

The top few would be encouragement, inspiration, and companionship. Encouragement is probably the most valuable to me. I like being part of a community that's all wrestling to do the same thing and all cheering one another on.

RE: https://mastodon.art/@rowyn/115826212498498121

I forgot to add day 2 to the day 1 post to make a thread for January, so quoting it now to add it in.

#WritersCoffeeClub 3. How do you come up with the titles for your works?

For the first book in a series, I use something that sounds pithy/appealing in English, and that reflects something meaningful about the book. For instance, "A Rational Arrangement" reflects the pragmatic approach the female protagonist takes towards relationships.

For sequels, I riff off the first book title, while still trying to capture something about the story and sounding appealing in English.

With most books, I don't struggle with the title. I know what I'll call it fairly early in the process. But sometimes, I'll go through several titles for one work before settling on a final title.

#WritersCoffeeClub 4 Share a tool of your trade.

Most of my tools are pretty boring, so I'l share my favorite fun one: https://4thewords.com/ , a writing gamefication site. I've been using it since 2016. The gameplay is mostly just "writing words", but I love the flavor text, the events, completing quests, and the community. They have free accounts now! Free accounts have many limitations, but they let you try out the game.

And my referral code, since I'm waxing euphoric over it: LBQFV83845

Join the 4thewords Writing Revolution | 4thewords

Experience everything you need to write consistently. Join a vibrant community, utilize our unique tools, and gamify your writing journey!

#WritersCoffeeClub 5 How do you choose the point of view for a new story?

I mostly write romance, and I much prefer romances where you see the POV of all the romantic leads. So the vast majority of the time, I have multiple POVs and they're all protagonists in the romance. Any given scene will be told from the character whose perspective is most interesting to me. Maybe the one whose thoughts are least obvious from their outward actions, or the character most emotionally impacted by the scene.

#WritersCoffeeClub 6 Process-wise, what’s improved for you over the years?

I write more detailed outlines, which makes the outlining stage take longer and makes the writing stage easier. In general, it's a good trade, because editing is my least favorite part and having better plans means fewer structural revisions. Also, my books are less likely to ramble on because I wanted to feel productive and wasn't sure exactly where I was going with something.

#WritersCoffeeClub 7 Continuing from yesterday’s question, what’s gone downhill?

My productivity is very low in recent years, mostly because of all the caregiving and loved ones dying. I don't worry about it too much.

#WritersCoffeeClub day 8: While editing, what most clearly signals a pacing issue?

"Pacing" is not a term I consciously edit around. Yes, I know what it means, yes, I can identify if a book or section is fast-paced or slow-paced.

But when I'm editing, I don't think "the pacing is wrong here and I must fix it." This is at least partly terminology: I might think "this is confusing and needs more elaboration" or "this is boring and needs to be trimmed" where another might go "pacing issue!"

#WritersCoffeeClub 9 What’s your top tip for writing authentic dialogue?

I aim for "distinctive" more than "authentic". I want readers to be able to tell characters apart by their speech patterns.

Some years back, I made a list of speech quirks to help make characters more distinctive: https://rowyn.dreamwidth.org/626078.html

rowyn | A Goofy List of Speech Quirks

#WritersCoffeeClub 10: How do you steer a reader’s emotional journey?

I choose the story events--what happens and what to show of what happens--based on the kind of story I'm writing. Eg, if "character is excited about traveling" is a key component of the story, then I'll show scenes of them traveling. But if the important part is "they were here, and now they're there" then the journey can be covered in a sentence or two.

Likewise, I choose the viewpoint character(s) based on whose viewpoint is most interesting/relevant to the story. Their outlook influences how the reader views the story.

#WritersCoffeeClub 11 Name a poet who has influenced you.

Shakespeare, from whom I learned (among other things) that "how original is the plot" is not that important to telling a good story.

#WritersCoffeeClub 12. How do you get to know your characters before you start writing?

I make a "notes" file for all my books, and that accretes information about the plot, characters, and setting. I'll flesh out details about each part as they come to me or as I decide to work on them. Major characters usually start with a few important parts that made me want to write about them specifically, and I build onto that. Minor characters may get just enough detail to play their part.

#WritersCoffeeClub 13: Are you actively building your working vocabulary? How?

Nope! Boring answer, I know.

#WritersCoffeeClub 14 What's a service or skill you'd like to offer your fellow writers?

I'm generally happy to chat about publishing stuff with folks, and to tell them about my experiences and tidbits about how various sites work. (Like "Draft2Digital distributes to most book retail websites, but not to Google Play Books and not to sites like itch.io, that are relatively small and do not have epubs as their main product").

I'm not looking to make a side hustle or hobby out of helping other writers, though. I have enough hobbies already. 😊

#WritersCoffeeClub 15 How human are your protagonists? What about your antagonists?

Most of my characters are human-like in behavior. I have some nonhuman characters (dragons, elves, goblins, centaurs, etc.) and many more shapeshifters, but they're sapient and generally relatable.

My most inhuman characters are the demons from The Demon's Series. They're sapient but not social, and their natural drives aren't the same as animal ones, leading to pretty alien behavior.

#WritersCoffeeClub day 16: Name a non-anglophone writer who has really lit you up.

BK_Moon wrote The Greatest Estate Developer; I read it as a manwha adapted by Lee Hyun Min (https://www.webtoons.com/en/fantasy/the-greatest-estate-developer/list?title_no=3596). The story has a mix of action, heart, and humor. I love the way many problems are solved by civil engineering. The main character, Lloyd Frontera, personifies the tumblr alignment of Evil Good (full text here: https://avithenaftali.tumblr.com/post/185704522059/invalid-dd-alignments). Highly recommended.

