@bigzaphod @justincox @Ronnie #TheMarvels wasn’t the greatest film in the world…but it wasn’t bad either, and the first act had some elements that have been long overdue in #MCU films for some time.
I’m a bit disappointed that some fun #MCU films as of late have gotten such a lackluster response, #CaptainAmericaBraveNewWorld was also a fun watch. But I think after so many incredible #MCU films, both #Marvel and #DC fans ( #BlueBeetle was such an underrated superhero origin story film!) want something either better or different than what came before, and “good, fun movie” isn’t cutting it, as unfair as that might be.
There used to be multiple rungs in Hollywood, but now you go from niche movies at Sundance (not even a market) to producing mega budget blockbusters, and that’s not healthy.
Those rungs still exist, but people usually don’t pay attention to those movies. #A24 used to be on the lower-to-mid-rung level, but now it’s grown in popularity and prominence. But we also have #FocusFeatures, #NEON, #Blumhouse, #SearchlightPictures, #SonyPictures, #UniversalPictures and #Lionsgate all release lower to mid-budget movies as well.
Some of the best movies of all time were created at those lower rungs.
They still are. For example, I’d argue the #MagazineDreams is the best movie of the year. It had a budget of $8m.
I think a lot of these storytellers are trying to do what Joker did – hop into an established franchise and tell the story they want to tell regardless of the franchise. That’s a big problem with an established brand because something that could have been a modestly successful lower tier film ends up pissing off customers who came in with an expectation based on the brand.
Yes, but I think the most recent superhero movies are eschewing this strategy.