Lita's situation is neat because "What would happen to the children?" feels like something that would probably be omitted from this kind of war/quarantine zoned story, especially one with protagonists that're already supposed to be adolescents.
Also, hopefully without assuming anything about Campbell's own experience, but, well, family abandoning members that are presumed not to fit anymore. Which is one of the pillars of her TMNT: family isn't -inherently- great.
Also probably not a coincidence, beyond story expediency, that it's Al and Jen, two people pondering their own space within the TMNT family unit, talking about the kid that's about to be adopted into the family.
Removing the speech balloon in these panels so we can focus on how well Campbell does backgrounds and motion. You can feel Lita's cloak billowing about as she runs. And that overturned car with the quarantine wall looming over everything is a nice touch: Stockman's walled off the block without bothering to clean anything up.
The magic of comics is you get this cute little "Suuuure you are" gag followed -immediately- by a panel establishing, yeah, no, this is absolutely the last place you would let a child run through on their own. Just like that the story's turned from the existential problems of this lost family to the immediate shock of a child being all alone in this war zone and refusing your help.
Also just a nice character bit for Jen. Her background before joining up with the Foot was a rebel turned runaway, who's lost a loved one, and she's trying to help Lita, someone in a similar situation, just because it's the right thing to do. Like, I like to think that's her first instinct, not something Splinter and the boys drilled into her.
We saw Raph taking down Mutanimals earlier and Al mentioned their hard assed police methods earlier in bits I omitted, and here we are seeing it in action: meting not only IDW's version of Mona Lisa but Jenikka's new personal rouges gallery, Bandit and Puggle! They're gay and not very good at antagonizing her.
Also just continuously establishing the Mutant Town problem. Hob's police are thugs and Raph beating on them hasn't really -done- anything so far.
See, because chuds whine about how nothing happens in Campbell's run and here we are on page 14 of issue one with a fair bit established and two new main characters introduced.
LOVE how Campbell lays out this fight scene.
#TMNT
I wish all social interactions were this easy.
Two minor but neat details about this scene: it's not a coincidence ex-Foot clan member Jen's signature weapon is a pair of Shredder-esque claws and this is (I think) the first instance of the 2012 show eye technique being used in a comic: the Turtles eyes are normal most of the time but go all creepy blank and Batman-ish during action scenes.
Bit like how Usagi Yojimbo's eyes are lil' button looking dots most of the time, then turn into the sharp, focused scowl we're all used to when he's mad.
Proper introduction for Mona, and I like how much it manages to establishes, especially given what Campbell will try to do with the character later on. Mona's passionate, an activist who's trying to make the best of Mutant Town's terrible situation, actively stealing and redistributing supplies Hob's been hoarding, but socially she's also a lot and a bit presumptuous.
And a few panels later we get the first hint of what's actually up with Mona. Her life is essentially over, and she seems to be coping now, but.
Someone insisting they're trying to be a good person is going to become a bit of a thing in Campbell's TMNT.
Mmm? Changes in body, complicated emotions that're mostly the fault of our unthinkingly xenophobic world, creative outlets as a release, whaaaaaat?
#TMNT
Diamond! The biggest missed opportunity in the run. She's a scumbag who just wants to rock. I like her.
So that was issue one! An issue of wall to wall set up that ends on a cliff hanger. It's interesting to come back to it knowing where the run's going to go and how shaky it's going to get.
There's a potentiality in Campbell's first story, people stuck in a world that's been broken, and it's that little bit more bittersweet knowing the characters never pull things back together as much as you'd hope. But Sophie's heart was always in the exact right place.
Hmm. Is it worth getting into that Leo micro-series? It's a good stand alone and an interesting forerunner to Campbell's run but it's also in no way important to it.
Wanna see if your friendly neighbourhood Turtle Freak can do this thread via iPad because their PC isn’t at the new flat yet? You’re about to.
God, lookit that. Campbell’s covers kick so much ass.
I am here for Campbell’s dilapidated cities and the utter gremlins that inhabit them.
Grumpy baby dino girl is da night.
Sorry for the delays, anybody keeping up. Been moving between a new flat in Scotland and my parent's house in England a lot, so my brain's been feeling like it's stuffed with concrete.
Sally Pride, the conscience of Hob's Mutanimals team. She is sadly another causality of the comic getting slowed down and just how large the cast is, because watching her break away and her eventual role in Mutant Town deserved more.
Also like that Raph catches himself and backtracks to give Al her due. He's being an ass to the family but he knows it's not all about him. Also just tracks for the character, even without his guilt in Mutant Town's creation: Raph's an anti social introvert AND he WOULD be the first to want to look out for a new community.
Which is the theme I love most about Campbell's run. Yes family is good, and so is -doing things outside of it.-
Another core of Campbell's writing: "This is all I've got." "No it isn't."
#TMNT
tmw you tell them to stop resisting and they smirk and stab you in the tits.
Campbell manages to give Diamond a -lot- of nuanced expressions, an impressive feat when her face is most 70% nose.
ANYWAY, this is Diamond's overall theme. She sucks. As a person, as a cop, as a villain, she even sucks at trash talk. And as Campbell will go on to argue, even the least of us deserves some kind of chance.
Back because it's not even throwing rotten tomatoes, but talking about TMNT by an actual progressive feels like -something.- And not to start this off on a sour note, but it's interesting looking at these panels when we live in a world where it's about to become more unlikely US cops being abusive will ever face consequences.
But hey, all art is dreams and protest.
#TMNT
See, if a baby dinosaur clearly hated me, I'd reflect on some stuff.
#tmnt
Free to a good home.
#tmnt
"Hey, who's your favourite Turtle? Mine's DONEatello."
Campbell is up there with Jim Lawson for drawing the TMNT, some of the most out there comic characters ever created, in the most mundane settings and making it stick with you.
#tmnt
Underrated Campbell detail: the way she not only draws the lads in normal clothes but makes sure to depict how their shells would raise the neck and back a little.