#WritersCoffeeClub day 17: What’s frustrating you, writing-wise?

I just don't want to.

Hopefully at some point my life will be less full of grief and chores and I will muster energy for writing again. But now. I don't want to.

#WritersCoffeeClub 18 Jan: Are you comfortable making your readers uncomfortable? How far will you go?

I generally write cozy, upbeat, romance-heavy stories, so I'm more likely to bore readers than make them uncomfortable.

Some of my books have grisly or grueling scenes, though. A main character in the Demon's Series fed by torturing people, so the book has some gruesome depictions of that because I felt it was important to show it and not just have it as part of the backstory.

#WritersCoffeeClub 19 Talk about something (even if very small!) from your own life which made it onto the page.

One protagonist in "A Game to You" (not yet published) is a grandmother who plays MMOs with her grandkids. This was inspired by my own mother, who used to play WoW with her grandson.

#WritersCoffeeClub 20 Figuratively speaking, do you travel with the caravan or solo over the hills?

I'm here with the caravan. I don't mean that I'm, like, *socializing* with the caravan. I don't even say hi most days. But I am plodding along a blazed trail, benefiting from the work of thousands to make this route safer for me.

#WritersCoffeeClub 21 Jan: When writing about unpleasant feelings, how do you avoid alienating the readers entirely?

I work to match my use of language to the intended tone. 'Erotic and sexy' requires a different approach than 'goofy and funny', or 'violent and painful', etc.

Having a mismatch between actual tone and appropriate tone is most likely to alienate the reader. If I'm writing a torture scene in BDSM erotica, it'll have a _very different_ feel from one in The Demon's Series.

#WritersCoffeeClub day 22: Share a recent advancement in your craft of which you are proud.

I'm very happy with my increased ability to make detailed outlines and world-building notes without abandoning the project unfinished.

#WritersCoffeeClub 23 There’s satisfaction in crafting a good sentence. What satisfies your writer's ear?

I like apt-and-funny similes or metaphors, but I am not particularly good at it. My favorite to write is banter. Like:

“We’ve never even met before. Why are you so eager to believe the worst of me?”
“I don’t know. Maybe it’s the part where you showed up, unannounced, in my bedroom in the dark. And now won’t leave? Could be a factor.”

#WritersCoffeeClub day 24: Share something you’re proud of but had to cut from a work.

In the original draft of Golden Coils, I included two flashback scenes to the Reign of Flames. This showed a mother desperately hiding her toddler daughter from dragons, and a group from the resistance against the dragon's reign later showing up to rescue the hidden toddler after the rest of her family was killed.

I remember the scenes fondly and they're canon, but they're not important to the story.

#WritersCoffeeClub 25: What comes first - character, setting, or plot?

It used to always be character, although usually a bit of setting would come with them. Wisteria and Nikola were the first parts of A Rational Arrangement, but I knew they'd exist in a vaguely Regency-esque setting because the Disastrous Proposal Scene came with them.

Likewise, Ardent and Miro were the first parts of The Moon Etherium, but I knew they'd be in a magic-rich setting.

Bright was the first part of The Demon's Series to exist. The first few chapters I wrote of the first draft of Demon's Lure had Bright in a different setting and paired with a different protagonist, and I threw them out, replacing both the setting and the protagonist.

But the setting came first with Alien Peacelords -- I knew it'd be on a sophisticated alien world with human-like aliens, where humans would hold a special allure for the aliens, before I knew anything else about the story.

The Jewel-Strewn Night, which is out to first readers now, had a plot before I'd decided on anything about the characters or the setting.

Level 99 was brainstormed for me by friends in a Discord channel, and was pretty much plot first, with only the parts of the setting necessary for the plot (the characters would play an MMO in the contemporary world.)

#WritersCoffeeClub 26: Do you include things you personally find repellent in your work?

Yes. Some of my books are so cozy that they don't have much, if anything, that repels me.

But sometimes 'repellent' is a key part of the story. The Demon's Series has a horrific underlying concept: demons torturing humans to feed.

@rowyn I remember thinking over and over as I read Demon's Series, "holy shit she actually went there."
@ljwrites If I was gonna write a book about horrible demons, it was important to me that I show them being horrible 😓
@rowyn SERIOUSLY. I'm so sick of purportedly evil creatures (and characters in general) being just kinda broody and bratty, more worthy of eye-rolling annoyance than hate. Give me some actual consequences, the literal blood and the guts!
@ljwrites What really gets me is "here's my sympathetic evil character that the audience loves. He's killed thousands, but don't worry, they were all nameless and off-camera, it's just part of the backstory, nobody cares."
@rowyn Thiiiis. And there's no Unfortunate Implications at all in treating people as expendable and their lives/brutal deaths as meaningless without moral weight, right? </s>
@rowyn For Timecrossed Engineer: Back to School, I had the setting first--I wanted to do a science fiction take on the idea of 'Reincarnated as a Villainess' and it hit me that the equivalent of the noble academy is... Starfleet Academy. I populated characters and plot accordingly, though obviously the romance parts got de-emphasized in my telling. Shakedown Cruise, as a sequel, has characters and setting, I'm just figuring out the plot... #WritersCoffeeClub
@rowyn Oh I assume that's from Silver Scales? That's so good
@socks Yep, I'd planned for it to be in the sequel. 😊
@rowyn Yes! Banter is life. That and getting the characters into trouble and having them clever their way out through being utterly shameless.
@rowyn If I remember correctly there's ONE scene in... A Rational Arrangement? That felt more uncomfortable to read than anything in Demon's Lure
@socks Yeah. A Rational Arrangement has one of the worst experiences I've ever written for a protagonist. There's a scene in Frost and Desire that arguably rivals it, but it really depends on the specific reader. 😓