Why was the Human Torch banned from signing autographs?
Why was the Human Torch banned from signing autographs?
Here’s one.
What you call Iron Man when he doesn’t have any clothes on?
Stark naked.
My god, the effects.
My god, the soundtrack. He’s a fantastic musician. I really liked his Lost Themes, especially Wraith:
Bladerunner.
Me and a friend watched it in a cinema on release aged 13. I’m very tall and my friend looked about 40. (Now he’s over 50 and looks under 40.) You could get away with it in those days.
On VCR release, our friend got his dad to buy a copy and we watched it on repeat at every opportunity. I’ve watched the Final Cut release many times, which I think is even better, and it’s one of the very few films I will happily watch at any time.
The documentary about the making of it is great to watch as well. Watch the film first though. I started reading Dick’s books aged about 11 or 12 and was already hooked before the film. I think that prepared me a bit, along with other sci-fi I was reading by then.
It’s still my favourite film.
Just watched both bladerunner movies (idk which versions of them) and was rather underwhelmed. The cinematic grand setpieces i can apprechiate and see how they can be captivating for some but the story (or bith of them rather) wasnt very good imo. The worldbuilding is ambitious but the logic behind everything is lacking. Its just not “realistic” enough for me. I get thats sci-fi but for me it feels more like a fantasy movie like idk avatar or harry potter, rather than sci-fi which is supposed to play in our world/universe but with advanced tech. Things like not being able to distinguish replicants (first movie I just didnt buy. And then in the second one there is a gadget that can do just that.
And also Ryan Gosling played pretty badly (maybe it was the script), no emotions, (almost) no storytelling in his mimic, emotions, in his character at all. He is almost like a wax figure, during watching I multiple times had to pause and complain to my co-watcher about his performance, as it too was unrealistic and too stoic for my taste
I mean, I get both. Sometimes it felt more like a documentary whith grand and cinematic images of the city and few spoken words, I can apprechiate that, altho its not what I am looking for in a movie.
I suspected that he is supposed to not really show emotions, to show how he is trained/at the “baseline” and how he is not quite human. But I couldn’t see a gradual/fine development nor “hidden” or suppressed emotions behind his cold pokerface. (Apart from the one moment at the memory girl’s)
To be fair, you have to remember that the story the that the first film was based on was published in 1968. It’s basically a form of the “Seinfeld isn’t funny” trope. Just about every work of sci-fi, about being able to (or not) tell human from machine has borrowed one thing or another from Do Androids Dream of Electric Sheep or the first Bladerunner film in one way or another. It’s basically impossible not to.
So I wonder if your opinion of it, watching it for the first time in 2024 could be colored by that. If all of those themes have been beaten to death again and again, satirized, parodied, meme-ified, then eventually cycling around to being cool again, then maybe you’re noticing all of those things as the tropes/memes they became.
I would say like half of Rick and Morty episodes are a take on a Philip K. Dick plot point. Had I not read his novels before being exposed to that stuff, I’m sure I would have probably caught more about how poorly written his female characters were, for example. But at the time I was just too blown away by the concepts this dude had come up with that it didn’t matter to me.
Repo: The Genetic Opera.
It’s definitely not for everyone, but it hits all the right buttons in my moody theatre kid heart, and “I Didn’t Know I’d Love You So Much” will always get the tears going for me.
And even if someone bounces off it, I’ve gotten a terrifying number of them hooked on Zydrate Anatomy. Might be the only song they remember from the whole thing, but it stays stuck.
I don’t have a single favorite, but generally it’s going to go something like:
Triangle.
The Void.
The Endless.
Moon.
Upgrade.
Delicatessen
I haven’t seen Vivarium, although it looked like it would be good. My wife loved it.
I enjoyed The Color Out of Space for what it was; Dagon was another pretty solid Lovecraft adaptation. Oh, and for older horror, there’s The Re-Animator, and From Beyond. I think a lot of Lovecraft doesn’t translate to film very well; cosmic horror as a fiction genre just isn’t quite the same as cosmic horror in film. Adaptations of books and stories to screen always have to make compromises that can cost some of the punch, and showing something–like the screaming bear in Annihilation–can give you more punch than trying to set the same scene up in a book. Neither is ‘better’ than the other, they’re just different art forms.
If you’re into these movies, I’d recommend Necronomicon, a 1994 anthology Lovecraft horror film. It’s been out of print, but that link will take you to the full movie hosted on archive.org
It’s weird and interesting
Lovecraft visualizes 3 stories in Necronomicon: The Drowned, The Cold and Whispers, about bringing a dead wife and child back to life, extending life and...
Aliens.
Great story. Excellent pacing. Fantastic characters. Awesome music. I’m running out of adjectives, so I’ll add that I really liked: dialog, acting, special effects, lore, and setting.
The Big Lebowski
Is gonna be the best movie you’ve ever seen once you see it twice
It has a really messy plot with fast paced dialogue and subtle details that you can miss, I also remember my first time seeing it and being like “wtf is going on?”
As I said, the second time I saw it years later, I already knew the general direction of the movie so I could focus on the single characters and let me tell you: there’s a reason why there are a bunch of people quoting it all the time, every line of the script is like a meme, everything is so iconic
there’s a reason why there are a bunch of people quoting it all the time, every line of the script is like a meme, everything is so iconic
You just described the writing in everything the Coen Brothers have ever made.
“Yeah man. Well, you know, the Dude abides.” This is a space in the Fediverse for all things and memes of “The Big Lebowski”. https://lebowski.social/c/achievers [https://lebowski.social/c/achievers] Join us from your instance with: [email protected] [/c/[email protected]] A Community-Focused Lemmy Instance, ran by @[email protected] [https://urda.social/@urda] Follow @[email protected] [https://img.shields.io/mastodon/follow/110862480407547409?domain=https%3A%2F%2Furda.social&style=social]https://urda.social/@urda Check instance status at https://status.lebowski.social/ [https://status.lebowski.social/] Lebowski.Social Status Badge [https://uptime.betterstack.com/status-badges/v1/monitor/ss09.svg]https://status.lebowski.social NO FUNNY STUFF.
Never seen it, I actually started watching it this week, so far so good!
The dude is like my spirit animal.