Leo'Jet Ski Fuel'nardo
Lita's situation is neat because "What would happen to the children?" feels like something that would probably be omitted from this kind of war/quarantine zoned story, especially one with protagonists that're already supposed to be adolescents.
Also, hopefully without assuming anything about Campbell's own experience, but, well, family abandoning members that are presumed not to fit anymore. Which is one of the pillars of her TMNT: family isn't -inherently- great.
We saw Raph taking down Mutanimals earlier and Al mentioned their hard assed police methods earlier in bits I omitted, and here we are seeing it in action: meting not only IDW's version of Mona Lisa but Jenikka's new personal rouges gallery, Bandit and Puggle! They're gay and not very good at antagonizing her.
Also just continuously establishing the Mutant Town problem. Hob's police are thugs and Raph beating on them hasn't really -done- anything so far.
Mmm? Changes in body, complicated emotions that're mostly the fault of our unthinkingly xenophobic world, creative outlets as a release, whaaaaaat?
So that was issue one! An issue of wall to wall set up that ends on a cliff hanger. It's interesting to come back to it knowing where the run's going to go and how shaky it's going to get.
There's a potentiality in Campbell's first story, people stuck in a world that's been broken, and it's that little bit more bittersweet knowing the characters never pull things back together as much as you'd hope. But Sophie's heart was always in the exact right place.
Sorry for the delays, anybody keeping up. Been moving between a new flat in Scotland and my parent's house in England a lot, so my brain's been feeling like it's stuffed with concrete.
Sally Pride, the conscience of Hob's Mutanimals team. She is sadly another causality of the comic getting slowed down and just how large the cast is, because watching her break away and her eventual role in Mutant Town deserved more.
Another core of Campbell's writing: "This is all I've got." "No it isn't."
Back because it's not even throwing rotten tomatoes, but talking about TMNT by an actual progressive feels like -something.- And not to start this off on a sour note, but it's interesting looking at these panels when we live in a world where it's about to become more unlikely US cops being abusive will ever face consequences.
But hey, all art is dreams and protest.
#TMNT
See, if a baby dinosaur clearly hated me, I'd reflect on some stuff.
Campbell is up there with Jim Lawson for drawing the TMNT, some of the most out there comic characters ever created, in the most mundane settings and making it stick with you.
Teenage Mutant Ninja Turtles is a stupid joke made from pure love for its pulpy medium, and the punchline is that this means when it's sincerely emotional it's devastatingly effective. It's rarely actually good, so when it is, it's the best.
But then, kinda always been the way, hasn't it?
Campbell could make a whole comic of characters just walking through dilapidated cities and isolated Massachusetts countryside and I'd read it back to back.
Seriously, Ninja Turtles doing mundane things. Best vibe in this world.
"Firstly, I did not tame the legendary buffalo; it was already tame, I merely shot it!"
A) God, what a perfect TMNT's NYC building that is. Could be a set from the first movie.
B) Okay, so putting aside the fact Hob is most probably firing Diamond because he's a paranoid control freak who doesn't like people he can't control; all we've seen of his Mutanimal cops is them oppressing other mutants and Raph beating them for it. What the hell kinda lines was Diamond crossing that -Hob- considers her a loose cannon? And where exactly is he drawing his line?
So fucking glad Campbell doesn't buy into Hob's bullshit. This is a guy who spent a hundred issues and Christ knows how many miniseries justifying everything he does in the name of mutant rights, and now that there's a couple blocks worth of them we see how he actually treats them. Diamond's a bully, but she was a person with a life until this asshole holding her at gunpoint turned her into a walking weapon and set her loose on his (also coerced) people.
1) So Hob, Mr. Bigshot mutant rights activist, is trading with the Foot clan, giving them mutants in exchange for supplies. Weaponizing his own people. Classy.
2) Koya! She's a mutant falcon who hates Leo, because he cut off her wings! She has ghost ones now! I have absolutely no strong opinions on her! (Even though she gets the best line in the run.)
Just everybody's favourite "complex" character selling mutant child soldiers. No biggie. There's been a lot of repetitive shots of Diamond following this attempted send off, and I think the one at these last two would be the only ones you'd really need.
